Skip to main content

Incoherent Texts: The Chronotope of the Superhero

  • Chapter
  • First Online:
Revision and the Superhero Genre

Part of the book series: Palgrave Studies in Comics and Graphic Novels ((PSCGN))

  • 567 Accesses

Abstract

“Discontinuities and Multiplicities,” complicates the exploration of superhero revision by examining the genre in terms of narrative temporality. Eco’s famous description of the genre’s sense of time as oneiric is supplemented by approaches drawn from several narrative theorists as well as more superhero-specific scholarship. This approach elucidates significant shifts in the role that revision has played in the construction of superhero texts in the years following Eco’s observations, particularly in the wake of the generic transition from what Henry Jenkins has identified as a paradigm of continuity to one of multiplicity. While this transition has been accompanied by corporate and narrative restrictions limiting radical content, modes of superhero revision have emerged that challenge generic orthodoxies and resist the imposition of continuity and cohesion as ultimate goals.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 59.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 59.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Bibliography

  • Bakhtin, Mikhail. The Dialogic Imagination. Ed. Michael Holquist. Trans. Caryl & Holquist, Michael Emerson. Austin, TX: University of Texas Press, 1981.

    Google Scholar 

  • Bloom, Harold. The Anxiety of Influence. 2nd Edition. Oxford: Oxford University Press, 1997.

    Google Scholar 

  • Borges, Jorge Luis. “Avatars of the Tortoise.” Borges, Jorge Luis. Labyrinths: Selected Stories and Other Writings. Ed. Donald A. & Irby, James E. Yates. New York: New Directions, 1964. 202–208.

    Google Scholar 

  • Brady, Matt. “Grant Morrison’s Big-time Return to the DCU.” 2 August 2004. Newsarama.com. 7 March 2010. http://forum.newsarama.com/showthread.php?s=5e0f1f3c032b47c7ccc8e981fe4a648a&threadid=15990.

  • Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2001.

    Google Scholar 

  • Bryant, John. The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor, MI: University of Michigan Press, 2002.

    Google Scholar 

  • Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Films. Ithaca, NY: Cornell University Press, 1990.

    Google Scholar 

  • Eco, Umberto. The Role of the Reader. Bloomington, IN: Indiana University Press, 1979.

    Google Scholar 

  • Ellis, John. Visible Fictions: Cinema: Television: Video. Abingdon, UK: Routledge & Kegan Paul, 1982.

    Google Scholar 

  • Génette, Gerard. Narrative Discourse: An Essay in Method. Trans. Jane E. Lewin. Ithaca, NY: Cornell University Press, 1980.

    Google Scholar 

  • Hajdu, David. The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America. New York, NY: Farrar, Straus and Giroux, 2008.

    Google Scholar 

  • Hagedorn, Roger. “Doubtless to be Continued: A Brief History of Serial Narrative.” To Be Continued:Soap Operas Around the World. Ed. Robert C. Allen. Abingdon, UK: Routledge, 1995. 27–48.

    Google Scholar 

  • Jenkins, Henry. “‘Just Men in Tights’: Rewriting Silver Age Comics in the Age of Multiplicity.” The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Abingdon, UK: Routledge, 2009. 16–43.

    Google Scholar 

  • Klock, Geoff. How to Read Superhero Comics and Why. London: Continuum, 2002.

    Google Scholar 

  • Lee, Stan. Origins of Marvel Comics. New York, NY: Simon and Schuster, 1974.

    Google Scholar 

  • Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. Michael Taylor. Oxford: Oxford University Press, 1974.

    Google Scholar 

  • Nyberg, Amy Kiste. Seal of Approval: The History of the Comics Code. Jackson, MS: University Press of Mississippi, 1998.

    Google Scholar 

  • Redmond, Christopher. A Sherlock Holmes Handbook. Toronto: Dundurn Press, 1993.

    Google Scholar 

  • Reynolds, Richard. Super Heroes: A Modern Mythology. Jackson, MS: University Press of Mississippi, 1992.

    Google Scholar 

  • Richardson, Brian. “Beyond Story and Discourse: Narrative Time in Postmodern and Nonmimetic Fiction.” Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. ed. Brian Richardson. Columbus, OH: Ohio State University Press, 2002. 47–63.

    Google Scholar 

  • Sabin, Roger. Comics, Comix & Graphic Novels: A History of Comic Art. London: Phaidon Press, 1996.

    Google Scholar 

  • Savage, William W. Jr. Comic Books and America, 1945–1954. Norman, OK: University of Oklahoma Press, 1990.

    Google Scholar 

  • Wandtke, Terrence R., ed. The Amazing Transforming Superhero! Jefferson, NC: McFarland & Company, 2007.

    Google Scholar 

  • Wolk, Douglas. Reading Comics: How Graphic Novels Work and What They Mean. Boston: Da Capo Press, 2007.

    Google Scholar 

  • Woo, Benjamin. “An Age-Old Problem: Problematics of Comic Book Historiography.” International Journal of Comic Art 10.1 (Spring 2008): 268–279.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to David Hyman .

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Hyman, D. (2017). Incoherent Texts: The Chronotope of the Superhero. In: Revision and the Superhero Genre. Palgrave Studies in Comics and Graphic Novels. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-64759-3_2

Download citation

Publish with us

Policies and ethics