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Speaking the Unspeakable: Women, Sex, and the Dismorphmythic in Lovecraft, Angela Carter, Caitlín R. Kiernan, and Beyond

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New Directions in Supernatural Horror Literature

Abstract

Supernatural Horror in Literature canonizes a primarily male tradition of weird writing, and H.P. Lovecraft’s fictional women are often abject constructs; the sex acts he implies are linked to miscegenation that threatens humankind. Despite this, there is a Lovecraftian legacy of work by women writers, one this chapter explores, focusing on work by Angela Carter, Caitlín R. Kiernan, and selected stories collected in the anthology She Walks in Shadows, edited by Silvia Moreno-Garcia and Paula R. Stiles. These writers reinvigorate and subvert Lovecraft’s legacy, speaking back to his sexual fear and disgust while exposing deep-seated problems with gender and power.

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Notes

  1. 1.

    H.P. Lovecraft, “Supernatural Horror in Literature,” in At the Mountains of Madness: The Definitive Edition (New York: The Modern Library, [1927], 2005), 103–182.

  2. 2.

    Neil Gaiman, “Shoggoth’s Old Peculiar,” in The Mammoth Book of Comic Fantasy, ed. Mike Ashley (London: Robinson Publishing, 1998).

  3. 3.

    Neil Gaiman, Only the End of the World Again (Portland, OR: Oni Press, 2000).

  4. 4.

    Silvia Moreno-Garcia and Paula R Stiles, She Walks in Shadows, eds. Silvia Moreno-Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  5. 5.

    Julia Kristeva, Strangers to Ourselves (New York: Columbia University Press, 1991).

  6. 6.

    Angela Carter, Nights at the Circus (London: Chatto and Windus, 1987).

  7. 7.

    Mary Turzillo, “When She Quickens,” in She Walks in Shadows, eds. Silvia Moreno -Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  8. 8.

    Wendy N. Wagner, “Queen of a New America,” in She Walks in Shadows, eds. Silvia Moreno-Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  9. 9.

    Moreno-Garcia and Stiles, She Walks in Shadows.

  10. 10.

    H.P. Lovecraft, “Medusa’s Coil,” with Zealia Bishop, in Weird Tales 33, no. 1 (1939).

  11. 11.

    H.P. Lovecraft, “The Dreams in the Witch House” [1932], in “The Lurking Fear” and Other Stories (London: Panther, 1970).

  12. 12.

    H.P. Lovecraft, “The Dunwich Horror” [1929], in “The Lurking Fear” and Other Stories (London: Panther, 1970).

  13. 13.

    Lovecraft, “The Shadow.”

  14. 14.

    Horace Walpole, The Castle of Otranto (London: William Bathoe and Thomas Lownds, 1764).

  15. 15.

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  16. 16.

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  17. 17.

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  18. 18.

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  19. 19.

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  20. 20.

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  21. 21.

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  22. 22.

    Gina Wisker, “Spawn of the Pit: Lavinia, Marceline, Medusa and All Things Foul: HP Lovecraft’s Liminal Women,” in New Critical Essays on H.P. Lovecraft, David Simmons, ed. (New York: Palgrave Macmillan, 2013), 31–54.

  23. 23.

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  24. 24.

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  25. 25.

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  26. 26.

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  27. 27.

    H.P. Lovecraft, in Joshi H.P. Lovecraft: A Life, 30.

  28. 28.

    Bram Dijkstra, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-siècle Culture (Oxford: Oxford University Press, 1986).

  29. 29.

    H.P. Lovecraft, “Facts Concerning the Late Arthur Jermyn and His Family,” in The Wolverine, 1921.

  30. 30.

    Lovecraft, “The Shadow.”

  31. 31.

    Lovecraft, “The Dunwich Horror.”

  32. 32.

    Lovecraft, “The Dreams in the Witch House.”

  33. 33.

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  34. 34.

    H.P. Lovecraft, “The Rats in the Walls” [1924], in “The Lurking Fear” and Other Stories (London: Panther, 1970).

  35. 35.

    H.P. Lovecraft, “The Curse of Yig,” with Zealia Bishop, in Weird Tales, 14, no. 5 (1929), 625–36.

  36. 36.

    Lovecraft, “The Rats in the Walls.”

  37. 37.

    H.P. Lovecraft, “The Thing on the Doorstep,” in Weird Tales, January, 1937.

  38. 38.

    Moreno-Garcia and Stiles, She Walks in Shadows.

  39. 39.

    H.P. Lovecraft, “The Last Test,” with Adolphe de Castro, in Weird Tales, 12, no. 5 (1928).

  40. 40.

    Lovecraft, “The Curse of Yig.”

  41. 41.

    Lovecraft, “Medusa’s Coil,” with Zealia Bishop.

  42. 42.

    Lovecraft, “Medusa’s Coil,” with Zealia Bishop.

  43. 43.

    Oscar Wilde, The Picture of Dorian Gray (London: Ward, Lock and Co., 1891).

  44. 44.

    Simone de Beauvoir, The Second Sex (Paris: Gallimard, 1949).

  45. 45.

    Barbara Creed, The Monstrous Feminine: Film, Feminism and Psychoanalysis (London: Routledge, 1993).

  46. 46.

    Silvia Moreno-Garcia, “Magna Mater: Women and Eugenic Thought in the Work of H P Lovecraft,” MA thesis UBC (2016), 17.

  47. 47.

    Lovecraft, “The Dunwich Horror.”

  48. 48.

    Lovecraft, “Facts Concerning the Late Arthur Jermyn.”

  49. 49.

    Lovecraft, “The Shadow.”

  50. 50.

    Angela Carter, Shaking a Leg: Collected Journalism and Writings (London: Vintage, [1968], 1998), 443–447.

