Abstract
The drawing has undergone major changes over the last twenty years. The advent of new technologies, the mind-set of the younger generation who have grown up immersed in modernity, have meant that the design of the architecture became another. Perhaps it is an “other” more comprehensive, but different from the canonical conception until the nineties, and this “other” should not only look to digital but also take up the historical sensitivity of the drawing. In the examples proposed and related to the study and modeling of the Trident in Rome the two souls of drawing are united, in a form of expression turned to knowledge and appreciation of architecture. Tradition and innovation, therefore, they are compared to generate a “product” that it was an expression of the complexity and richness of the Roman historical heritage.
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Calisi, D., Cianci, M.G. (2018). Represent and Enhance the Historical and Architectural Heritage: The Trident of Rome Between Tradition and Innovation. In: Amoruso, G. (eds) Putting Tradition into Practice: Heritage, Place and Design. INTBAU 2017. Lecture Notes in Civil Engineering , vol 3. Springer, Cham. https://doi.org/10.1007/978-3-319-57937-5_18
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DOI: https://doi.org/10.1007/978-3-319-57937-5_18
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