Skip to main content

Street Performers Working for Change

  • Chapter
  • First Online:
Theatre, Performance and Change
  • 550 Accesses

Abstract

How might street theatre make change, and what kind of change might that be? How does street theatre benefit from and participate in ongoing changes in an urban–global economy?

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

References

  • Bratton, Jacky. 2003. New Readings in Theatre History. Cambridge: Cambridge University Press.

    Google Scholar 

  • Cartocrise. 2015. Last Accessed June 30. http://umap.openstreetmap.fr/en/map/cartocrise-culture-francaise-tu-te-meurs_26647#6/47.843/6.976.

  • Chaudoir, Philippe. 2000. Discours et figures de l’espace public à travers les ‘arts de la rue’: la ville en scènes. Paris: L’Harmattan.

    Google Scholar 

  • Clidière, Sylvie. 2009. Arts de la rue. Last Accessed July 1, 2015. http://www.ruelibre.net/Definition,440.

  • Compagnie L’Arbre à vache. 2015. Bob, transports en tout genre. Last Accessed June 30. http://www.cielarbreavache.com.

  • Crespin, Michel. 2008. Le Grand Livre de la rue: entretien avec Marcel Freydefont. Etudes théâtrales 41–42: 39.

    Google Scholar 

  • du Vignal, Philippe. 2000. Les artistes catalyseurs de rencontres. Rue de la folie 8: 28–30.

    Google Scholar 

  • Gaber, Floriane. 2009. 40 ans d’arts de la rue. Paris: Editions ici et là.

    Google Scholar 

  • Gonon, Anne. 2011. In Vivo: Les figures du spectateur des arts de la rue. Montpellier: Editions L’Entretemps.

    Google Scholar 

  • Guénoun, Denis. 2005. Scènes des rues. In Aurillac aux limites: théâtre de rue, ed. Claire David, 20–205. Arles: Actes Sud.

    Google Scholar 

  • Haedicke, Susan. 2013. Contemporary Street Arts in France: Aesthetics and Politics. London: Palgrave Macmillan.

    Book  Google Scholar 

  • Harris, Sue. 2004. Dancing in the Streets: The Aurillac Festival of Street Theatre. Contemporary Theatre Review 14 (2): 57–71.

    Article  Google Scholar 

  • Harvie, Jen. 2013. Fair Play: Art, Performance, and Neoliberalism. London: Palgrave Macmillan.

    Book  Google Scholar 

  • Ivernel, Philippe. 1983. Ouverture Historique: 1936 et 1968. In Le Théâtre d’intervention depuis 1968, ed. Jonny Ebstein, and Philippe Ivernel, 9–28. Lausanne: Editions L’Age d’Homme.

    Google Scholar 

  • Kester, Grant. 2011. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, NC: Duke University Press.

    Book  Google Scholar 

  • KompleXKapharnaüM. 2015. Figures Libres. Last Accessed June 30. http://www.kxkm.net/figures-libres.

  • Les Souffleurs. 2015. Forêt sensible. PDF. Last Accessed June 30. http://www.les-souffleurs.fr.

  • Rancière, Jacques. 2011. The Emancipated Spectator, trans. Gregory Elliott. London: Verso.

    Google Scholar 

  • Rappoport, Edith. 2000. André Gintzburger et Peter Bu: deux découvreurs-accompagnateurs. Rue de la folie 8: 33–34.

    Google Scholar 

  • Théâtre de l’Unité. 2015. On affronte le In. Last Accessed June 30. http://www.theatredelunite.com.

  • Wiles, David. 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to David Calder .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Calder, D. (2018). Street Performers Working for Change. In: Etheridge Woodson, S., Underiner, T. (eds) Theatre, Performance and Change. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-65828-5_4

Download citation

Publish with us

Policies and ethics