Abstract
Italian-born Brazilian architect Lina Bo Bardi was a doyenne of urban renewal, curator of exhibitions and thrifty stage-sets. She was also an industrious landscape architect . Brazil’s periphery predestined Bo Bardi’s ideas about repurposing existing building sites from the 1950s onward. Conventionally, scholars have considered Bo Bardi’s work as a series of isolated objects, but this chapter analyses her adaptive reuse projects work through the lens of landscape.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Albuquerque R (2011) Iconografia do Cangaco, Terceiro Nome, São Paulo.
Andreoli E, Forty A (2004) Brazil’s Modern Architecture, Munich: Phaidon.
Amaral TA (2009) Tarsila do Amaral, Fundacion Juan March, Madrid.
Arquitectura Viva (AV) Monografia (2015) “Lina Bo Bardi, 1914–1992. Building the Everyday” AV Monografias No. 180, Nov. 2015, Madrid (with essays by Zeuler Lima, Renato Anelli, Olivia de Oliveira and Guilherme Wisnik).
Bader VS (2014) “From Italy to Brazil: From Vernacular Building to Modern Architecture,” in Lina Bo Bardi 100. Brazil’s alternative path to Modernism, A. Lepik (Ed.), Hatje Cantz, Stuttgart (English edition), Architekturmuseum–Pinakothek der Moderne, Munich.
Barbassa J (2015) Dancing with the Devil in the City of God: Rio de Janeiro on the Brink, Touchstone, New York.
Bardi PM (1959) Lasar Segall, São Paulo Museum of Art, Edizione del Milione.
Bardi PM (1964) The Tropical Gardens of Roberto Burle Marx, The Architectural Press, London.
Bardi PM (1978) O Modernismo no Brasil. Sudameris, São Paulo.
Barreto B (2013) Reaching for the Moon film.
Bessa AS (2014) Beyond the Supersquare: Art and Architecture in Latin America After Modernism, Fordham University Press, The Bronx Museum of the Arts, New York.
Bishop E (1965) Questions of Travel, Farrar Straus & Giroux, New York.
Boari A (1922–23) “Le recenti scoperte archeologiche del Messico,” in Architettura, arti e decorative magazine, Roma, pp. 417–428.
Boari A (1922–23) “Il grande Teatro Nazionale del Messioco,” in Architettura, arti e decorative magazine, Roma, pp. 332–345.
Bo Bardi L (1943) “Architecture and Nature: The House in the Landscape,” in Domus, No.191, novembre, pp. 464–71.
Bo Bardi L (1953) “O Jardim Morumbi – Arquitectura Natureza,” in Habitat, No.10, jan–mar, pp. 31–40.
Bo Bardi L (1957) Contribuição propedêutica ao ensino da Teoria da Arquitetura, (2002 edition) São Paulo: Instituto Lina Bo e P. M. Bardi.
Bo Bardi L (1958) “The Moon,” in Stones against Diamonds. Anthology of writings by Lina Bo Bardi, Architecture Words Series, London: Architectural Association Publications.
Bo Bardi L (1967a) cited in Correa, Jose Celso Martinez, conversation and Grupo Teatro Oficina, Daniela Castro, Jose Lira and Roberto Zancan. (2012) “La Strada e’ un Teatro,” in Domus, No. 958 Maggio, pp. 42–53.
Bo Bardi L (1967b) “The New Trianon”, in Stones against Diamonds. Anthology of writings by Lina Bo Bardi (2012), Architecture Words Series, London: Architectural Association Publications.
Bo Bardi L (2012) Stones against Diamonds. Anthology of writings by Lina Bo Bardi, Architecture Words Series, London: Architectural Association Publications.
Bo Bardi L (2013) “Muito cordialmente,” in 3rd Bienal da Bahia, in Revista Contorno, As far as is humanly possible issue, Vol. 01, 2, dez, pp. 53–95.
Bo Valentinetti G (2004) “Una sorella molto ‘speciale,’” in Lina Bo Bardi architetto, Antonella Gallo, ed., Marsilio Editori, Venezia.
Bueno D (2008) “Saul Steinberg e o Brasil: sue passage pelo pais, publicacoes e influencia sobre artistas brasleiros,” in Revista de Historia da Arte e Arqueologia/ UNICAMP, 10, pp. 117–148.
