Abstract
Monitoring, digitizing and archiving museum artworks represent an important socio-cultural accomplishment and an overcoming in digital preservation today. Cultural heritage is constantly under threat of terrorist attacks and natural disaster. The high costs related to documentation task have prevented a constantly and massive survey activity. The low cost 3D image based acquisition and elaboration techniques of an object, allow to carry out a 3D photorealistic model in a short time. Therefore, a lot of museum adopted these techniques for the artworks archiving. Crowdsourcing activities can significantly speed up survey and elaboration procedures. If, on the one hand, these initiatives can have a positive impact, on the other hand involve the online user with a marginal role. In this paper we demonstrate how it is appropriate thinking the museum visitor as “museum operator/maker” of the digital model overstepping the outcomes achieved so far.
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Acknowledgements
Authors would like to thank Marianna Marcucci, Fabrizio Todisco and Elisa Bonacini, Digital Invasions project; Giovanna Spadafora and Sandro Garrubbo, Salinas Museums in Palermo; Valentina Noto, Museo Civico Castello Ursino in Catania.
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Inzerillo, L., Santagati, C. (2016). Crowdsourcing Cultural Heritage: From 3D Modeling to the Engagement of Young Generations. In: Ioannides, M., et al. Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. EuroMed 2016. Lecture Notes in Computer Science(), vol 10058. Springer, Cham. https://doi.org/10.1007/978-3-319-48496-9_70
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DOI: https://doi.org/10.1007/978-3-319-48496-9_70
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