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Epilogue

  • Petr Bubeníček
Chapter
Part of the Palgrave Studies in Adaptation and Visual Culture book series (PSADVC)

Abstract

This chapter, “The Epilogue,” concludes the stories in this book. It notes that in 1968, the liberal strain in Czechoslovak culture was abruptly brought to an end by the invasion of the armies of the Warsaw Pact, after which ideological control over art was reintroduced and reinforced.

Works Cited

  1. Blažejovský, Jaromír. 1977. Téma: Člověčina. Rovnost, May 26.Google Scholar
  2. Dokoupil, Blahoslav, Lubomír Machala, Pavel Janoušek, Martin Machovec, Vladimír Papoušek, Martin Pilař, Tomáš Kubíček, and Anna Fialová. 2008. Próza. In Dějiny české literatury 1945–1989. Díl IV. 1969–1989, ed. Pavel Janoušek, 385–549. Praha: Academia.Google Scholar
  3. Hulík, Štěpán. 2010. Nástup normalizace ve filmovém studiu Barrandov. Iluminace 78: 2.Google Scholar
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Films Cited

  1. Dým bramborové natě (Smoke on the Potato Fields). Dir. František Vláčil. Czechoslovakia. 1977. Movie.Google Scholar
  2. Marketa Lazarová (Marketa Lazarová). Dir. František Vláčil. Czechoslovakia. 1967. Movie.Google Scholar
  3. Ostře sledované vlaky (Closely Watched Trains). Dir. Jiří Menzl. Czechoslovakia. 1966. Movie.Google Scholar
  4. Ovoce stromů rajských jíme (We Eat the Fruit of the Trees of Paradise). Dir. Věra Chytilová. Czechoslovakia. 1969. Movie.Google Scholar
  5. Případ pro začínajícího kata (Case for a Rookie Hangman). Dir. Pavel Juráček. Czechoslovakia. 1969. Movie.Google Scholar
  6. Romance pro křídlovku (Romance for Flugelhorn). Dir. Otakar Vávra. Czechoslovakia. 1966. Movie.Google Scholar
  7. Vynález zkázy (The Fabulous World of Jules Verne). Dir. Karel Zeman. Czechoslovakia. 1958. Movie.Google Scholar
  8. Žert (The Joke). Dir. Jaromil Jireš. Czechoslovakia. 1968. Movie.Google Scholar

Copyright information

© The Author(s) 2017

Authors and Affiliations

  1. 1.Masaryk UniversityBrnoCzech Republic

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