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Csound pp 443–453Cite as

Øyvind Brandtsegg: Feedback Piece

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Abstract

This chapter presents a case study of a live electronics piece where the only sound source is audio feedback captured with two directional microphones. The performer controls the timbre by means of microphone position. Algorithms for automatic feedback reduction are used, and timbral colouring added by using delays, granular effects, and spectral panning.

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Authors and Affiliations

  1. Department of Music, National University of Ireland, Maynooth, Kildare, Ireland

    Victor Lazzarini

  2. Department of Music, National University of Ireland, Maynooth, Kildare, Ireland

    Steven Yi

  3. Department of Computer Science, University of Bath, Bath, UK

    John ffitch

  4. Institut für Neue Musik, Hochschule für Musik, Theater und Medien Hannover, Hannover, Germany

    Joachim Heintz

  5. Department of Music, Norwegian University of Science and Technology, Trondheim, Norway

    Øyvind Brandtsegg

  6. Berlin, Germany

    Iain McCurdy

Authors
  1. Victor Lazzarini
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  2. Steven Yi
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  3. John ffitch
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  4. Joachim Heintz
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  5. Øyvind Brandtsegg
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  6. Iain McCurdy
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© 2016 Springer International Publishing Switzerland

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Lazzarini, V., Yi, S., ffitch, J., Heintz, J., Brandtsegg, Ø., McCurdy, I. (2016). Øyvind Brandtsegg: Feedback Piece. In: Csound. Springer, Cham. https://doi.org/10.1007/978-3-319-45370-5_18

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  • DOI: https://doi.org/10.1007/978-3-319-45370-5_18

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  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-45368-2

  • Online ISBN: 978-3-319-45370-5

  • eBook Packages: Computer ScienceComputer Science (R0)

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