Abstract
The foundations of cultural organizations rest on creative talent, which requires investments to generate artistic and economic results. Cultural organizations have to dedicate time and money to recruiting, growing, and retaining creative resources to guarantee a strong performance over the long run. Most cultural organizations do not have formalized HRM practices, however there are many interesting initiatives oriented to people development and management. We have identified the main following HRM practices: (i) how to foster individual and system-wide creativity (ii) how to design a dual ladder career (managerial and artistic role) (iii) how to develop interpersonal skills to facilitate collaborations among people and organizations (iv) how to preserve and develop critical and specific technical competencies linked to arts and hand-made products (v) how performance management relies on multiple stakeholders. Creativity and experientiality engender a series of implications and approaches to HRM, which, formally or informally, determine the success and innovation of the industry.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Alvarez, J. L., Mazza, C., Pedersen, J. S., & Svejenova, S. (2005). Shielding idiosyncrasy from isomorphic pressures: Towards optimal distinctiveness in European film making. Organization, 12(6), 863–888.
Badia, F., & Donato, F. (2013). Performance measurement at world heritage sites: Per aspera ad astra. International Journal of Arts Management, 16(1), 20–33.
Bagdadli, S. (2001). Le Reti Museali in Italia e all’Estero. Milano, Egea: L’Organizzazione a Rete per i Beni Culturali.
Bagdadli, S., Hayton, J. & Paolino, C. (2009). Human resource management and capabilities: A study in the non-profit service sector. Working Paper.
Barron, R., & Harrington, D. (1981). Creativity, intelligence, and personality. In M. R. Rosenweig & L. W. Porter (Eds.), Annual review of psychology, Palo Alto, CA (Annual Reviews, 32: 439–476).
Benhamou, F. (2000). L’économie de la culture. Paris: La Découverte.
Bissola, R., & Imperatori, B. (2010). Organizzare la creatività nella project based enterprise: Agire a più Livelli. In A. Biffi (Ed.), project based enterprise (pp. 57–101). Milano: Egea.
Bjorkrgren, D. (1996). The culture business. London: Routledge.
Carù, A. & Salvemini, S. (2012). Management delle Istituzioni Artistiche e Culturali (Seconda Edizione). Egea.
Caves, R. (2000). Creative industries: Contracts between art and commerce. Cambridge, MA: Harvard University Press.
Colombo, F., & Eugeni, R. (2001). Il Prodotto Culturale. Roma: Carocci.
Deleuze, G., & Guattari, F. (1987). A Thousand Plateaus: Capitalism & Schizophrenia. Minneapolis: University of Minnesota Press.
Dilts, R. (1995). Strategies of Genius: (Vol. One). Capitola: CA, Media Publications.
Donato, F. (2008). Managing IC by antennae: Evidence from cultural organizations. Journal of Intellectual Capital, 9(3), 380–394.
Dyer, J. H., & Singh, H. (1998). The relational view: Cooperative strategy and sources of interorganizational competitive advantage. Academy of Management Review, 23(4), 660–679.
Fulton, K. and Pepe, L. (2003). Lost in La Mancha, Docurama (Cinedigm) (Documentery movie).
Gil, R., & Spiller, P. T. (2007). The organizational dimensions of creativity: Motion picture production. California Management Review, 50(1), 243–260.
Gilhespy, I. (1999). Measuring the performance of cultural organizations: A model. International Journal of Arts Management, 2(1), 38–52.
Gstraunthaler, T, & Piber, M. (2012). The performance of museums and other cultural institutions. Numbers or genuine judgements? International Studies of Management and Organizations, 42 (2),29–42.
Guba, E. G. & Lincoln, Y. S. (1989). Fourth generation evaluation. Competing paradigms in qualitative research. In Handbook of Qualitative Research, N.K. Denzin & Y.S. Lincoln(Eds.), pp. 105–117. Thousand Oaks, CA: Sage.
Guilford, J. P. (1967). The nature of human intelligence. New York: McGraw-Hill.
