Abstract
Teaching beginner piano students is an endeavor that builds implicitly and explicitly on teachers’ beliefs, musical ideals, and personal values. This chapter begins by exploring how many twenty-first century teaching resources and practices have their origins in the piano’s history, influential educational movements, as well as scientific and industrial developments of the 1800s. As alternatives to this pedagogic history, teachers may incorporate principles of democracy and parenting as models for instruction—two approaches that highlight how teaching is concerned with the relationships between teachers and students. Democratic music teachers draw from the ideals of freedom, equality, and dignity to solicit their students’ thoughts and opinions. Democratic teaching emphasizes how the teacher’s role has inherently moral and ethical undertones. The parenting model highlights how teachers begin by leading because students may not know the way, they hand over the musical tools students need for successful mastery, and they expand students’ ongoing mastery of musicianship.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Allsup, R. (2007). Democracy and one hundred years of music education. Music Educators Journal, May, 52–56.
Apple, M., & Beane, J. (1995). Democratic schools. Alexandria, VA: Association for Supervision and Curriculum Development.
Claire, L. (1994). The social psychology of creativity. Bulletin of the Council for Research in Music Education, 119, 21–28.
Davis, B. (2004). Inventions of teaching. New York, NY: Laurence Erbaum Associates.
De Lorenzo, L. C. (2003). Teaching music as democratic practice. Music Educators Journal, 90(2), 35–40.
Dewey, J. (2008). Democracy and education.
Gellrich, M., & Sundin, B. (1993). Instrumental practice in the 18th and 19th centuries. Council for Research in Music Education, 119, 137–145.
McPherson, G. E., & Gabrielsson, A. (2002). From sound to sign. In R. Parncutt & G. McPherson (Eds.), The science and psychology of music performance. Oxford, UK: Oxford University Press.
Mueller, A., & Fleming, T. (2001). Cooperative learning: Listening to how children work at school. Journal of Educational Research, 94, 259–265.
Parakilas, J. (1999). Three hundred years of life with the piano. Yale, CT: Yale University Press.
Reimer, B. (2015). Response to Randall Allsup: “Music teacher quality and expertise”. Philosophy of Music Education Review, 23(1), 108–112.
Suzuki, S. (1982). Where love is deep. St. Louis, MS: Talent Education Journal.
Uszler, M., Gordon, S., & Mach, E. (1991). The well-tempered keyboard teacher. New York, NY: Schirmer Books.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Thompson, M.B. (2018). What Does Teaching the Piano Look like?. In: Fundamentals of Piano Pedagogy. SpringerBriefs in Education. Springer, Cham. https://doi.org/10.1007/978-3-319-65533-8_4
Download citation
DOI: https://doi.org/10.1007/978-3-319-65533-8_4
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-65532-1
Online ISBN: 978-3-319-65533-8
eBook Packages: EducationEducation (R0)