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Märchen im Medienwechsel pp 121–141Cite as

Capture the Imagination – 100 Jahre Disney-Märchenanimationsfilme

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Zusammenfassung

Der Name Disney steht heute sowohl für das Wirken eines Weltkonzerns als auch für ein kulturelles Phänomen, das mit der Macht von Träumen, Wünschen, Visionen, Bildern, Stereotypen, Grenzen und Normen zu tun hat.

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Quellenverzeichnis

1 Primärquellen/1.1 Analysierte Märchenfilme

  • Aladdin / Aladdin (R. Ron Clements/John Musker, USA 1992).

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  • Arielle, die Meerjungfrau / The Little Mermaid (R. Ron Clements/John Musker, USA 1989).

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  • Aschenputtel / Cinderella (R. Clyde Geronimi/Wilfred Jackson/Hamilton Luske, USA 1950).

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  • Cinderella (R. Walt Disney, USA 1922).

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  • Die Eiskönigin – Völlig unverfroren / Frozen (R. Chris Buck/Jennifer Lee, USA 2013).

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  • Die Schöne und das Biest / Beauty and the Beast (R. Gary Trousdale/Kirk Wise, USA 1991).

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  • Dornröschen / Sleeping Beauty (R. Clyde Geronimi/Les Clark/Eric Larson/Wolfgang Reitherman, USA 1959).

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  • Küss den Frosch / The Princess and the Frog (R. Ron Clements/John Musker, USA 2009).

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  • Little Red Riding Hood (R. Walt Disney, USA 1922).

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  • Mickey and the Beanstalk (R. Hamilton Luske/Bill Roberts, USA 1947).

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  • Puss in Boots (R. Walt Disney, USA 1922).

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  • Rapunzel – Neu verföhnt / Tangled (R. Greno Nathan/Byron Howard, USA 2010).

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  • Schneewittchen und die sieben Zwerge / Snow White and the Seven Dwarfs (R. David D. Hand, USA 1937).

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1.2 Weitere genannte Märchenfilme

  • Abenteuer im Zauberland / Babes in the Woods (R. Burt Gillet, USA 1932).

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  • Cinderella / Cinderella (R. Kenneth Branagh, USA 2015).

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  • Der Dieb von Bagdad / The Thief of Bagdad (R. Ludwig Berger/Michael Powell/Tim Whelan, GB 1940).

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  • Der gestiefelte Kater / Puss in Boots (R. Chris Miller, USA 2011).

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  • Der große böse Wolf / The Big Bad Wolf (R. Burt Gillet, USA 1934).

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  • Die drei kleinen Schweinchen / The Three Little Pigs (R. Burt Gillet, USA 1933).

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  • Die Schöne und das Biest / Beauty and the Beast (R. Bill Condon, USA 2017).

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  • Fröhlich, Frei, Spaß dabei / Fun and Fancy Free (R. Bill Roberts/Jack Kinney/Hamilton Luske/William Morgan, USA 1947).

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  • Goldie Locks and the Three Bears (R. Walt Disney, USA 1922).

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  • Im Land der Riesen / Giantland (R. Burt Gillet, USA 1933).

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  • Jack and the Beanstalk (R. Walt Disney, USA 1922).

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  • Shrek (vier Teile; R. Andrew Adamson/Vicky Jenson, USA 2001–2010).

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  • Tapferes kleines Schneiderlein / Brave Little Tailor (R. Bill Roberts, USA 1938).

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  • The Four Musicians of Bremen (R. Walt Disney, USA 1922).

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  • Verwünscht / Enchanted (R. Kevin Lima, USA 2007).

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1.3 Weitere genannte Filme (inkl. Bonusmaterial)

  • From Rags to Riches: The Making of Cinderella. Bonusmaterial zu Cinderella. DVD. 2-Disc Special Edition. Disc 2. Walt Disney Home Entertainment [2005].

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  • Hans Christian Andersen. My Life as a Fairytale (R. Philip Saville, USA 2001).

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  • Newman Laugh-O-gram [1921]. Before Walt. Inkwell Images Inc. USA 1999. DVD (Golden Classics).

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  • Once Upon a Dream: The Making of Walt Disney’s Masterpiece Sleeping Beauty (1997). Bonusmaterial zu Dornröschen. DVD. Deluxe Edition. Walt Disney Home Entertainment [o. J.].

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  • Songs of the Silly Symphonies. Buena Vista Home Entertainment [o. J.], Bonusmaterial zu Silly Symphonies: The Historic Musical Animated Classics. DVD. Walt Disney Home Entertainment [o. J.].

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  • Steamboat Willie / Steamboat Willie (R. Ub Iwerks/Walt Disney, USA 1928).

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  • Still the Fairest of Them All: The Making of Snow White and the Seven Dwarfs. Bonusmaterial zu Walt Disney’s Snow White and the Seven Dwarfs. DVD. Platinum Edition. Disc 1. Disney Enterprises Inc. [o. J.].

