Abstract
In discussing Puerto Rican playwright Jorge González’s El Mediocre—specifically one of the play’s supporting characters, a black female domestic worker—this chapter advances an interpretation of “decolonial moment” within the present Puerto Rican context. Decolonial moments are conceptualized here as fleeting occurrences that are likely to be missed insomuch as they are spearheaded by subjects, who by virtue of their class, race, and/or gender are relegated to the background of our socio-political landscape. The chapter thus argues on behalf of a creative and critical engagement—and solidarity—with those in the background.
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- 1.
The book, by renowned anthropologist Jorge Duany, is part of Oxford University Press’ What Everyone Needs to Know series. The commentary here, then, is not meant as a criticism of the work nor of its author.
- 2.
For another, much more rigorous take on El Mediocre, please see Tort, Bernat. 2014. “De Violencias y Espectadores: Notas sobre lo Político en ‘El Mediocre’.” 80grados, April 17. http://www.80grados.net/de-violencias-y-espectadores-notas-sobre-lo-politico-en-el-mediocre/.
- 3.
For official statistics, please see Oficina de la Procuradora de las Mujeres, “Estadísticas sobre Violencia Doméstica en Puerto Rico 1990–2016,” https://www2.pr.gov/agencias/mujer/Estadisticas/Documents/2015/VD%201990-2016.pdf.
References
Ahmed, Sara. 2006. Queer Phenomenology: Orientations, Objects, Others. Durham: Duke University Press.
Manguso, Sara. 2016. Ongoingness: The End of a Diary. Minneapolis: Greywolf.
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Rebollo Gil, G. (2018). Our Decolonial Moment. In: Writing Puerto Rico. New Caribbean Studies. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-319-92976-7_10
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DOI: https://doi.org/10.1007/978-3-319-92976-7_10
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