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Epistemology, Aesthetics and Pragmatics of Scientific and Other Images: Visualization, Representation and Reasoning

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Book cover Fuzzy Pictures as Philosophical Problem and Scientific Practice

Part of the book series: Studies in Fuzziness and Soft Computing ((STUDFUZZ,volume 348))

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Abstract

Vagueness of appearance and depiction is a property of the categorization of images. Through categorization, whatever pictures do, they may do approximately and vaguely. And what images can do, that is, what they do for us and we can do with them, depends on what we think their roles are. In general, pictures play a role in ordinary and scientific argument and in cognition more broadly. They are key to identifying, documenting, tracking and exploring visible properties of empirical systems and phenomena, also and to visualizing and communicating empirical and theoretical information; they can be emotionally compelling, aesthetically powerful, and exhibit and enforce values and biases. This is no less relevant in the study of systems, individual or generic, whose relevant properties are spatial, chromatic or structural. Relevant examples differ widely in medium, mode of production and use; they include photographs, drawings, data charts, diagrams, animations, film recordings, computer generated images, etc. Pictures in many such cases are meant to support inferences, recognition processes and carry heuristic and evidence value. We think with them and through them.

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Notes

  1. 1.

    The literature is vast. In the scientific cases, see, for instance, Baigrie [1], Larkin and Simon [2], Tufte [43], Daston and Galison [3], Hentschel [4], Perini [5], Goodwin [6] and Kulvicki [7]. Some of the literature focuses of generalities or taxonomies; another draws attention to the contextual and contingent nature of particular cases.

  2. 2.

    Empirical methodology often works on the basis of contextual discrimination of (relatively) theoretical stuff. The distinction may be based on different criteria.

  3. 3.

    Arguably, relevant experience that in scientific inquiry plays the empirical role of perceptual input may not be strictly visual.

  4. 4.

    Frigg and Hartmann [8], Giere [9], Bailer-Jones [10], Weisberg [11].

  5. 5.

    Lynch [12].

  6. 6.

    Cat [13].

  7. 7.

    Giere [9].

  8. 8.

    Kulvicki [7].

  9. 9.

    Hesse [14].

  10. 10.

    Gentner et al. [15], Hofstadter and Sander [16].

  11. 11.

    Dunn and Everitt [17].

  12. 12.

    The ordinary psychology of analogical judgments presents asymmetries and other contextual features first detected by Tverski; this, as well as other chronological and cognitive factors, may be linked to the asymmetric function of analogy for instance in the generation and interpretation of metaphors, also in science; see Gentner et al. [15], Cat [18].

  13. 13.

    Set similarity is introduced to define near sets in Peters and Pal [19], 1.7. Set similarity ultimately rests on measures of indistinguishability of points relative to features defined on them, that is, the difference between values of feature probe functions, or membership functions.

  14. 14.

    For an application of set-theoretic criterion in the case of the relation between models and their target, see Weisberg [11].

  15. 15.

    Dubois and Prade [20], Klir and Yuan [21].

  16. 16.

    It is common to confuse animation and simulation mistaking one for the other.

  17. 17.

    Perini [5].

  18. 18.

    Shin [22].

  19. 19.

    Shin [22].

  20. 20.

    Klir and Yuan [21].

  21. 21.

    I discuss views and examples of scientific metaphors in Cat [18].

  22. 22.

    A range of issues related to so-called visuospatial thinking are discussed in Shah and Miyake [23].

  23. 23.

    Kosslyn [24], Taylor [25].

  24. 24.

    For an integrative and evaluative review of such models see Shah et al. [26].

  25. 25.

    Lynch [12]. In a forthcoming essay Scott Curtis distinguishes between the aesthetic of the smooth and the rough, with the focus is on what I have been calling intrinsic visual features of the images.

  26. 26.

    Shin [22].

  27. 27.

    Ibid.

  28. 28.

    See Barwise and Etchemendy [27], Barwise and Hammer [28], Shin [22].

  29. 29.

    Shin [22]; on Gestalt perception of information in diagrams see Coliva [29].

  30. 30.

    See Resnik [30], Giaquinto [31].

  31. 31.

    For a recent defense of Frege’s diagrammatic notation see Dirk Schlimm’s ‘On Frege’ Begriffsschrift notation for propositional logic’ (Univ. of McGill ms., 2016).

  32. 32.

    I have argued against such moves in the application of fuzzy set theory in Cat [32].

  33. 33.

    Perini [5], Siegel [33].

  34. 34.

    This is different from the meaninglessness of the thickness of the graph, or the size of the map.

  35. 35.

    For a treatment of the linguistic case with fuzzy inference rules, see Trillas and Uturbey [34].

  36. 36.

    Bogen and Woodward [35], Woodward [36], Leonelli [37]. See, for instance, also Cat [38] and Hentschel [4] for the case of photography.

  37. 37.

    Leonelli [37].

  38. 38.

    Leonelli [39].

  39. 39.

    See Elgin [44], Cat [13, 40].

  40. 40.

    Leonelli [39].

  41. 41.

    Leonelli [41].

  42. 42.

    Leonelli [39].

  43. 43.

    Ibid.

  44. 44.

    Bogen and Woodward [35], Woodward [36].

  45. 45.

    Woodward [36].

  46. 46.

    Tufte [42], 76.

  47. 47.

    Ibid.

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Cat, J. (2017). Epistemology, Aesthetics and Pragmatics of Scientific and Other Images: Visualization, Representation and Reasoning. In: Fuzzy Pictures as Philosophical Problem and Scientific Practice. Studies in Fuzziness and Soft Computing, vol 348. Springer, Cham. https://doi.org/10.1007/978-3-319-47190-7_5

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