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  • 1937 Trailer # 1. Bonusmaterial zu Walt Disney’s Snow White and the Seven Dwarfs. DVD. Platinum Edition. Disc 2. Disney Enterprises Inc. [o. J.].

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2 Sekundärquellen

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  • Bell, Elizabeth: Somatexts at the Disney Shop. Constructing the Pentimentos of Women’s Animated Bodies. In: Bell/Haas/Sells 1995, 107–124.

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  • Bell, Elizabeth/Haas, Lynda/Sells, Laura (Hrsg.): From Mouse to Mermaid. The Politics of Film, Gender, and Culture. Bloomington/Indianapolis: Indiana University Press 1995.

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  • Bendix, Regina: Seashell Bra and Happy End. Disney’s Transformation of The Little Mermaid. In: Fabula 34 (1993), H. 3/4, 280–290.

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  • Bordwell, David/Staiger, Janet/Thompson, Kristin: The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press 1985.

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  • Borsy, Natalie: »Welcome to the real world, Princess.« Die parodistische De- und Rekonstruktion des Disney-Prinzessinnenfilms. In: Enchanted. Werkstücke No. 8 (2017), 53–86; Wiederveröffentlichung in kids+media 7 (2017) H. 1, http://www.kids-media.uzh.ch/de/1–2017.html, Zugriff: 24.08.2017.

  • Breaux, Richard M.: After 75 Years of Magic: Disney Answers Its Critics, Rewrites African American History, and Cashes in on Its Racist Past. In: Journal of African American Studies 14 (2010), 389–416.

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  • Byrne, Eleanor/McQuillan, Martin: Deconstructing Disney. London: Pluto Press 1999.

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  • Condis, Megan: Applying for the Position of Princess: Race, Labor, and the Privileging of Whiteness in the Disney Princess Line. In: Forman-Brunell/Hains 2015, 25–44.

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  • Davis, Amy M.: Good Girls and Wicked Witches. Women in Disney’s Feature Animation. Eastleigh: John Libbey Publishing 2006.

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  • Desowitz, Bill: ›Little Mermaid‹ Team Discusses Disney Past and Present. In: Animation World Network, 06.09.2006, http://www.awn.com/news/little-mermaid-team-discusses-disney-past-and-present, Zugriff: 27.04.2017.

  • Eliot, Marc: Walt Disney. Genie im Zwielicht. München: Heyne 1994.

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  • Finch, Christopher: The Art of Walt Disney. From Mickey Mouse to the Magic Kingdoms. New York: Abrams 1995.

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  • Forman-Brunell, Miriam/Hains, Rebecca C. (Hrsg.): Princess Cultures. Mediating Girls’ Imaginations and Identities. New York [u. a.]: Lang 2015.

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  • Giroux, Henry A.: The Mouse that Roared. Disney and the End of Innocence. Maryland: Rowman & Littlefield 1999.

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  • Gregory, Sarita: Disney’s Improvisation. New Orleans’ Second Line, Racial Masquerade and the Reproduction of Whiteness in The Princess and the Frog. In: Mask, Mia (Hrsg.): Contemporary Black American Cinema. Race, Gender and Sexuality at the Movies. New York/London: Routledge 2012, 175–199.

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  • Heidtmann, Horst: Von Pinocchio bis Pocahontas. Die Märchenfilme der Walt-Disney-Company. In: Wardetzky, Kristin/Zitzlsperger, Helga (Hrsg.): Märchen in Erziehung und Unterricht heute, Bd. 1: Beiträge zu Bildung und Lehre. Rheine: Europäische Märchengesellschaft 1997 (Veröffentlichungen der Europäischen Märchengesellschaft; 22), 259–268.

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  • Maltin, Leonard: The Disney Films. New York: Disney Editions 2000.

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  • Platthaus, Andreas: Von Mann & Maus. Die Welt des Walt Disney. Berlin: Henschel 2001.

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Author information

Authors and Affiliations

  1. Universität Zürich, Zürich, Switzerland

    Ingrid Tomkowiak

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  1. Ingrid Tomkowiak
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Editors and Affiliations

  1. Goethe-Universität Frankfurt am Main, Frankfurt am Main, Deutschland

    Ute Dettmar & Claudia Maria Pecher & 

  2. Berlin, Deutschland

    Ron Schlesinger

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Tomkowiak, I. (2017). Capture the Imagination – 100 Jahre Disney-Märchenanimationsfilme. In: Dettmar, U., Pecher, C.M., Schlesinger, R. (eds) Märchen im Medienwechsel. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-04593-5_7

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  • DOI: https://doi.org/10.1007/978-3-476-04593-5_7

  • Publisher Name: J.B. Metzler, Stuttgart

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