Skip to main content

Suburban Sensibilities in Contemporary Plays Set in Dublin

  • Chapter
  • First Online:
Imagining Irish Suburbia in Literature and Culture

Part of the book series: New Directions in Irish and Irish American Literature ((NDIIAL))

  • 178 Accesses

Abstract

This chapter surveys contemporary Irish plays set in urban and suburban Dublin during the Celtic Tiger and Post-Celtic Tiger periods. It analyses how a broad range of Irish dramatists have mapped the profound changes that this new economic paradigm brought about, and explores, in particular, representations of class and of inter-class relationships in contemporary Irish theatre. It also posits that the formation of identities through the interface of the material, personal and sexual relationships is a recurrent theme of Irish suburban writing.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Works Cited

  • Bolger, Dermot, The Passion of Jerome (London: Methuen, 1999).

    Google Scholar 

  • ———, The Consequences of Lightening¸ in The Ballymun Trilogy (Dublin: New Island Press, 2010).

    Google Scholar 

  • Brady, Joseph, Dublin, 1950–1970: Houses, Flats and High Rise (Dublin: Four Courts Press, 2016).

    Google Scholar 

  • Carr, Marina, Marble (Oldcastle: The Gallery Press, 2009).

    Google Scholar 

  • Conroy, Amy, I (Heart) Alice (Heart) I, in The Oberon Anthology of Contemporary Irish Plays, ed. and intro. by Thomas Conway (London: Oberon Books, 2012).

    Google Scholar 

  • Dolan, Paul, Happiness by Design: Finding Pleasure and Purpose in Everyday Life (London: Allen Lane, 2014).

    Google Scholar 

  • Farrell, Bernard, Fortyfour Sycamore (Dublin: Mercier Press, 1995).

    Google Scholar 

  • ———, Bookworms (Dublin: Mercier Press, 2012).

    Google Scholar 

  • Forsyth, Ann, ‘Defining Suburbs’, Journal of Planning Literature, 27.3 (2012), 270–281.

    Article  Google Scholar 

  • Ging, Debbie, Men and Masculinities (Basingstoke: Palgrave Macmillan, 2013).

    Google Scholar 

  • Harris, Nancy, No Romance (London: Nick Hern Books, 2011).

    Book  Google Scholar 

  • Harvey, David, A Brief History of Neoliberalism (Oxford: Oxford University Press, 2005).

    Book  Google Scholar 

  • Hughes, Declan, Shiver (London: Methuen, 2003).

    Google Scholar 

  • Jordan, Eamonn and others, ‘Roundtable: Re-imagining Twentieth-Century Irish Theatre’, Irish University Review, 45.1 (2015), 90–102.

    Google Scholar 

  • ———, ‘Multiple Class Consciousnesses in Writings for Theatre During the Celtic Tiger Era’, in The Cambridge History of Irish Working-Class Writing, ed. by Michael Pierse (Cambridge: Cambridge University Press, 2017), pp. 378–396.

    Google Scholar 

  • Keegan, Gary and Feidlim Cannon, dir., The Blue Boy (Dublin Theatre Festival, 2011).

    Google Scholar 

  • McPherson, Conor, Plays One: Rum and Vodka, The Good Thief, This Lime Tree Bower, St Nicholas (London: Nick Hern Books, 2011).

    Google Scholar 

  • Muphy, Elaine, Little Gem (London: Nick Hern Books, 2009).

    Google Scholar 

  • ———, Shush (London: Nick Hern Books, 2013).

    Google Scholar 

  • Murphy, Jimmy, Two Plays: The Kings of Kilburn High & Brothers of the Brush (London: Oberon Books, 2001).

    Google Scholar 

  • Murphy, Paul, ‘Class and Performance in the Age of Global Capital’, Theatre Research International, 37.1 (2012), 49–62.

    Article  Google Scholar 

  • O’Rowe, Mark, Howie the Rookie (London: Nick Hern Books, 1999).

    Google Scholar 

  • Sandel, Michael, Justice: What’s the Right Thing to Do? (Penguin Books, Kindle Edition, 2008).

    Google Scholar 

  • Savage, Mike, Social Class in the 21st Century (Pelican, Kindle Edition, 2015).

    Google Scholar 

  • Sirr, Lorcan, ‘Unchartered Territory for the Middle Classes Forced to Rent’, Sunday Times, 9 April 2017, Move Section, p. 1.

    Google Scholar 

  • Steger, Manfred B., and Ravi K. Roy, Neoliberalism: A Very Short Introduction (Oxford: Oxford University Press, 2009).

    Google Scholar 

  • Stembridge, Gerard, That Was Then (London: Methuen, 2002).

    Google Scholar 

  • Trench, Rhona, Bloody Living: The Loss of Selfhood in the Plays of Marina Carr (Bern: Peter Lang, 2010).

    Google Scholar 

  • West, Michael, Freefall (London: Methuen, 2010).

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Eamonn Jordan .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Jordan, E. (2018). Suburban Sensibilities in Contemporary Plays Set in Dublin. In: Smith, E., Workman, S. (eds) Imagining Irish Suburbia in Literature and Culture. New Directions in Irish and Irish American Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-96427-0_9

Download citation

Publish with us

Policies and ethics