  51. 51.

    Lovecraft, “The Shadow,” 26.

  52. 52.

    Lovecraft, “The Shadow,” 28–9.

  53. 53.

    Kristeva, Strangers to Ourselves.

  54. 54.

    Lovecraft, “The Shadow,” 29.

  55. 55.

    Oates , “The King of Weird.”

  56. 56.

    Angela Carter, “The Loves of Lady Purple,” in Wayward Girls and Wicked Women (London: Virago, [1974], 1986).

  57. 57.

    Angela Carter, The Magic Toyshop (London: Virago Press Limited, [1967], 1981).

  58. 58.

    Carter, Nights at the Circus.

  59. 59.

    Moreno-Garcia and Stiles, She Walks in Shadows, 1.

  60. 60.

    Angela Carter, “Notes from the Front Line,” in On Gender and Writing, ed. M. Wandor (London: Pandora, 1983), 70, 71.

  61. 61.

    Carter, Shaking a Leg, 443–447.

  62. 62.

    Carter, Nights at the Circus.

  63. 63.

    Carter, Nights at the Circus, 75.

  64. 64.

    Carter, Nights at the Circus, 75.

  65. 65.

    Carter, Nights at the Circus, 77.

  66. 66.

    Carter, Nights at the Circus, 81.

  67. 67.

    Carter, Nights at the Circus, 77.

  68. 68.

    Carter, Nights at the Circus, 77.

  69. 69.

    Carter, Shaking a Leg, 444.

  70. 70.

    Carter, Shaking a Leg, 445.

  71. 71.

    Carter, Shaking a Leg, 445.

  72. 72.

    Caitlín R. Kiernan, “Houses Under the Sea,” in Lovecraft Unbound, ed. Ellen Datlow (Milwaukee: Dark Horse Books, [2003], 2009), 161–94.

  73. 73.

    Ellen Datlow, 2009, 10.

  74. 74.

    Caitlín R. Kiernan quoted in Matt Staggs, “Happy Birthday H.P. Lovecraft: Authors and Editors on His Legacy,” August 20, 2010. http://suvudu.com/2010/08/happy-birthday-h-p-lovecraft-authors-and-editors-on-his-legacy.html.

  75. 75.

    John Fowles, The French Lieutenant’s Woman (London: Jonathan Cape, 1969).

  76. 76.

    Kiernan, “Houses Under the Sea,” 162.

  77. 77.

    Kiernan, “Houses Under the Sea,” 173.

  78. 78.

    Kiernan, “Houses Under the Sea,” 164.

  79. 79.

    Kiernan, “Houses Under the Sea,” 167.

  80. 80.

    Kiernan, “Houses Under the Sea,” 193.

  81. 81.

    Kiernan, “Houses Under the Sea,” 162.

  82. 82.

    Kiernan, “Houses Under the Sea,” 168.

  83. 83.

    Kiernan, “Houses Under the Sea,” 178.

  84. 84.

    Kiernan, “Houses Under the Sea,” 186.

  85. 85.

    Kiernan, “Houses Under the Sea,” 182.

  86. 86.

    Kiernan, “Houses Under the Sea,” 179.

  87. 87.

    Kiernan, “Houses Under the Sea,” 163.

  88. 88.

    Kiernan, “Houses Under the Sea,” 189.

  89. 89.

    Kiernan, “Houses Under the Sea,” 184.

  90. 90.

    Joe Nazare, 2010. “Anatomy of the Weird Tale: Caitlín Kiernan” at http://www.macabre-republic.com/2010/09/anatomy-of-weird-tale-caitlin-r.html.

  91. 91.

    Sean Moreland, “Review of She Walks in Shadows and Aickman’s Heirs,” https://pstdarkness.com/2015/10/30/pstd-book-review-she-walks-in-shadows-and-aickmans-heirs/.

  92. 92.

    Amelia Gorman, “Bring the Moon to Me,” in She Walks in Shadows, eds. Silvia Moreno-Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  93. 93.

    Gorman, “Bring the Moon to Me,” 31.

  94. 94.

    Gorman, “Bring the Moon to Me,” 32.

  95. 95.

    Gorman, “Bring the Moon to Me,” 31.

  96. 96.

    Gorman, “Bring the Moon to Me,” 31.

  97. 97.

    Gorman, “Bring the Moon to Me,” 33.

  98. 98.

    Gorman, “Bring the Moon to Me,” 33.

  99. 99.

    Ridley Scott, Alien, 1979.

  100. 100.

    Gorman, “Bring the Moon to Me,” 34.

  101. 101.

    Gorman, “Bring the Moon to Me,” 34.

  102. 102.

    Gorman, “Bring the Moon to Me,” 34.

  103. 103.

    Angela Slatter, “Lavinia’s Wood,” in She Walks in Shadows, eds. Silvia Moreno-Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  104. 104.

    Turzillo , “When She Quickens.”

  105. 105.

    Wagner , “Queen of a New America.”

  106. 106.

    Molly Tanzer, “The Thing on the Cheerleading Squad,” in She Walks in Shadows, eds. Silvia Moreno -Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  107. 107.

    Valerie Valdes, “Shub-Niggurath’s Witnesses,” in She Walks in Shadows, eds. Silvia Moreno-Garcia and Paula R. Stiles (Vancouver, BC: Innsmouth Free Press, 2015).

  108. 108.

    Joss Whedon, Buffy the Vampire Slayer, 1997–2003.

  109. 109.

    Carter, Nights at the Circus.

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Wisker, G. (2018). Speaking the Unspeakable: Women, Sex, and the Dismorphmythic in Lovecraft, Angela Carter, Caitlín R. Kiernan, and Beyond. In: Moreland, S. (eds) New Directions in Supernatural Horror Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-95477-6_11

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