Skip to main content

The Relationship Between Real and Illusory Architecture: Survey and Analysis of the Ex-refectory of Orsoline’s Convent in Rome

  • Conference paper
  • First Online:

Part of the book series: Lecture Notes in Civil Engineering ((LNCE,volume 3))

Abstract

The subject of this work is the study of perspective scenes frescoed in the ex-refectory of an important cloister in the center of Rome, with the aim of understanding the relationship between real and illusory space through a combination of architectural survey techniques. This study concerns architectural representation, and it focuses on the Quadratura issue: an illusory architecture painting where perspective creates the illusion of spatial depth on a flat surface. All the walls depict perspective scenes of religious subjects, attributed to Andrea Pozzo and his school, and unfortunately the interior morphology has changed from the original, not permitting the correct perception.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   169.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   219.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   219.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  1. Pozzo A (1693–1698) Perspectiva pictorum et architectorum, Roma

    Google Scholar 

  2. Adani G, Manenti Valli F (2010) Il palazzo dell’imperatore. Silvana Editoriale, Milano

    Google Scholar 

  3. Addison A, Gaiani M (2000) Virtualized architectural heritage: new tools and techniques. IEEE MultiMedia J 7(2):26–31

    Article  Google Scholar 

  4. Berger J (1972) Ways of Seeing. Penguin Books, London

    Google Scholar 

  5. Bosel R, Salvucci Insolera L (eds) (2010) Mirabili disinganni. Andrea Pozzo (Trento 1642–Vienna 1709). Pittore e architetto gesuita. Artemide, Roma

    Google Scholar 

  6. Carlevaris L (2006) The issue of perspective: beyond Panofsky, beyond Gioseffi. Disegnare, idee, immagini 32:66–81

    Google Scholar 

  7. Carlevaris L (2009) Exhibition galleries in the Renaissance and the frescoes in the Gran Corridor in Sabbioneta. Disegnare, idee, immagini 39:26–37

    Google Scholar 

  8. De Feo V, Martinelli V (1996) Andrea Pozzo. Electa, Milano

    Google Scholar 

  9. De Feo V (1988) Andrea Pozzo: architettura e illusione. Officina, Roma

    Google Scholar 

  10. Di Marco F (2007) Pietro Camporese Architetto romano – 1726–1783. Lithos, Roma

    Google Scholar 

  11. Docci M (2000) Strumenti didattici per il rilievo. Corso di strumenti e metodi per il rilevamento dell’architettura. Gangemi, Roma

    Google Scholar 

  12. Farneti F, Lenzi D (2004) L’architettura dell’inganno. Quadraturismo e grande decorazione nella pittura di età barocca. Alinea, Firenze

    Google Scholar 

  13. Filippi E (2002) L’arte della prospettiva. L’opera e l’insegnamento di Andrea Pozzo e Ferdinando Galli Bibiena in Piemonte. Olschki, Verona

    Google Scholar 

  14. Kerber B (1971) Andrea Pozzo. De Gruyter, Berlin

    Google Scholar 

  15. Migliari R (1995) Perspective and infinity. Disegnare, idee, immagini 11:25–36

    Google Scholar 

  16. Migliari R (1999) La costruzione dell’architettura illusoria. Gangemi, Roma

    Google Scholar 

  17. Pancheri R (2012) Andrea e Giuseppe Pozzo. Marcianum Press, Venezia

    Google Scholar 

  18. Panofsky E (2007) La prospettiva come «forma simbolica». Abscondita, Milano

    Google Scholar 

  19. Quercioli M (2000) Rione IV Campo Marzio. In: I rioni di Roma. Newton & Compton Editori, Milano, pp. 264–334

    Google Scholar 

  20. Rendina C (2000) Le Chiese di Roma. Newton & Compton Editori, Milano

    Google Scholar 

  21. Schnapper A (1982) La scenografia barocca. CLUEB, Bologna

    Google Scholar 

  22. Sdegno A, Romor J (2008) Perception and restitution of the frescoes by Andrea Pozzo in the Rooms of St. Ignatius in Rome. Disegnare, idee, immagini 37:48–57

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Francesca Porfiri .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 Springer International Publishing AG

About this paper

Cite this paper

Porfiri, F., Tacchi, G.L. (2018). The Relationship Between Real and Illusory Architecture: Survey and Analysis of the Ex-refectory of Orsoline’s Convent in Rome. In: Amoruso, G. (eds) Putting Tradition into Practice: Heritage, Place and Design. INTBAU 2017. Lecture Notes in Civil Engineering , vol 3. Springer, Cham. https://doi.org/10.1007/978-3-319-57937-5_34

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-57937-5_34

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-57936-8

  • Online ISBN: 978-3-319-57937-5

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics