Abstract
This awe-inspiring essay uses the holistic experience of reading and engaging with The WunderCabinet as a model for interdisciplinary scholarship of the twenty-first century. The essay punctuates its inventive reading of The WunderCabinet with an ergodic invitation of its own—one that will allow the reader of this essay to experience some of the same choice, serendipity, association, and discovery that reading The WunderCabinet is designed to provoke in its readers. The traditional abstract included here is merely a content teaser and, we hope, reads ironically against the innovative critical work that follows. If you wish to read more about the process by which this author undertook writing this essay, as well as the critical stakes of its production, please see the introduction to the volume as well as the accompanying anti-abstract at the close of the chapter.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Bibliography
Aarseth, Espen J. Cybertext: Perspectives on Ergodic Literature. Baltimore: John Hopkins University Press, 1997.
Butler, Judith. Undoing Gender. New York: Routledge, 2004.
Classen, Constance, ed. The Book of Touch. Oxford: Berg, 2005.
Crane, Hart. “At Melville’s Tomb.” In The Norton Anthology of Modern and Contemporary Poetry, Volume 1: Modern Poetry, edited by Jahan Ramazani, Richard Ellmann, and Robert O’Clair, 609. New York: W.W. Norton & Company, 2003.
Csordas, Thomas, ed. Embodiment and Experience: The Existential Ground of Culture and Self. Cambridge: Cambridge University Press, 1994.
Davenne, Christine. Cabinets of Wonder. Translated by Nicholas Elliott. New York: Abrams, 2011.
Eliot, T.S. “The Waste Land.” In The Norton Anthology of Modern and Contemporary Poetry, Volume 1: Modern Poetry, edited by Jahan Ramazani, Richard Ellmann, and Robert O’Clair, 474–48. New York: W.W. Norton & Company, 2003.
Evans, R.J.W. and Alexander Marr, eds. Curiosity and Wonder from the Renaissance to the Enlightenment. Burlington: Ashgate, 2006.
Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh: Edinburgh University Press, 2013.
“Introducing a forthcoming book from Heavenly Monkey Editions: The WunderCabinet.” Accessed March 28, 2014. http://www.bookstellyouwhy.com/pictures/cabinetprospectus.pdf.
Herbert, Zbigniew. “A Small Bird.” In Elegy for the Departure and Other Poems. Translated by John and Bogdana Carpenter, 38–40. New York: Ecco Press, 1999.
Hodgson, Barbara and Claudia Cohen. The WunderCabinet: The Curious Worlds of Barbara Hodgson & Claudia Cohen. No. 1. Vancouver: Heavenly Monkey Editions, 2011.
MacGregor, Arthur. Curiosity and Enlightenment: Collectors and Collections from the Sixteenth to the Nineteenth Century. New Haven: Yale University Press, 2007.
Mauriès, Patrick. Cabinets of Curiosities. London: Thames & Hudson Ltd., 2002.
Nabokov, Vladimir. Pale Fire. New York: Vintage, 1989.
Nowacek, Rebecca S. “Toward a Theory of Interdisciplinary Connections: A Classroom Study of Talk and Text.” Research in the Teaching of English 41, no. 4 (2007): 368–401.
Olalquiaga,Celeste. “Object Lesson/Transitional Object.” Cabinet 20/Ruins (2005–2006). Accessed March 28, 2014. http://cabinetmagazine.org/issues/20/olalquiaga.php.
Orillion, Marie-France. “Interdisciplinary Curriculum and Student Outcomes: The Case of a General Education Course at a Research University.” JGE: The Journal of General Education 58, no. 1 (2009): 1–18.
Poe, Edgar Allan. “Berenice.” In Collected Works of Edgar Allan Poe: Tales and Sketches. Vol 1, edited by Thomas Ollive Mabbott, 207–220. Cambridge: Belknap Press, 1978.
Shanley, John Patrick. Doubt: A Parable. New York: Theater Communications Group, 2005.
Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004.
Zytaruk, Maria. “Cabinets of Curiosities and the Organization of Knowledge.” University of Toronto Quarterly 80.1 (2011): 1–23.
Acknowledgements
With thanks to MSU Special Collections, for allowing me to photograph their copy of Hodgson and Cohen’s WunderCabinet ; to Barbara Hodgson and Claudia Cohen , for their kind permission to use the above images of their text in this essay ; to Natalie Phillips, for her photographic assistance; and to Gabriel Gottlieb and Elizabeth Hoover, for their crucial feedback on earlier drafts.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Renzi, K. (2017). “In the Soul of the Sidereal World” Mining Barbara Hodgson and Claudia Cohen’s The WunderCabinet for a Critical Model of Interdisciplinary Curiosity. In: Silbergleid, R., Quynn, K. (eds) Reading and Writing Experimental Texts. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-58362-4_6
Download citation
DOI: https://doi.org/10.1007/978-3-319-58362-4_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-58361-7
Online ISBN: 978-3-319-58362-4
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)