Abstract
This chapter looks at the reasons why The Terminator has consistently frustrated attempts by different media conglomerates to turn it into a stable transmedia franchise in the twenty-first century. Joyce argues that there are five main reasons, spread across production, text, and reception. First, The Terminator is plagued by an unstable rights regime with control of the IP continually changing hands to creators with different visions. Second, the Terminator canon has contradictory storyworld rules, which hinder attempts at storyworld expansion. Third, the franchise has not made the best use of ancillary media. Fourth, the franchise guardians, James Cameron and Arnold Schwarzenegger, have overshadowed the franchise. Fifth, creators have handled fan relations poorly, leading to fan frustration and franchise fatigue.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Acuna, Kirsten. 2014. James Cameron Gave an Amazing Reddit AMA on Movies He Never Made and the Future of Avatar. Business Insider, April 12.
Belloni, Matthew, and Borys Kit. 2017. James Cameron Sounds the Alarm on Artificial Intelligence and Unveils a Terminator for the 21st Century. The Hollywood Reporter, September 27.
Blink. 2007. BBC. Doctor Who Season 3, Episode 10, June 9.
Boyle, Ellexis. 2010. The Intertextual Terminator: The Role of Film in Branding Arnold Schwarzenegger. The Journal of Communication Inquiry 34 (1): 42–60.
Brancato, John. 2009. How to Beat a Twice-Dead Horse. johnbrancato.blogspot.dk, October 9. Accessed 14 May 2018.
Britton, Piers. 2011. TARDISbound: Navigating the Universes of Doctor Who. New York: I.B. Tauris.
Desborough, James. 2017. Hasta la Vista, Terminator: No More Sequels for Arnold Schwarzenegger Franchise, Source Says. New York Daily News, March 18.
Devlin, William J. 2008. Some Paradoxes of Time Travel in The Terminator and Twelve Monkeys. In The Philosophy of Science Fiction Film, ed. Steven M. Sanders, 103–118. Lexington: The University Press of Kentucky.
Fleming, Michael. 2007. More Terminator on the Way. Variety, May 9.
Fowler, Matt. 2015. Five Reasons Terminator: The Sarah Connor Chronicles Was Awesome. IGN, July 1.
Freedman, Carl. 2004. Polemical Afterword: Some Brief Reflections on Arnold Schwarzenegger and on Science Fiction in Contemporary American Culture. PMLA 119 (3): 539–546.
Friedman, Norman. 1994. The Terminator: Changes in Critical Evaluations of Cultural Products. Journal of Popular Culture 28 (1): 73–80.
GothamStreets. 2013. All That Is Wrong with Terminator 3: Rise of the Machines. downfallofterminator.blogspot.dk, April 6. Accessed 14 May 2018.
Harvey, Colin. 2015. Fantastic Transmedia: Narrative, Play, and Memory Across Science Fiction and Fantasy Story Worlds. Hampshire: Palgrave Macmillan.
Hills, Matt. 2012. Sherlock’s Epistemological Economy and the Value of ‘Fan’ Knowledge: How Producer-Fans Play the (Great) Game of Knowledge. In Sherlock and Transmedia Fandom: Essays on the BBC Series, ed. Louisa Ellen Stein and Kristina Busse, 27–40. Jefferson: McFarland.
Jenkins, Henry. 2009. The Revenge of the Origami Unicorn: Seven Principles of Transmedia Storytelling. henryjenkins.org, December 12.
Klasodeth. 2016. Has the Franchise Died? The Terminator Files Forum, December 1.
Lamble, Ryan. 2015. Are We Too Hard on Terminator 3: Rise of the Machines? Den of Geek, June 10.
Lee, Benjamin. 2015. Arnold Schwarzenegger on Terminator Salvation: ‘It Sucked.’ The Guardian, April 6.
Levine, Nick. 2015. James Cameron Endorses Terminator Genisys: ‘The Franchise Is Reinvigorated.’ NME, June 9.
LoganTH. 2012. Should There Be a Terminator Canon? The Terminator Files Forum, May 22.
O’Hara, Helen. 2015. Forget Terminator Genisys: Watch The Sarah Connor Chronicles Instead. The Telegraph, July 6.
Phillips, Ian. 2015. James Cameron Sold the Rights to Terminator Back in the ‘80s for $1 – And It’s One of His Biggest Regrets. Business Insider, July 2.
RoboCop. 1987. Directed by Paul Verhoeven. Burbank: Orion Pictures.
Ryan, Marie Laure, and Jan-Noël Thon. 2014. Introduction. In Storyworlds Across Media: Toward a Media-Conscious Narratology. Lincoln: University of Nebraska Press.
Seddon, Gem. 2015. Terminator: The Sarah Connor Chronicles Is Everything Terminator Genisys Should Have Been. Inverse, September 10.
Stirling, S.M. 2001. T2: Infiltrator. New York: Gollancz S.F.
———. 2003. T2: Rising Storm. New York: Gollancz S.F.
———. 2004. T2: The Future War. New York: Gollancz S.F.
T1. 2016. Has the Franchise Died? The Terminator Files Forum, December 26.
T3: Rise of the Machines. 2003. Atari.
Terminator 2: Judgment Day. 1991. Directed by James Cameron. Burbank: Tristar Pictures.
Terminator 3: Rise of the Machines. 2003. Directed by Jonathan Mostow. Burbank: Warner Bros. and Columbia.
Terminator Genisys. 2015. Directed by Alan Taylor. Burbank: Paramount.
Terminator: Rampage. 1993. Rockville: Bethesda.
Terminator Salvation. 2009. Directed by McG. Burbank: Warner Bros. and Columbia.
Terminator Salvation (Video Game). 2009. Directed by Ulf Andersson. California: Evolved Games.
Terminator Salvation: The Machinima Series. 2009. Warner Premiere.
Terminator: The Sarah Connor Chronicles. 2008–2009. Developed by Josh Friedman. Fox.
The Terminator. 1984. Directed by James Cameron. Burbank: Orion Pictures.
The Terminator (Video Game). 1991. Rockville: Bethesda.
The Terminator 2029. 1992. Rockville: Bethesda.
The Terminator: Future Shock. 1995. Rockville: Bethesda.
The Terminator: Skynet. 1996. Rockville: Bethesda.
Wallace, Daniel. 2011. The Jedi Path: A Manual for Students of the Force. San Francisco: Chronicle Books.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Joyce, S. (2018). The Many Deaths of The Terminator. In: Transmedia Storytelling and the Apocalypse. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-93952-0_9
Download citation
DOI: https://doi.org/10.1007/978-3-319-93952-0_9
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-93951-3
Online ISBN: 978-3-319-93952-0
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)