Penfold reasserts his argument that South Africa’s national literature must be understood as a fluid and dynamic body of work that has consistently interpreted the nation in different and often challenging ways. The book concludes by looking to the future. Penfold argues that South Africa’s national literature continues to be driven by a range of impulses and creativities. The most stimulating of these perhaps lie outside the confines of print, for example in graffiti and the happenings of South Africa’s parliament.
KeywordsGraffiti Political theatre Creativities Marginalisation
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