Abstract
Poetry is far from being an escapist type of activity, removed from society and reduced to a personal form of expression. On the contrary, poetic expressions are not only social endeavors, they also create something with the potential to question society and engage people in political action. In making this claim, we trace back poetry to its etymological roots, the Greek term poiesis, designating the activity of “making” or “bringing into existence.” In this chapter, we illustrate the political power of poetic expressions or, more broadly, of creative making (poiesis), at the level of society. Concretely, we will take the case study of a recent social movement in Mexico, YoSoy132, which uses poetic messages, among other art forms, to protest against the political establishment.
Keywords
- Poetic Message
- Poiesis
- Recent Social Movements
- Poetic Expression
- Societal Creativity
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
This is a preview of subscription content, access via your institution.
Notes
- 1.
Revista Proceso, Se globaliza #YoSoy132; cuenta con 52 células en distintas partes del mundo, August 1, 2012.
References
Arditi, B. (2015). The people as re-presentation and event. In C. de la Torre (Ed.), The promise and perils of populism (pp. 91–112). Kentucky: University Press of Kentucky.
Arendt, H. (1998). The human condition. Chicago: The University of Chicago Press.
Aristotle, W., Ross, D., & Brown, L. (2009). The Nicomachean ethics. Oxford: Oxford University Press.
Aroch-Fugellie, P. (2013). Leverage: Artistic interventions of Mexican student movement. Journal of Latin American Studies, 22(4), 353–373.
Awad, S. H. (2017). Documenting a forbidden memory: Symbols in the changing city space of Cairo. Culture & Psychology, 23(2), 255–262.
Awad, S. H., Wagoner, B., & Glăveanu, V. P. (2016). The (street) art of resistance. In N. Chaudhary, P. Hviid, G. Marsico & J. W. Villadsen (Eds.), Rhythms of Resistance and Existence: An Introduction (pp. 161–180). New Delhi: Springer.
Balaban, O. (1990). Praxis and Poesis in Aristotle’s practical philosophy. The Journal of Value Inquiry, 24, 185–198.
Boesch, E. E. (2001). Symbolic action theory in cultural psychology. Culture & Psychology, 7(4), 479–483.
Boros, D. (2012). Creative rebellion for the twenty-first century: The importance of public and interactive art to political life in America. NY: Palgrave.
Bunnin, N., & Yu, J. (2004). The blackwell dictionary of western philosophy. MA: Blackwell.
Castells, M. (2015). Networks of outrage and hope. Social movements in the internet age. MA: Polity.
Colas [Recorded by Los Lobos]. (2005). On acoustic en vivo. USA: Los Lobos label.
Della Porta, D., & Diani, M. (2006). Social movements. An introduction (2nd ed.). MA: Blackwell.
Dewey, J. (1934). Art as experience. NY: Penguin.
Diani, M. (1992). The concept of social movement. The Sociological Review, 40(1), 1–25.
Díaz Cepeda, R. (2015). #Yo Soy 132: A networked social movement of mexican youth. In N. Konak & R. Özgür (Eds.), Waves of social movement mobilizations in the twenty-first century. Challenges to the neo-liberal world order and democracy (pp. 41–84). NY: Lexington Books.
Edelman, M. (1995). From art to politics: How artistic creations shape political conceptions. Chicago: Chicago University Press.
Gibson, J. (1986). Ecological approach to visual perception. NY: Psychology Press, Taylor & Francis Group.
Ginsburg, G. P. (1980). Epilogue: A conception of situated action. In M. Brenner (Ed.), The structure of action (pp. 313–350). Oxford: Basil Blackwell Publisher.
Glăveanu, V. P. (2011). Creativity as cultural participation. Journal for the Theory of Social Behaviour, 41(1), 48–67.
Glăveanu, V. P. (2013). Rewriting the language of creativity: The five A’s framework. Review of General Psychology, 17(1), 69–81.
Glăveanu, V. P. (2014). Distributed creativity: Thinking outside the box of the creative individual. Cham: Springer.
Glăveanu, V. P. (2015). Developing society: Reflections on the notion of societal creativity. In A. G. Tan & C. Perleth (Eds.), Creativity, culture, and development (pp. 183–200). Singapore: Springer.
Heidegger, M. (2009). The question concerning technology. In D. M. Klaplan (Ed.), Readings in the philosophy of technology (pp. 9–24). Maryland: Rowman & Littlefield.
Lledó, E. (1961). El concepto “Poíesis” en la filosofía griega. Madrid: Consejo Superior de Investigaciones Científicas & Instituto Luis Vives de Filosofía.
Manifesto #YOSOY132. (2012). Retrieved from https://pastebin.com/pxpfU8Nv
Macro fandango Masivo. (2012). Retrieved from https://www.youtube.com/watch?v=h7Q1cRTubfQ
Mead, G. H. (1964). Selected writings: George Herbert Mead (A. J. Reck, Ed.). Chicago: University of Chicago Press.
Postmes, T. (2007). The psychological dimensions of collective action, online. In A. Joinson, K. MaKenna, T. Postmes, & U. D. Reips (Eds.), The Oxford handbook of internet psychology. NY: Oxford University Press.
Rancière, J. (2010). The politics of aesthetics. In Dissensus. On politics and aesthetics. London: Continuum.
Sternberg, R. J., & Lubart, T. (1999). The concept of creativity: Prospects and paradigms. In R. Sternberg (Ed.), Handbook of creativity (pp. 3–15). Cambridge: Cambridge University Press.
Storr, A. (1988). Solitude: A return to the self. NY: The Free Press.
Torres, G. (Ed.). (2013). Encyclopedia of Latin American popular music. Santa Barbara, California: Greenwood.
Vygotsky, L. S. (1971). The psychology of art. Cambridge, MA: The MIT Press.
Yalcintas, A. (2015). Intellectual disobedience in Turkey. In A. Yalcintas (Ed.), Creativity and humour in occupy movements (pp. 6–29). London: Palgrave.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Argüello Manresa, G., Glăveanu, V. (2017). Poetry in and for Society: Poetic Messages, Creativity, and Social Change. In: Lehmann, O., Chaudhary, N., Bastos, A., Abbey, E. (eds) Poetry And Imagined Worlds. Palgrave Studies in Creativity and Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-64858-3_3
Download citation
DOI: https://doi.org/10.1007/978-3-319-64858-3_3
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-64857-6
Online ISBN: 978-3-319-64858-3
eBook Packages: Behavioral Science and PsychologyBehavioral Science and Psychology (R0)