Skip to main content

Introduction: Interrogating the Production, Circulation and Reception of ‘Difference’ in Globalized Cultures

  • Chapter
  • First Online:
Book cover Narratives of Difference in Globalized Cultures

Part of the book series: New Comparisons in World Literature ((NCWL))

  • 419 Accesses

Abstract

The eleven chapters in this volume interrogate the ways in which ‘difference’—undoubtedly a prominent element within the global flows of people and products—is narrated, whether in terms of gender, sexuality, race, language or geographical location.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Works Cited

  • Ali, Monica. 2003. Brick Lane. London: Doubleday.

    Google Scholar 

  • Answered by Fire. 2006. Directed by Jessica Hobbs. Australia-Canada: Beyond Simpson le Mesurier, Muse Entertainment Enterprises, Terra Rossa Pictures, Powercorp.

    Google Scholar 

  • Bewes, Timothy. 2011. The Event of Postcolonial Shame. Princeton: Princeton University Press.

    Google Scholar 

  • Bhatt, Sujata. 1988. Brunizem. Manchester: Carcanet.

    Google Scholar 

  • Bobis, Merlinda. 1998. Summer Was a Fast Train Without Terminals. North Melbourne: Spinifex.

    Google Scholar 

  • Borderless. 2006. A Docu-Poem About the Lives of Undocumented Workers. Directed by Min Sook Lee. Toronto: Kairos.

    Google Scholar 

  • Brouillette, Sarah. 2007. Postcolonial Writers in the Global Literary Marketplace. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Dwivedi, Om Prakash, and Lisa Lau (eds.). 2014. Indian Writing in English and the Global Literary Market. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Gomo, Mashingaidze. 2010. A Fine Madness. Banbury: Ayebia Clarke.

    Google Scholar 

  • Gordimer, Nadine. 1998. The House Gun. London: Bloomsbury.

    Google Scholar 

  • Hardt, Michael, and Antonio Negri. 2004. Multitude. War and Democracy in the Age of Empire. New York: Penguin.

    Google Scholar 

  • Huggan, Graham. 2001. The Postcolonial Exotic. Marketing the Margins. London: Routledge.

    Google Scholar 

  • Martin, Emer. 2007. Baby Zero. Dingle and London: Brandon Books.

    Google Scholar 

  • Mbembe, Achille. 2003. ‘Necropolitics,’ trans. Libby Meintjes. Public Culture 15 (1): 11–40.

    Google Scholar 

  • The Namesake. 2006. Directed by Mira Nair. Mirabai Films, Fox Searchlight Productions.

    Google Scholar 

  • Saramago, José. 1986/1994. The Stone Raft, trans. Giovanni Pontiero. London: The Harvill Press.

    Google Scholar 

  • Squire, Claire. 2007. Marketing Literature. The Making of Contemporary Writing in Britain. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Steiner, George. 1989. Real Presences. Chicago: University of Chicago Press.

    Google Scholar 

  • Verdecchia, Guillermo. 1997. Fronteras Americanas. Vancouver: Talonbooks.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Belén Martín-Lucas .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Martín-Lucas, B., Ruthven, A. (2017). Introduction: Interrogating the Production, Circulation and Reception of ‘Difference’ in Globalized Cultures. In: Martín-Lucas, B., Ruthven, A. (eds) Narratives of Difference in Globalized Cultures. New Comparisons in World Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-62133-3_1

Download citation

Publish with us

Policies and ethics