Summary
This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule für Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach‘s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2017 Springer International Publishing AG, part of Springer Nature
About this chapter
Cite this chapter
Mazzola, G. (2017). Performance Experiments. In: The Topos of Music II: Performance. Computational Music Science. Springer, Cham. https://doi.org/10.1007/978-3-319-64444-8_11
Download citation
DOI: https://doi.org/10.1007/978-3-319-64444-8_11
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-64443-1
Online ISBN: 978-3-319-64444-8
eBook Packages: Computer ScienceComputer Science (R0)