Conclusions
On the basis of impressions gathered from the public and of the preliminary measurements available at the present time, the quality of the three halls can be said to be very satisfactory. It is clear that a quantitative definition of the properties of the halls, i.e. more objective, will be possible only after enough measurements of the four essential parameters — Tr, C, G, IACC — have been taken in conditions of spatial resolution, as regards both the listening points in the halls and the points of emission of sound on the stage. It is also possible that, on the basis of mature experience, successive operations on the moveable parts of the structure can render the acoustics of the three halls as close as possible to optimum behaviour.
I am grateful to Jürgen Reinhold of Müller-BBM for having made available the preliminary data presented in this paper, and to Francesca Malandrucco of the Press Bureau of “Musica per Roma” in Rome for having made the photographs available.
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2007 Springer-Verlag Berlin Heidelberg
About this chapter
Cite this chapter
Frova, A. (2007). The New ‘Parco della Musica’ Auditorium: Anatomy of a Mega-Project. In: Emmer, M. (eds) Mathematics and Culture V. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-34278-6_11
Download citation
DOI: https://doi.org/10.1007/978-3-540-34278-6_11
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-540-34277-9
Online ISBN: 978-3-540-34278-6
eBook Packages: Mathematics and StatisticsMathematics and Statistics (R0)