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Tragic Adolescence in Michel Franco’s Heli and Amat Escalante’s Después de Lucía

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New Visions of Adolescence in Contemporary Latin American Cinema

Part of the book series: New Directions in Latino American Cultures ((NDLAC))

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Abstract

This chapter compares the characteristics, roles, and fates of two teenage girls who are victims of sadistic violence (including rape) in two Mexican films, Después de Lucía (dir. Michel Franco 2012) and Heli (dir. Amat Escalante 2013). After inscribing these adolescents within the broader panorama of teenage protagonists in contemporary Mexican cinema, the chapter seeks to interpret the filmic treatment and the significance of their sexual abuse in relation to other acts of violence in the films’ narratives, showing that such narratives crystallise an anti-initiatory process of the loss of speech. Lastly, the chapter focuses on the mise-en-scène of two key cinematic tropes connected with the tragedies of these adolescent characters, namely screens (i.e. televisions, videogames, iPhones) and cars.

Translated by Geoffrey Maguire and Rachel Randall

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Correspondence to Sophie Dufays .

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Dufays, S. (2018). Tragic Adolescence in Michel Franco’s Heli and Amat Escalante’s Después de Lucía. In: Maguire, G., Randall, R. (eds) New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-89381-5_9

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