Abstract
The “Dancing Satyr” is a bronze statue that sunk to the 500 meter deep seabed of the Channel of Sicily between the fourth and second centuries bce and resurfaced towards the end of the twentieth century. In 1997, a Sicilian trawler returned to its homeport with the satyr’s left leg. A year later, the trawler reported recovery of the statue’s torso and head in the same fishing zone—in international waters between Pantelleria and the Tunisian coast. The satyr underwent restoration before embarking on a global tour of museums and exhibitions. It is now on display in a museum dedicated to it in Mazara, the trawler’s homeport. This chapter follows the satyr’s resurfacing in international waters as an emblem of Mediterraneanist heritage: regionalist, transnational, and sea-centered. The satyr’s voyage from the bottom of the sea to its home in Mazara depended on the interplay between forms of submarine contact with the past: motorized seabed trawling, archaeological and classicist scholarship, and Cold War underwater reconnaissance technologies. I argue that this interplay shaped the relationship between transnational connections and regionalist imaginaries. Objects such as the satyr decenter states’ national heritage projects, by pointing away from national territories and their consolidated histories and towards a potentially shared transnational past. At the same time, these objects enter the struggle over ownership and representation among various heritage projects, which attempt to harness the regionalist energies emanating from these objects to their national (Italian or Tunisian), subnational (Sicilian, Mazarese), or wider (European, North African, Mediterranean) projects.
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For their comments and suggestions, I would like to thank Sebastiano Tusa and Giovanna Fiume, as well as Jessica Marglin, Daniel Hershenzon, Corey Tazzara, Cyprian Broodbank, Katherine McDonald, yasser elhariry, and Edwige Tamalet Talbayev. All inaccuracies or shortcomings remain mine alone. Some parts of the first section are elaborated from my contribution to the discussion with Giovanna Fiume of Horden & Kinoshita’s 2014 A Companion to Mediterranean History in Quaderni Storici 153 (3): 841–866.
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In the few cases that end up with an important discovery, these fishers’ operations are celebrated as the main way to access relics of the past. What remains uncovered is the damage that these trawling nets incur on the seabed—flora, fauna, and archaeological relics included.
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The term “the Area” refers to “the seabed and ocean floor and subsoil thereof, beyond the limits of national jurisdiction” (United Nations 1982, 82/31363: 26).
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In Molly Greene’s words, “The northern invasion argument asserts that the Dutch, the English and the French swarmed into the Mediterranean with their superior sailing ships early in the seventeenth century, and seized control of the sea’s commercial, financial and maritime life […] This picture has been endorsed by many others, and is easily the dominant model for the Mediterranean world in the seventeenth century” (2002: 42).
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Of the six states that initially sought to include a regime for protection of underwater heritage in the UN regulations, four are from the Mediterranean (Italy, Greece, Malta, and Tunisia) and the other two host the first legs of Europe’s Atlantic colonial expansion: Portugal and Cape Verde (Scovazzi 2012: 754).
- 7.
As Sicily is an official region of the Italian state, this subnational scale would merit the term “regional,” but in order not to confuse it with transnational regions such as the Mediterranean, I’ve termed it “subnational” throughout this chapter.
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A war which itself staged the struggle between two self-proclaimed universalist programs of promoting “the benefit of mankind.”
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Ben-Yehoyada, N. (2018). Heritage Washed Ashore: Underwater Archaeology and Regionalist Imaginaries in the Central Mediterranean. In: elhariry, y., Talbayev, E. (eds) Critically Mediterranean. Mediterranean Perspectives. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-71764-7_12
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