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Adorno and Popular Music

  • Alison Stone
Chapter

Abstract

Adorno and Popular Music examines Adorno’s critique of modernity and of the dominance of concept over matter, and also his music aesthetics and criticisms of popular music, examining how these apply to post-rock-‘n’-roll music. Adorno condemns popular songs for having standardised forms and interchangeable parts. The chapter argues that these are better understood in terms of repetitive structure and material elements that come together contingently. This is explored through examples from The Chords, Chuck Berry, U2, The Prodigy, Felt, and Gary Numan.

Keywords

Classical Music Popular Music Musical Work Autonomous Work Popular Song 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2016

Authors and Affiliations

  • Alison Stone
    • 1
  1. 1.Lancaster UniversityLancasterUK

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