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Claudia Piñeiro’s Elena Knows: How Parody in the Crime Novel Explores Disability and Feminism

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Postmodern Parody in Latin American Literature

Part of the book series: Literatures of the Americas ((LOA))

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Abstract

In this chapter, Varas studies how parody has shaped the Latin American crime novel. Parody’s most subversive aspect, “appropriation,” is a concept that encourages the creative process in the region in general and, in particular, in the crime genre. The Argentinian Claudia Piñeiro’s novel, Elena Sabe (Elena Knows) depicts the subversive and enriching aspects of parody in different ways. By revising the traditional detective novel formula, incorporating a gender critique, and including a discussion of disability, the novel opens new forms of reading gender and disability within the crime novel.

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Varas, P. (2018). Claudia Piñeiro’s Elena Knows: How Parody in the Crime Novel Explores Disability and Feminism. In: Weldt-Basson, H. (eds) Postmodern Parody in Latin American Literature. Literatures of the Americas. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-90430-6_7

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