Abstract
The chapter first addresses, through letters, Conrad’s interactions with several previously under-investigated, literate multilingual women with whom he shared reading, including translation projects. This not only challenges the received image of Conrad and women, including his relatives the Zagórskas (both mother and daughters), Elsie Hueffer, and Ada Galsworthy, but shows how these intellectual relationships differed from his interactions with men, and prompts reflection on Edwardian assumptions about women translators. Examining Conrad’s marital reading shows Jessie Conrad as an engaged middle-brow reader. Conrad’s own reading of women authors is compared with data on his male peers. The representations of woman readers in The Arrow of Gold, Under Western Eyes and Nostromo is followed by an examination of women readers in Chance, highlighting women’s magazines, access to libraries, women as reader-companions, and books as social props.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Works Cited
Arnold, Anne. ‘Marguerite Poradowska as a Translator of Conrad’. The Conradian 33.1 (2008): 119–29.
———. ‘Marguerite Poradowska as Conrad’s Friend and Adviser’. The Conradian 34.1 (2009): 68–83.
Baggs, Chris. ‘“In the Separate Reading Room for Ladies Are Provided Those Publications Specially Interesting to Them”: Ladies’ Reading Rooms and British Public Libraries 1850–1914’. Victorian Periodicals Review 38 (2005): 280–306.
Baxter, Katherine Isobel. ‘Conrad’s Application to the British Museum: An Unpublished Letter’. The Conradian 31.2 (2006): 79–84.
Benhamou, Noëlle. Maupassantiana. http://www.maupassantiana.fr/.
Bernstein, Susan David. Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf. Edinburgh: Edinburgh University Press, 2013.
Burwell, Rose Marie. ‘A Checklist of D. H. Lawrence’s Reading’. In A D. H. Lawrence Handbook, ed. by Keith Sagar, 59–125. Manchester: Manchester University Press, 1982.
Carabine, Keith, and Owen Knowles. ‘Conrad, E. L. Sanderson, and the Wooing of Helen Watson’. The Conradian 41.1 (Spring 2016): 69–86.
Chambers, Helen. ‘“Le traducteur E.M. (une femme)”: Conrad, the Hueffers and the 1903 Maupassant Translations’. In Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris, ed. by Alexandra Becquet and Claire Davison. International Ford Madox Ford Studies 15, ed. by Max Saunders, 115–73. Brill Rodopi: Leiden and Boston, 2016.
DeMarco, Eileen S. Reading and Riding: Hachette’s Railroad Bookstore Network in 19th-Century France. Bethlehem, PA: Lehigh University Press, 2006.
Ford (Hueffer), Ford Madox. Ford Madox Brown: A Record of His Life and Work. London: Longmans, 1896.
———. Joseph Conrad: A Personal Remembrance. London: Duckworth, 1924.
———. Return to Yesterday. Manchester: Carcanet Press, 1999.
Galsworthy, Ada. Over the Hills and Far Away. London: Hale, 1937.
Galsworthy, John. Castles in Spain and Other Screeds. London: Heinemann, 1927.
Gathorne-Hardy, Robert, ed. Ottoline: The Early Memoirs of Lady Ottoline Morrell. London: Faber, 1963.
Gide, André. Journal 1889–1939. Bibliothèque de la Pléiade. Paris: Éditions Gallimard, 1951.
Gindin, James. John Galsworthy’s Life and Art: An Alien’s Fortress. Ann Arbor: University of Michigan Press, 1987.
Graham, Jean Cunninghame (Lady Polwarth). Gaucho Laird: The Life of R. B. ‘Don Roberto’ Cunninghame Graham. Glasgow, KY: The Long Riders Guild Press, 2004.
Hampson, Robert. Conrad’s Secrets. Basingstoke: Palgrave Macmillan, 2012.
Hervouet, Yves. The French Face of Joseph Conrad. Cambridge: University Press, 1990.
Hoberman, Ruth. ‘Women in the British Museum Reading Room during the Late-Nineteenth and Early-Twentieth Centuries: From Quasi to Counter Public’. Feminist Studies 28 (2002): 489–512.
———. ‘Depictions of Women in the British Museum Reading Room’. In Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present, ed. by Janet Badia and Jennifer Phegley, 168–91. Toronto: University of Toronto Press, 2005.
Jones, Susan. Conrad and Women. Oxford: Clarendon Press, 1999.
