Skip to main content

Introduction: Poet on the Periphery

  • Chapter
  • First Online:
Veronica Forrest-Thomson

Part of the book series: Modern and Contemporary Poetry and Poetics ((MPCC))

  • 151 Accesses

Abstract

Farmer outlines the scope of the book, which offers a chronological study of key aspects of Forrest-Thomson’s poetry and critical writing, detailing the relevance of her poetic theory and poetic practice to select contemporary poetic debates. Farmer argues that Forrest-Thomson’s work offers unique perspectives on a period of twentieth-century British literary studies when French structuralism began to be widely read, and suggests that she was the only critic who had the vision to attempt to reconcile the close reading strategies of F. R. Leavis and William Empson with the indeterminate models of language and thought of post-structuralism. Against prevailing critical trends, Farmer argues that that the diverse and sometimes contradictory nature of Forrest-Thomson’s poetic project makes it exemplary of a type of ‘late modernist’ practice.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Bibliography

  • Alvarez, Al. 1971. The Savage God: A Study of Suicide. London: Weidenfeld & Nicolson.

    Google Scholar 

  • Armstrong, Isobel. 1975. Feeling and Playing. Adam International Review xxxix (391–393): 50–1.

    Google Scholar 

  • Baudelaire, Charles. 1998. The Painter of Modern Life. In Modernisms: An Anthology of Sources and Documents, ed. Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou, 102–8. Edinburgh: Edinburgh University Press.

    Google Scholar 

  • Berengarten, Richard. 1975. Private correspondence dated 1 April 1975.

    Google Scholar 

  • ———. 2009. The Cambridge Poetry Festival: 35 Years After. Cambridge Literary Review 1 (1): 148–160.

    Google Scholar 

  • Brooker, Peter, and Simon Perril. 2003. Modernist Poetry and its Precursors. In A Companion to Twentieth-Century Poetry, ed. Neil Roberts, 21–36. Oxford: Blackwell.

    Google Scholar 

  • Carruth, Hayden. 1980. Two Critics from Britain. The Sewanee Review 88 (4): 655–658.

    Google Scholar 

  • Crozier, Andrew, and Tim Longville (eds.). 1987. A Various Art. Manchester: Carcanet.

    Google Scholar 

  • ———. 1975. Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. London: Routledge & Kegan Paul.

    Google Scholar 

  • Doyle, Brian. 1989. English and Englishness. London: Routledge.

    Google Scholar 

  • Eliot, T.S. 1975a. Reflections on “Vers Libre”. In Selected Prose of T. S. Eliot, ed. Frank Kermode, 31–36. London: Faber and Faber.

    Google Scholar 

  • ———. 1975b. Tradition and the Individual Talent. In Selected Prose of T. S. Eliot, ed. Frank Kermode, 37–44. London: Faber and Faber.

    Google Scholar 

  • Ellis, R.J. 1993. Mapping the United Kingdom Little Magazine Field. In New British Poetries: The Scope of the Possible, ed. Robert Hampson and Peter Barry, 72–106. Manchester: Manchester University Press.

    Google Scholar 

  • Farmer, Gareth. 2012. Veronica Forrest-Thomson, Poetic Artifice and the Struggle with Forms. Ph.D. thesis, University of Sussex.

    Google Scholar 

  • Ffrench, Patrick, and Roland-François Lack (eds.). 1998. The Tel Quel Reader. London: Routledge.

    Google Scholar 

  • Forrest, Veronica. 1967. Identi-kit. London: Outposts.

    Google Scholar 

  • ———. 1970. Twelve Academic Questions. Cambridge: Privately Printed.

    Google Scholar 

  • Forrest-Thomson, Veronica. 1971. Language-Games. Leeds: The University of Leeds School of English Press.

    Google Scholar 

  • ———. 1972a. Letters to Paul Buck, editor of Curtains magazine dated 27 June 1972; 4 July 1972; 25 July 1972; 26 July 1972; 4 August 1972.

    Google Scholar 

  • ———. 1972b. The Ritual of Reading Salammbô. Modern Language Review 67: 787–798.

    Google Scholar 

  • ———. 1974a. Trans. ‘2 Poems’ by Denis Roche; ‘One Text’ by Marcelin Pleynet. Strange Faeces 16: 109–114.

    Google Scholar 

  • ———. 1974b. Cordelia, or: ‘A Poem Should not Mean but Be’. Leicester: Omens.

    Google Scholar 

  • ———. 1976. On the Periphery. Cambridge: Street Editions.

    Google Scholar 

  • ———. 1978. Poetic Artifice: A Theory of Twentieth-Century Poetry. Manchester: Manchester University Press.

    Google Scholar 

  • ———. 1983. ‘La Planète séparée: John Donne et William Empson’, trans. François Maguin. In John Donne, Cahiers de l’Herne: Less Dossiers H, 213–244. Paris: l’Age d’Homme.

    Google Scholar 

  • ———. 1990. Collected Poems and Translations, ed. Anthony Barnett. London: Alladyce, Barnett, Publishers.

