Skip to main content

Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s She

  • Chapter
  • First Online:
Heroes and Heroism in British Fiction Since 1800
  • 596 Accesses

Abstract

Martin offers a new interpretation of the interplay between heroism, text and image in Rider Haggard’s adventure novel She. Focusing on the illustrations to the 1888 book edition, which differ strikingly from the images accompanying the serial publication of She (1886–1887), this chapter argues that the pictorial adds an extra level of signification which complicates the relation to the text. As well as discussing Haggard’s own fascination with the figure of the ‘noble’ heroine, Martin examines the positioning of She within the genre of the Victorian adventure novel and argues that the illustrated book form is ideologically significant in its ambiguous casting of heroism, gender and authority in Victorian print culture.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Similar content being viewed by others

References

Primary Texts

  • Haggard, H.R. (1887) ‘About Fiction’, The Contemporary Review, 51, pp. 172–80.

    Google Scholar 

  • Haggard, H.R. (1888) She: A History of Adventure (London: Longmans, Green, and Co).

    Google Scholar 

  • Haggard, H.R. (1991) She, ed. D. Karlin (Oxford: Oxford World’s Classics).

    Google Scholar 

  • Haggard, H.R. (2006) She: A History of Adventure, ed. A. M. Stauffer (Plymouth: Broadview).

    Google Scholar 

Secondary Sources

  • Atwood, M. (2005) Writing with Intent: Essays, Reviews, Personal Prose: 1983–2005 (New York: Carroll and Graf).

    Google Scholar 

  • Bowen, E. (1962) Seven Winters: Memories of a Dublin Childhood and Afterthoughts (New York: Knopf).

    Google Scholar 

  • Boyd, K. (2003) Manliness and the Boys’ Story Paper in Britain: A Cultural History, 1855–1940 (Basingstoke: Palgrave Macmillan).

    Google Scholar 

  • Bristow, J. (1991) Empire Boys: Adventures in a Man’s World (London: HarperCollins Academic).

    Google Scholar 

  • Coates, J.D. (2003) ‘The “Spiritual Quest” in Rider Haggard’s She and Ayesha’, Cahiers victoriens et édouardiens, 57, pp. 33–54.

    Google Scholar 

  • Coates, J.D. (2009) ‘Haggard’s Questioning of the Heroic’, Cahiers victoriens et édouardiens, 69, pp. 17–40.

    Google Scholar 

  • Codell, J.F. (2009) ‘Pre-Raphaelites from Rebels to Representatives: Masculinity, Modernity, and National Identity in British and Continental Art Histories, c. 1880–1908.’ In Michaela Giebelhausen and Tim Barringer (eds.) Writing the Pre-Raphaelites: Text, Context, Subtext (Aldershot: Ashgate), pp. 53–79.

    Google Scholar 

  • Daly, N. (2011) ‘Adventure Novels and Thrillers.’ In P. Parrinder and A. Gąsiorek (eds.) The Reinvention of the British and Irish Novel 1880–1940, The Oxford History of the Novel in English, vol. 4 (Oxford: Oxford UP), pp. 227–41.

    Google Scholar 

  • Eliot, S. (2012) ‘The Business of Victorian Publishing.’ In D. David (ed.) The Cambridge Companion to the Victorian Novel (Cambridge: Cambridge UP), pp. 36–61.

    Google Scholar 

  • Fischer, P. (2009) ‘The Graphic She: Text and Image in Rider Haggard’s Imperial Romance’, Anglia, 125(2), pp. 266–87.

    Google Scholar 

  • Flint, K. (2000) The Victorians and the Visual Imagination (Cambridge: Cambridge UP).

    Google Scholar 

  • Fraser, R. (1998) Victorian Quest Romance: Stevenson, Haggard, Kipling, and Conan Doyle (Plymouth: Northcote).

    Google Scholar 

  • Gilbert, S.M. and S. Gubar (1989) No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Vol. 2: Sexchanges (New Haven: Yale UP).

    Google Scholar 

  • Green, M. (1991) Seven Types of Adventure Tale: An Etiology of a Major Genre (University Park: Pennsylvania State UP).

    Google Scholar 

  • Haggard, H.R. (1976) The Cloak That I Left: A Biography of the Author Henry Rider Haggard (Ipswich: Boydell).

    Google Scholar 

  • Heath, K. (2009) Aging by the Book: The Emergence of Midlife in Victorian Britain (New York: State U of New York P).

    Google Scholar 

  • Hicks, A. (2015) ‘Recreating Home for the New Girl: Domesticity and Adventure in L.T. Meade’s Four on an Island.’ In B. Le Juez and O. Springer (eds.) Shipwreck and Island Motifs in Literature and the Arts (Leiden: Brill), pp. 207–19.

    Google Scholar 

  • Hillis Miller, J. (1992) Illustration (London: Reaktion).

    Google Scholar 

  • Hinz, E.J. (1972) ‘Rider Haggard’s She: An Archetypal “History of Adventure”’, Studies in the Novel, 4(3), pp. 416–31.

    Google Scholar 

  • Ingram, J. (1889) ‘A Day’s Reading in the Mitchell Library, Glasgow’, The Library: A Magazine of Bibliography and Literature, 1, pp. 281–92.

    Google Scholar 

  • Kestner, J.A. (2010) Masculinities in British Adventure Fiction, 1880–1915 (Farnham: Ashgate).

    Google Scholar 

  • Klotz, V. (1979) Abenteuer-Romane: Sue, Dumas, Ferry, Retcliffe, May, Verne (Munich: Hanser).

    Google Scholar 

  • Lang, A. (1891) Essays in Little (New York: Henry).

    Google Scholar 

  • Longmans. (1887) ‘Advertisement for Fourth Edition. She: A History of Adventure. By H. Rider Haggard’, Longman’s Magazine, 9(54), p. 8.

    Google Scholar 

  • Murphy, P. (1999) ‘The Gendering of History in She’, Studies in English Literature, 1500–1900, 39(4), pp. 747–72.

    Google Scholar 

  • ‘Notes on Novels’ (1887) The Dublin Review, 17(2), pp. 420.

    Google Scholar 

  • Showalter, E. (1992) Sexual Anarchy: Gender and Culture at the Fin de Siècle (Bloomsbury: Virago).

    Google Scholar 

  • Sinha, M. (2008) ‘Triangular Erotics: The Politics of Masculinity, Imperialism and Big-Game Hunting in Rider Haggard’s She’, Critical Survey, 20(3), pp. 29–43.

    Google Scholar 

  • Thomas, J. (2004) Pictorial Victorians: The Inscription of Values in Word and Image (Athens: Ohio UP).

    Google Scholar 

  • Twyman, M. (2009) ‘The Illustration Revolution.’ In D. McKitterick (ed.) The Cambridge History of the Book in Britain, vol. VI: 1830–1914 (Cambridge: Cambridge UP), pp. 117–43.

    Google Scholar 

  • White, A. (1995) Joseph Conrad and the Adventure Tradition: Constructing and Deconstructing the Imperial Subject (Cambridge: Cambridge UP).

    Google Scholar 

  • Wynne, D. (2001) The Sensation Novel and the Victorian Family Magazine (Basingstoke: Palgrave Macmillan).

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Alison E. Martin .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Martin, A.E. (2017). Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s She. In: Korte, B., Lethbridge, S. (eds) Heroes and Heroism in British Fiction Since 1800. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-33557-5_3

Download citation

Publish with us

Policies and ethics