Abstract
This chapter deals with the co-option of audiences’ data as well as user-generated content by institutional powers behind intrusive interfaces. It draws upon longstanding concepts from political economy such as the commodification and exploitation of audiences, as well as digital and free labour, but also discusses these processes in terms of participation, co-creation and audience creativity based on cultural studies-led approaches to audiences. Having identified three major trends in the evolving media landscape, characterized by datafication and intrusions, we specifically examine areas of audiences’ work where new business models of institutional powers center on algorithms and data mining, produsage and crowdsourcing. We argue that processes of co-option constantly oscillate between the empowerment and exploitation of audiences. Looking into the future of audiences in an age of increasing datafication and artificial intelligence, these ambiguities will require increasing attention of academics as well as audiences themselves from critical perspectives.
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Stehling, M., Vesnić-Alujević, L., Jorge, A., Marôpo, L. (2018). The Co-option of Audience Data and User-Generated Content: Empowerment and Exploitation Amidst Algorithms, Produsage and Crowdsourcing. In: Das, R., Ytre-Arne, B. (eds) The Future of Audiences. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-75638-7_5
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