Skip to main content

“Medical Gazing and the Oprah Effect in The Immortal Life of Henrietta Lacks (2017)”

  • Chapter
  • First Online:
Surveillance, Race, Culture
  • 614 Accesses

Abstract

In 1951, the cancerous cells of Henrietta Lacks, removed during a biopsy without her permission, were the first human cells to reproduce outside of the body. Known as the HeLa cell line, these cells have been reproduced and used for medical research worldwide, possibly the most important medical breakthrough of the last century. The Immortal Life of Henrietta Lacks (2017), co-produced by and starring Oprah Winfrey, dramatizes the Lacks’ family struggle to understand the way in which the cells have been used. Although the film itself operates as a form of knowledge-producing surveillance, it also exposes the medical gaze as one that has historically been inherently racialized in the US. This chapter contends that although the ‘Oprah Effect’ may have provided the potential to mobilize change, to unify race resistance, and to address prevailing structural inequalities, the inherent individualism within the narrative ruptures Oprah’s perceived ‘race champion’ status.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    I have written elsewhere about the juncture between egalitarianism and American ideology as it is represented in contemporary film . See Flynn (2016, 2017).

Bibliography

  • Andrejevic, M. (2015) ‘Forward.’ In Feminist Surveillance Studies. Dubrofsky, R. E. & Magnet, S. A. (eds.). Durham: Duke University Press, ix–xviii.

    Google Scholar 

  • Baker, J., Lynch, K., Cantillon, S. & Walsh, J. (2009) Equality: From Theory to Action. Basingstoke: Palgrave Macmillan.

    Chapter  Google Scholar 

  • Bradley, R. (2017) ‘Vestiges of Motherhood: The Maternal Function in Recent Black Cinema.’ Film Quarterly 71(2): 46–53.

    Article  Google Scholar 

  • Browne, S. (2015) Dark Matters: On the Surveillance of Blackness. Durham: Duke University Press.

    Google Scholar 

  • Collins, P. H. (1998) Fighting Words: Black Women and the Search for Justice. Minneapolis: Minnesota University Press.

    Google Scholar 

  • Comolli, J.-L. (1980) ‘Machines of the Visible.’ In The Cinematic Apparatus. de Lauretis, T. & Heath, S. (eds.). New York: St. Martin’s Press.

    Google Scholar 

  • Epstein, D. & Steinberg, D. L. (1998) ‘“American Dreamin”: Discoursing Liberally on the Oprah Winfrey Show.’ Women’s Studies International Forum 21(1): 77–94.

    Article  Google Scholar 

  • Flynn, S. (2016) ‘Get Your Legs Back: Avatar (2009) and the Re-booting of American Individualism.’ In Cultures of Representation: Disability in World Cinema Contexts. Fraser, B. (ed.). Columbia: Columbia University Press.

    Google Scholar 

  • Flynn, S. (2017) ‘Ex Machina: Possessing and Repossessing the Body.’ Ethos: A Digital Review of Arts, Humanities and Public Ethics 3(1): 32–46.

    Google Scholar 

  • Foucault, M. (1973) The Birth of the Clinic: An Archaeology of Medical Perception. London: Tavistock.

    Google Scholar 

  • Foucault, M. (1975) Discipline and Punish: The Birth of the Prison. Paris: Gallimard.

    Google Scholar 

  • Foucault, M. (1988) ‘Practicing Criticisms.’ In Michel Foucault: Politics, Philosophy, Culture. Kritzman, L. (ed.). New York: Routledge.

    Google Scholar 

  • Gates, R. (2017) ‘The Last Shall Be First: Aesthetics and Politics in Black Film and Media.’ Film Quarterly 71(2): 38–45.

    Article  Google Scholar 

  • Haggerty, K. D. & Erricson, R. V. (2000) ‘The Surveillant Assemblage.’ British Journal of Sociology 51(4): 605–622.

    Article  Google Scholar 

  • Hall, S. (1981) ‘The Whites of Their Eyes: Racist Ideologies and the Media.’ In Silver Linings. Bridges, G. & Brunt, R. (eds.). London: Lawrence and Wishart, 28–52.