Hargadon, A. B., & Bechky, B. A. (2006). When collections of creatives become creative collectives: A field study of problem solving at work. Organization Science, 17, 484–500.
Harvey, S. (2014). Creative synthesis: Exploring the process of extraordinary group creativity. Academy of Management Review, 39(3), 324–343.
Heracleous, L., & Barrett, M. (2001). Organizational change as discourse: Communicative actions and deep structures in the context of information technology implementation. Academy of Management Journal, 44, 755–778.
Hunter, S. T., Bedell, K. E., & Mumford, M. D. (2007). Climate for creativity: A quantitative review. Creativity Research Journal, 19(1), 69–90.
IFPI Digital Music Report 2014: Dar Vita a Nuovi Mercati. IFPI 2014.
Jones, C., & DeFilippi, R. J. (1996). Back to the future in Film: Combining industry and self-knowledge to meet the career challenges of the 21st century. Academy of Management Executive, 10(4), 89–103.
Katz, R., Tushman, M. L, & Allen, T. J. (1990). Exploring the dynamics of dual ladder: A longitudinal study. Massachusetts Institute of Technology Press.
Klein, B., Crawford, R. G., & Alchian, A. A. (1978). Vertical integration, appropriable rents, and the competitive contracting process. Journal of Law and Economics, 21, 297–326.
Koestler, A. (1964). The act of creation. New York: Penguin.
Lafortune, A. et al. (1999). An exploration of management control in the arts and cultural sector. International Journal of Arts Management, 2(1), 64–76.
Lampel, J., Lant, T., & Shamsie, J. (2000). Balancing act: Learning from organizing practices in cultural industries. Organization Science, 11(3), 263–269.
Lourenco, S. V., & Glidewell, J. C. (1975). A dialectic analysis of organizational conflict. Administrative Science Quarterly, 20, 489–508.
Moore, K. (1994). Museum management. London Routledge.
Mumford, M. D., Scott, G. M., Gaddis, B., & Strange, J. M. (2002). Leading creative people: Orchestrating expertise and relationships. Leadership Quarterly, 13(6), 705–750.
Oldham, G. R., & Cummings, A. (1996). Employee creativity: Personal and contextual factors at work. Academy of Management Journal, 39(3), 607–634.
Powell, W. W. & Smith-Doerr, L. (1994). Networks and economic life, in Smelser, N.J. and Swedberg, R. The Handbook of Economic Sociology, Princeton University Press.
Rentscheler, R., & Potter, B. (1996). Accountability versus artistic development. Accounting, Auditing & Accountability Journal, 9(5), 100–113.
Throsby, D. (2001). Economics and Culture. Cambridge: Cambridge University Press.
Throsby, D. (2004). Assessing the impacts of a cultural industry. Journal of Arts Management, Law, and Society, 34(3), 188–204.
Turbide, J., & Laurin, D. (2009). Performance measurement in the arts sector: The case of the performing arts. International Journal of Arts Management, 11(2), 56–70.
Voss, G. B., Cable, D. M., & Voss, Z. G. (2000). Linking organizational values to relationships with external constituents: A study of nonprofit professional theatres. Organization Science, 11(3), 330–347.
Weil, S. (2005). A success/failure matrix for museums. Museum News, 84(1), 36–40.
Williamson, O. E. (1985). The economic institutions of capitalism. New York: Free Press.
Woodman, R. W., Sawyer, J. E., & Griffin, R. W. (1993). Toward a theory of organizational creativity. Academy of Management Review, 18(2), 293–321.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Ruta, D., Sala, I. (2018). HRM in Cultural Institutions. In: Brewster, C., Cerdin, JL. (eds) HRM in Mission Driven Organizations. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-57583-4_6
Download citation
DOI: https://doi.org/10.1007/978-3-319-57583-4_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-57582-7
Online ISBN: 978-3-319-57583-4
eBook Packages: Business and ManagementBusiness and Management (R0)