Kelly, Thomas. A History of Public Libraries in Great Britain, 1845–1975, 2nd edn. London: Library Association, 1977.
Kipling, Rudyard. O Beloved Kids: Rudyard Kipling’s Letters to His Children, ed. by Elliot L. Gilbert. London: Max Press, 2007.
Ledbetter, Kathryn. British Women’s Victorian Periodicals: Beauty, Civilization, and Poetry. Basingstoke: Palgrave Macmillan, 2009.
Lerner, Michael G. Maupassant. London: Allen and Unwin, 1975.
Losano, Antonia. ‘Reading Women/Reading Pictures: Textual and Visual Reading in Charlotte Bronte’s Fiction and Nineteenth Century Painting’. In Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present, ed. by Janet Badia and Jennifer Phegley, 27–52. Toronto: University of Toronto Press, 2005.
Macara Brown, Neil. ‘The French Collection’. Scottish Book Collector 6 (Summer 1997): 22–24.
Miller, David. Today. London: Atlantic Books, 2011.
Mottram, R. H. For Some We Loved: An Intimate Portrait of Ada and John Galsworthy. London: Hutchinson, 1956.
Najder, Zdzisław, ed. Conrad under Familial Eyes, trans. by Halina Carroll-Najder. Cambridge: Cambridge University Press, 1983.
———. Joseph Conrad: A Life, trans. by Halina Najder. Rochester, NY: Camden House, 2007.
———. ‘Les lecteurs implicites de Joseph Conrad’. L’Époque conradienne 35 (2009): 7–13.
Palczewski, Juliusz K. ‘On Translating H. G. Wells’s Works in Polish’. In The Reception of H. G. Wells in Europe, ed. by Patrick Parrinder and John S. Partington, 152–64. London: Thoemmes Continuum, 2007.
Price, Leah. ‘Reader’s Block: Trollope and the Book as Prop’. In The Feeling of Reading, ed. by Rachel Ablow, 47–68. Ann Arbor: University of Michigan Press, 2010.
The Reading Experience Database 1450–1945 (UKRED). http://www.open.ac.uk/Arts/reading/UK/.
Roberts, Andrew Michael. Conrad and Masculinity. Basingstoke: Palgrave Macmillan, 2000.
Saunders, Max. Ford Madox Ford: A Dual Life: Vol I, The World before the War. Oxford: Oxford University Press, 1996.
———. ‘Adventures of the Soul among Masterpieces’: Ford and France (Anatole)’. In Ford Madox Ford’s Cosmopolis: Psych-geography, Flânerie and the Cultures of Paris, ed. by Alexandra Becquet and Claire Davison. International Ford Madox Ford Studies 15, ed. by Max Saunders, 129–54. Leiden and Boston: Brill Rodopi, 2016.
Stape, John. The Several Lives of Joseph Conrad. London: Arrow, 2008.
———. ‘Another Conrad Borrowing from Maupassant’. Notes and Queries 49 (2002): 493–94.
Stape, J. H., and Alexandre Fachard. ‘“Cher Monsieur”: Émilie Briquel’s Letters to Joseph Conrad’. The Conradian 40.1 (Spring 2015): 105–11.
Stark, Susanne. ‘Women’. In The Oxford History of Literary Translation in English, ed. by Peter France and Kenneth Haynes, 125–32. Oxford: Oxford University Press, 2006.
Steegmuller, Francis. Maupassant. London: Collins, 1950.
Towheed, Shafquat. ‘Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in under Western Eyes’. Book History 10 (2007): 169–91.
von Flotow, Luise. ‘Gender and Translation’. In A Companion to Translation Studies, ed. Piotr Kuhiwczak and Karin Littau, 92–105. Clevedon: Multilingual Matters Ltd, 2007.
Watts, Cedric, and Laurence Davies. Cunninghame Graham: A Critical Biography. Cambridge: Cambridge University Press, 1979.
Wells, H. G. An Experiment in Autobiography, vol. 2. London: Jonathan Cape, 1969.
White, Cynthia. Women’s Magazines, 1693–1968. London: Michael Joseph, 1970.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Chambers, H. (2018). ‘Gifted with Tenderness and Intelligence’: Conrad’s Reading Women. In: Conrad's Reading. New Directions in Book History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-76487-0_6
Download citation
DOI: https://doi.org/10.1007/978-3-319-76487-0_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-76486-3
Online ISBN: 978-3-319-76487-0
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)