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Applications of Duplicate Detection in Music Archives: From Metadata Comparison to Storage Optimisation

The Case of the Belgian Royal Museum for Central Africa
  • Joren Six
  • Federica Bressan
  • Marc Leman
Conference paper
Part of the Communications in Computer and Information Science book series (CCIS, volume 806)

Abstract

This work focuses on applications of duplicate detection for managing digital music archives. It aims to make this mature music information retrieval (MIR) technology better known to archivists and provide clear suggestions on how this technology can be used in practice. More specifically applications are discussed to complement meta-data, to link or merge digital music archives, to improve listening experiences and to re-use segmentation data. To illustrate the effectiveness of the technology a case study is explored. The case study identifies duplicates in the archive of the Royal Museum for Central Africa, which mainly contains field recordings of Central Africa. Duplicate detection is done with an existing Open Source acoustic fingerprinter system. In the set, 2.5% of the recordings are duplicates. It is found that meta-data differs dramatically between original and duplicate showing that merging meta-data could improve the quality of descriptions. The case study also shows that duplicates can be identified even if recording speed is not the same for original and duplicate.

Keywords

MIR applications Documentation Collaboration Digital music archives 

Notes

Acknowledgements

This work was partially supported by the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 703937 and partly supported by an FWO Methusalem project titled Expressive Music Interaction.

Supplementary material

462412_1_En_10_MOESM1_ESM.zip (20.5 mb)
Supplementary material 1 (zip 21022 KB)

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Copyright information

© Springer International Publishing AG 2018

Authors and Affiliations

  1. 1.IPEMGhent UniversityGhentBelgium

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