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Abstract

Baker has shown recreational voluntary associations as having flourished in France during the 1880s and 1890s, animating the cultural lives not only of large towns but also of many small villages. He reveals a strong associational movement and rejects the orthodox view that individualism was the key characteristic of provincial, rural society in France between 1870 and 1914. In broad terms, amateur musical societies and sports clubs spread from the north and east of France to areas in the south and west but, more specifically, they diffused from Paris to the provinces and down the settlement hierarchy from urban to rural areas. Their development was most marked in the more economically advanced regions with good communications. The success or failure of individual associations was closely linked to the social and technical skills of their key agents, many of whom were schoolteachers or priests. Focusing on the concepts of sociability and fraternity, Baker shows that while musical societies and sports clubs were practical expressions of social co-operation they also exhibited the contrary characteristic of competition (both among members of an association and among different associations). Furthermore, they also reflected the fundamental conflicts around politics and religion which permeated French society between 1848 and 1914, as well as social tensions based on occupation, class, age and gender. Hostility was as much a feature of the associational scene as harmony.

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Baker, A.R.H. (2017). Conclusions and Conjectures. In: Amateur Musical Societies and Sports Clubs in Provincial France, 1848-1914. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-57993-1_4

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