Abstract
Kate Grenville is one of Australia’s foremost women writers whose fictional works have, since the early 1980s, tracked and charted aspects of Australian life. Her novels and short stories refigure literary and national spaces, particularly for women, but also in terms of cross-cultural interactions across the settler-Indigenous divide. Her most well-known and celebrated novels, Lilian’s Story (1985) and the international best-seller, The Secret River (2005) have rightly become classics in the field of Australian literature. This chapter analyses the ways in which Grenville’s narratives have explored the “dark places” of Australian life and have illuminated and teased out the tensions, inequalities and violence lurking below the surface of the “lucky country” and how they problematise the all-too-easily accepted story of white settlement.
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Notes
- 1.
Magdalena Ball, “An Interview with Kate Grenville”, http://www.compulsivereader.com/2003/03/19/an-interview-with-kate-grenville/, accessed online November 20, 2014.
- 2.
Kate Grenville, Keynote address, Festival of Ideas, University of Melbourne (May 2009), The Monthly: Australian Politics, Society and Culture, https://www.themonthly.com.au/video/2013/03/24/1364103709/kate-grenville-writers-time-change-part-2, accessed online August 15, 2012.
- 3.
Kate Grenville, The Writing Book: A Workbook for Fiction Writers (Sydney: Allen & Unwin, 1990); Making Stories: How Ten Australian Novels Were Written, edited by Kate Grenville and Sue Woolfe (Sydney: Allen & Unwin, 1993); Kate Grenville, Writing from Start to Finish: A Six-Step Guide (Allen & Unwin, 2002); Kate Grenville, Searching for the Secret River (Melbourne: Text, 2006).
- 4.
Kate Grenville, “Two Interviews”, http://kategrenville.com/node/71, accessed online November 15, 2014.
- 5.
Kate Grenville, ibid .
- 6.
Kate Grenville, “No Such Thing as a Free Lunch” in Bearded Ladies (St. Lucia: University of Queensland Press, 1984), 114–118.
- 7.
Kate Grenville, Bearded Ladies, 114.
- 8.
Kate Grenville, ibid, 118.
- 9.
This is pointed out by Susan Sheridan in “Reading Feminism in Kate Grenville’s Fiction” in Lighting Dark Places ed. Sue Kossew (Amsterdam & New York: Rodopi, 2010), 1–15, 4.
- 10.
Kate Grenville, Dreamhouse, (St Lucia: University of Queensland Press, 1986), 7.
- 11.
Susan Sheridan points out that Grenville was strongly influenced by Anne Summers’ 1975 study, Damned Whores and God’s Police, in particular, by the parallels between colonialism and “other oppressive relationships”. See Sheridan’s “Reading Feminism in Kate Grenville’s Fiction” in Lighting Dark Places, edited by Sue Kossew, 8.
- 12.
Candida Baker, “Kate Grenville,” in Yacker 3: Australian Writers Talk About Their Work (Sydney: Picador, 1989): 100–129, 127. All quotations are from this page.
- 13.
Kate Grenville, Lilian’s Story (St. Leonard’s: Allen & Unwin, 1986), 93.
- 14.
Kate Grenville, ibid, 14.
- 15.
Kate Grenville, ibid, 19.
- 16.
Kate Grenville, ibid, 44. Grenville uses italics for dialogue, omitting speech marks, in this and other novels.
- 17.
Bill Ashcroft, “Madness and Power” in Lighting Dark Places, 64.
- 18.
Kate Grenville, Lilian’s Story, 201.
- 19.
Kate Grenville, “Dark Places: Readers’ Notes.” http://kategrenville.com/Dark_Places_Readers_Notes, accessed online November 14, 2014.
- 20.
Ivor Indyk, “Lilian’s Graceless Encore,” Weekend Australian (9–10 July 1994): “Review” Section, 7.
- 21.
Kate Grenville, Dark Places (Sydney: Picador, 1995), 2.
- 22.
Kate Grenville, ibid, 373.
- 23.
I have written about this novel in “Constructions of Nation and Gender in The Idea of Perfection”, in Lighting Dark Places, 153–166.
- 24.
Kate Grenville, The Idea of Perfection (Sydney: Picador, 1999), 191.
- 25.
Magdalena Ball, “An Interview with Kate Grenville”, http://www.compulsivereader.com/2003/03/19/an-interview-with-kate-grenville, accessed online November 20, 2014.
- 26.
‘Two Interviews’, http://kategrenville.com/node/71, accessed online November 15, 2014.
- 27.
James Naughtie, “Kate Grenville,” BBC Radio 4 Book Club, June 11, 2009, http://www.bbc.co.uk/programmes/b00kryfr, accessed online November 16, 2014.
- 28.
Kate Grenville, Searching for the Secret River, 5.
- 29.
James Naughtie, ibid.
- 30.
Kate Grenville, Secret River, 325.
- 31.
Kate Grenville, “Hooked on History”, Interview with Catherine Keenan, Sydney Morning Herald, Sept. 20–21, 2008: 30–31, 31.
- 32.
Kate Grenville, The Lieutenant (Melbourne: Text, 2006), 280.
- 33.
Kate Grenville, ibid, (233–234).
- 34.
Kate Grenville, ibid, (302).
- 35.
Kate Grenville, Sarah Thornhill (Melbourne: Text, 2011), 110.
- 36.
Kate Grenville, ibid, 241.
- 37.
Kate Grenville, ibid, 303.
- 38.
Kate Grenville, ibid, 304.
- 39.
Kate Grenville, ibid, 304.
Bibliography
Baker, Candida. “Kate Grenville.” In Yacker 3: Australian Writers Talk About Their Work, 100–129. Edited by Barry Spurr, Lloyd Cameron. Sydney: Picador, 1989.
Grenville, Kate. Bearded Ladies. St. Lucia: University of Queensland Press, 1984.
Grenville, Kate. Dark Places. Sydney: Picador, 1995.
Grenville, Kate. Dreamhouse. St. Lucia: University of Queensland Press, 1986.
Grenville, Kate. Joan Makes History. St. Lucia: University of Queensland Press, 1988.
Grenville, Kate. Lilian’s Story. St Leonards, New South Wales: Allen & Unwin, 1986.
Grenville, Kate. (Ed. with Sue Woolfe). Making Stories: How Ten Australian Novels Were Written. Sydney: Allen & Unwin, 1993.
Grenville, Kate. “No Such Thing as a Free Lunch.” In Bearded Ladies, 114–118. St Lucia, Qld: University of Queensland Press, 1984.
Grenville, Kate. Sarah Thornhill. Melbourne: Text, 2011.
Grenville, Kate. Searching for the Secret River. Melbourne: Text, 2006.
Grenville, Kate. The Idea of Perfection. Sydney: Picador, 1999.
Grenville, Kate. The Lieutenant. Melbourne: Text, 2008.
Grenville, Kate. The Writing Book: A Workbook for Fiction Writers. Sydney: Allen & Unwin, 1990.
Grenville, Kate. Writing from Start to Finish: A Six Step Guide. Sydney: Allen & Unwin, 2002.
Indyk, Ivor. “Lilian’s Graceless Encore.” Weekend Australian (newspaper issue) July 9–10, 1994: Review Section, 7.
Sheridan, Susan. “Reading Feminism in Kate Grenville’s Fiction.” In Lighting Dark Places: Essays on Kate Grenville, 1–15. Edited by Sue Kossew. Amsterdam and New York: Rodopi, 2010.
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Kossew, S. (2017). Kate Grenville’s Transgressive Narratives. In: Das, D., Dasgupta, S. (eds) Claiming Space for Australian Women’s Writing. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-50400-1_7
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