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Comics-Prose: Evolving Manga in the Twenty-First Century

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Part of the book series: Palgrave Studies in Comics and Graphic Novels ((PSCGN))

Abstract

This chapter is about the need for comics to evolve in a manner that will incorporate other forms of storytelling that it previously didn’t. Taking into account the need to expand an audience and the limits of selling hardcopies of comics, the author Queenie Chan discusses the difficulty of drawing serialised comics that is the nature of the Japanese industry, and some of the possible solutions to the problem. One solution she has discovered is mixing prose with comics—which permits an evolution of the medium in a direction which was previously unseen.

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Works Cited

  • Chan, Queenie. 2005. The Dreaming vol. 1. Los Angeles: TOKYOPOP. isbn:978-1-59-816382-7.

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  • ———. 2012. Small Shen. Sydney: Harper Voyager. isbn:978-0-73-228983-6.

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  • ———. 2014. Short Ghost Stories: The Man with the Axe in His Back. Sydney: Bento Comics. isbn:978-0-98-707124-8.

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  • ———. 2015. Fabled Kingdom vol. 1. Sydney: Bento Comics. isbn:978-1-925376-02-9.

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  • Tezuka, Osamu. 1980. Astro Boy vol. 2. Tokyo: Kodansha. isbn:4-06-173222-6.

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Correspondence to Queenie Chan .

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Chan, Q. (2019). Comics-Prose: Evolving Manga in the Twenty-First Century. In: Ogi, F., Suter, R., Nagaike, K., Lent, J.A. (eds) Women’s Manga in Asia and Beyond. Palgrave Studies in Comics and Graphic Novels. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-97229-9_20

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