Abstract
The Pied Piper is a peculiarly German construct, but with the English retelling of the story by Robert Browning, the figure is transported to a kind of metaphorical crossroads between Germany, Romania and England. This essay explores the effects of this shift and the significance of Transylvania as the supposed destination of the children. It draws some parallels with the Dracula myth, which was transported to Germany from the Britain and Romania of the novel via the film Nosferatu. An historicist method is employed, which is illuminating with regard to national identity and otherness, but this is shown to be increasingly problematised with every retelling. In the final phase of the argument this approach is supplanted by a desire to redeem the utopian, magical force of the fairy tale in the present.
Keywords
- The pied piper
- Robert browning
- Germany
- Romania
- England
- Transylvania
- Dracula
- Nosferatu
- Historicist method
- National identity
- Otherness
- Utopian
- Fairy tale
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George, S. (2017). Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper and Dracula Myth in Britain and Germany. In: Crișan, MM. (eds) Dracula. Palgrave Gothic. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-63366-4_5
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