Abstract
By creating a dialogue between literary and geographical figures from within and beyond Latin America—from Homer to José Joaquín Olmedo, Elisée Reclus, Alexander von Humboldt, and William Vollman—this chapter delineates the ways in which geography has always been a political practice that discursively makes and unmakes land. It fleshes out the basics of transculturated geographical discourse and geocriticism to illuminate how the marriage between land and letters materializes from the particular colonial context of the Americas. Upon establishing that Latin America’s writer-statesmen imagine national consolidation through geocentered institutions and literatures, this chapter attends to the discipline’s complicity in past genocide and current ecocide. It closes with the power of photography and film to surmount discursive failures of representation.
Mas los sublimes montes, cuya frente
a la región etérea se levanta,
que ven las tempestades a su planta
brillar, rugir, romperse, disiparse,
los Andes, las enormes, estupendas
moles sentadas sobre bases de oro,
la tierra con su peso equilibrado,
jamás se moverán. Ellos, burlando
de ajena envidia y del protervo tiempo
la furia y el poder, serán eternos
de libertad y de victoria heraldos.
—José Joaquín Olmedo, “La victoria de Junín” (1824) 1
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Madan, A.S. (2017). Heretofore: Delineation. In: Lines of Geography in Latin American Narrative. Geocriticism and Spatial Literary Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-55140-1_1
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