    Google Scholar 

  • Hall, S. (1996) ‘The After-Life of Frantz Fanon: Why Fanon? Why Now? Why Black Skin, White Masks?’ In The Fact of Blackness: Frantz Fanon and Visual Representation. Read, A. (ed.). London: Institute of Contemporary Arts.

    Google Scholar 

  • Kinsella, B. (1997) ‘The Oprah Effect: How TV’s Premier Talk Show Host Puts Books Over the Top.’ Publishers Weekly, 20 January: 276–279.

    Google Scholar 

  • Lewenstein, B. V. (2007) ‘Why Should We Care About Science Books?’ Journal of Science Communication 6(1): 1–7.

    Google Scholar 

  • Max, D. T. (1999) ‘The Oprah Effect.’ New York Times Magazine, 26 December: 36–41.

    Google Scholar 

  • Monahan, T. (2008) ‘Editorial: Surveillance and Inequality.’ Surveillance & Society 5(3): 217–226.

    Google Scholar 

  • Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema.’ Screen 16(3): 6–18.

    Article  Google Scholar 

  • Ostherr, K. (2013) Medical Visions: Producing the Patient Through Film, Television and Imaging Technologies. Oxford: Oxford University Press.

    Google Scholar 

  • Peck, J. (1994) ‘Talk About Racism: Framing a Popular Discourse of Race on Oprah Winfrey.’ Cultural Critique 27: 89–126.

    Google Scholar 

  • Peck, L. (2010) ‘The Secret of Her Success: Oprah Winfrey and the Seductions of Self-transformation.’ Journal of Communication Enquiry 34(1): 7–14.

    Article  Google Scholar 

  • Rose, N. (2007) The Politics of Life Itself. Princeton: Princeton University Press.

    Google Scholar 

  • Skloot, R. (2010) The Immortal Life of Henrietta Lacks. New York: Crown Publishing Group.

    Google Scholar 

  • Weasel, L. H. (2004) ‘Feminist Intersections in Science: Race, Gender and Sexuality Through the Microscope.’ Hypatia 19(1): 183–193.

    Article  Google Scholar 

  • Williams, L. (1989) Hard Core: Power, Pleasure andThe Frenzy of the Visible.’ Berkeley and Los Angeles: University of California Press.

    Google Scholar 

  • World Health Organization. (2002) Genomics and World Health. Geneva: World Health Organization.

    Google Scholar 

  • Zimmer, C. (2011) ‘Surveillance Cinema: Narrative Between Technology and Politics.’ Surveillance & Society 8(4): 427–440.

    Article  Google Scholar 

  • Zimmer, C. (2015) Surveillance Cinema. New York: New York University Press.

    Google Scholar 

  • Zizek, S. (1999) The Ticklish Subject: The Absent Centre of Political Ontology. London: Verso.

    Google Scholar 

Filmography

  • Before Women Had Wings (1997) [Television/DVD] Directed by L. Kramer. US: ABC.

    Google Scholar 

  • Brother Outsider: The Life of Baynard Rustin (2003) [DVD] Directed by B. Singer & N. Kates. US: PBS.

    Google Scholar 

  • Malcolm X (1992) [Theatrical] Directed by S. Lee. US: Warner Bros.

    Google Scholar 

  • Native Son (1986) [Theatrical] Directed by J. Freeman. US: Cinecom Pictures.

    Google Scholar 

  • Selma (2014) [Theatrical] Directed by A. DuVernay. US: Paramount Pictures.

    Google Scholar 

  • The Butler (2013) [Theatrical] Directed by L. Daniels. US: Windy Hill Pictures.

    Google Scholar 

  • The Immortal Life of Henrietta Lacks (2017) [Telvision/DVD] Directed by G. C. Wolfe. Hollywood: HBO Films.

    Google Scholar 

  • The Oprah Show (1986–2011) [Television] Directed by J. C. Terry. Chicago: King World Productions.

    Google Scholar 

  • Their Eyes Were Watching God (2005) [Television/DVD] Directed by D. Martin. US: Harpo Films.

    Google Scholar 

Websites

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Susan Flynn .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Flynn, S. (2018). “Medical Gazing and the Oprah Effect in The Immortal Life of Henrietta Lacks (2017)”. In: Flynn, S., Mackay, A. (eds) Surveillance, Race, Culture . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77938-6_5

Download citation

Publish with us

Policies and ethics