Abstract
This chapter analyses tensions related to creative work when collaborating on making transnational television drama in Europe. Drawing on qualitative case studies of the bilateral Swedish–Danish co-production Bron/The Bridge (2011–), the co-financed shooting of episode 100 of the UK TV series Midsomer Murders (1997–) in Copenhagen, and the pan-European co-production The Team (2015), the chapter analyses what the main practitioners behind these series perceive as the greatest strengths or challenges when working with transnational television drama, along with notions of best practice in this regard.
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Bondebjerg, I., Redvall, E.N., Helles, R., Lai, S.S., Søndergaard, H., Astrupgaard, C. (2017). Creative Work in a Transnational Context: Cultural Encounters Behind the Scenes. In: Transnational European Television Drama. Palgrave European Film and Media Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-62806-6_5
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