    Google Scholar 

  • ———. 1999. Selected Poems, ed. Anthony Barnett. London: Invisible Books.

    Google Scholar 

  • ———. 2008. Collected Poems, ed. Anthony Barnett. Exeter: Shearsman, in association with Alladyce, Barnett, Publishers.

    Google Scholar 

  • ———. 2016. Poetic Artifice: A Theory of Twentieth-Century Poetry, ed. Gareth Farmer. Bristol: Shearsman.

    Google Scholar 

  • ———. n.p. Obstinate Isles: Ezra Pound and the Late Nineteenth Century. Veronica Forrest-Thomson Archive.

    Google Scholar 

  • ———. n.p. The Separate Planet: John Donne and William Empson. Veronica Forrest-Thomson Archive.

    Google Scholar 

  • Fraser, George. 1975. Veronica: A Tribute. Adam International Review 39 (391–393): 43–45.

    Google Scholar 

  • ———. 1976. Private correspondence dated 8 March 1976.

    Google Scholar 

  • Gregson, Ian. 1992. Lost Love and Deconstruction: The Poems of Veronica Forrest-Thomson. Verse (8.3 & 9.1): 111–16.

    Google Scholar 

  • Heath, Stephen, Colin MacCabe, and Richard Prendergrast (eds.). 1971. Signs of the Times: Introductory Readings in Textual Semiotics. Cambridge: Granta.

    Google Scholar 

  • Jencks, Charles. 1991. Postmodernism vs. Late-Modern. In Zeitgeist in Babel: The Post-Modernist Controversy, ed. Ingeborg Hoesterey, 4–21. Bloomington: Indiana University Press.

    Google Scholar 

  • Keery, James. 1991a. Blossoming Synecdoches: A Study of Veronica Forrest-Thomson. Bête Noire (10 and 11): 109–122.

    Google Scholar 

  • ———. 1991b. “A Unique Voice”, Review of Veronica Forrest-Thomson Collected Poems and Translations (1990)’. P N Review 17:(4): 85–87.

    Google Scholar 

  • Kelleher, John. 1975. ‘Poetry Festival off to Promising Start’. Cambridge Evening News, 18 April, 22.

    Google Scholar 

  • Lawson, F.Q. 1975. ‘The Outrageous Friend’. Adam International Review 39:(391–393): 52-53.

    Google Scholar 

  • Leary, Paris. 1975. ‘To a Dead Girl’. Adam International Review 39:(391–393): 51–52.

    Google Scholar 

  • London, John. 1991. “Veronica Forrest-Thomson and the Art of Artifice”, Rreview of Collected Poems and Translations (1990). Fragmente 4: 80–87.

    Google Scholar 

  • Mark, Alison. 2001. Veronica Forrest-Thomson and Language Poetry. Devon: Northcote House.

    Google Scholar 

  • Miller, Tyrus. 1999. Late Modernism: Politics, Fiction and the Arts between the World Wars. Berkeley and Los Angeles: University of California Press.

    Google Scholar 

  • Mulhern, Francies. 1981. The Cambridge Affair. Marxism Today 25 (3): 27–28.

    Google Scholar 

  • Perill, Simon. 1995. Contemporary British Poetry and Modernist Innovation. Ph.D. thesis, University of Cambridge.

    Google Scholar 

  • Porter, Peter. 1976. “Impeccable Bad Taste”, Review of Veronica Forrest-Thomson, On the Periphery (1976). Observer, 12 December, 27.

    Google Scholar 

  • ———. 1990. “On the Best Battlefields No Dead Bodies”, Review of Veronica Forrest-Thomson, Collected Poems and Translation’. Observer, 5 August, 54.

    Google Scholar 

  • Prynne, J.H. 1962. Force of Circumstance and Other Poems. London: Routledge & Kegan Paul.

    Google Scholar 

  • ———. 1976. ‘A Personal Memoir’. In Veronica Forrest-Thomson, On the Periphery, 42. Cambridge: Street Editions.

    Google Scholar 

  • Rudolf, Anthony (ed.). 1976. Poems for Shakespeare 4. London: Globe Playhouse Publications.

    Google Scholar 

  • Shakespeare, William. 1994. King Richard II, ed. Peter Ure. London: Routledge.

    Google Scholar 

  • Sheppard, Robert. 1989. ‘Poor Fuckers: The New British Poets’. Pages: 161–163.

    Google Scholar 

  • Sheppard, Robert. 1994. Artifice and the Everyday World: Poetry in the 1970s. In The Arts in the 1970s: Cultural Closure?, ed. Bart Moore-Gilbert, 129–151. London and New York: Routledge.

    Google Scholar 

  • Ward, Geoff. 2010. ‘I announce the death of Orpheus’ (Jack Spicer): Poetry and the Rift. PN Review 36 (4): 79–84.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Gareth Farmer .

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Farmer, G. (2017). Introduction: Poet on the Periphery. In: Veronica Forrest-Thomson. Modern and Contemporary Poetry and Poetics. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-62722-9_1

Download citation

Publish with us

Policies and ethics