Buergel RM (2011) ‘“The Exhibition is an Accusation’: The Grammar of Display According to Lina Bo Bardi”, in Afterall: A Journal of Art, Context, and Enquiry, Issue 26 (spring), pp. 51–57.
Cavalcanti L (2003) When Brazil was Modern: Guide to Architecture 1928–1960, New York: Princeton Architectural Press.
Calvacanti L, El-Dahdah R, Francis (eds) (2011) Roberto Burle Marx: The Modernity of Landscape, Cite de l’architecture & du paetrimoine, ACTAR, Barcelona.
Carboncini A (2014) “Lina Bo Bardi and P.M. Bardi: Fragments of a Dialogue,” in Lina Bo Bardi 100. Brazil’s alternative path to Modernism, A. Lepik (Ed.), Hatje Cantz, Stuttgart (English edition), Architekturmuseum– Pinakothek der Moderne, Munich.
Carranza LE, Lara F (eds) (2014) Modern Architecture in Latin America: Art, Technology and Utopia, University of Texas Press, Austin.
Coelho Sanchez A (2004) “The work of the architect Giancarlo Palanti: Italy and Brazil,” Dissertacao de Mestrado, Escola de Engenharia de São Carlos, USP.
Comas CE (2009) “LINA 3x2,” in ARQ Texto, No. 14, pp. 146–189.
Condello A (2003) “Architectural Spoils: Francesco Venezia and Sicily’s ‘spogliatoia,’” S. Menin, ed., Constructing Place: Mind and Matter. Ed. S. Menin (Ed.), Routledge, London and New York, pp. 286–296.
Condello A (2012) “Pietro Maria Bardi – the Vicarious Architect: The importation of Italian Futurism to Brazil,” 15th Conference of the International Planning History Society (IPHS), July 15, 2012, São Paulo, Brazil.
Condello A (2014a) The Architecture of Luxury, Farnham: Ashgate.
Condello A (2014b) “Cacti transformation from the Primitive to the Avant– garde: modern landscape architecture in Brazil and Mexico,” Studies in the History of Gardens and Design Landscapes 34(4): 339–351.
Condello A, Lehmann S (2016) “Urban benevolence: Bo Bardi’s recovery projects in Salvador,” Proceedings Society of Architectural Historians Annual Conference SAH, 2016, Pasadena, USA.
Condello A, Vernon C (2004) “Adamo Boari, Mexico City and Canberra,” 11th Conference of the International Planning History Society (IPHS): Planning Models and the Culture of Cities, Barcelona, Spain, pp. 1–14.
Correa JCM conversation and Grupo Teatro Oficina, Daniela Castro, Jose Lira and Roberto Zancan. (2012) “La Strada e’ un Teatro,” in Domus, No. 958, maggio, pp. 42–53.
Cumo C (ed) (2013) Encyclopedia of Cultivated Plants from Acacia to Zinnia, ABC–CLIO.
Curtis William JR (1982) Modern Architecture since 1900, London: Phaidon Press, 386–391.
de Costa Meyer E (2002) “After the Flood,” Havard Design Magazine, No. 16, HARDSoft CoolWARM…Gender in Design, plus Classic Books Part II issue.
de Mello FP (2010) A Estetica do Cangaco: Estrelas de Couro, escrituras, São Paulo São Paulo.
de Oliveira O (2003) Lina Bo Bardi: Obra Construida (Built Works). 2G series, No. 23–24 Barcelona: Editorial Gustav Gili.
de Oliveira O (2006) Subtle Substances: The Architecture of Lina Bo Bardi, Barcelona: Gustav Gili and Romana Guerra Editora Ltda.
de Oliveira O (2015) “From Design to Crafts,” in Arquitectura Viva (AV) Monografia (2015). ‘Lina Bo Bardi, 1914–1992. Building the Everyday’ AV Monografias No. 180, Nov. 2015, Madrid.
Deckker ZQ (2001) Brazil Built: The Architecture of the Modern Movement in Brazil, London and New York: Spon Press.
Dimitrov E (2013) Regional como opcao, regional como prisao: trajetorias artisticas no modernismo pernambucano, Tese de Doutorado, USP, São Paulo.
dos Santos CR (1996) “SESC – Pompeia Factory: an American Citadel,” in SESC – Fabrica da Pompeia: Lina Bo Bardi 1977–1986, Luiz Trigueiros e Marcelo Ferraz (editors), Blau, Portugal.
Ferraz MC (1996) Arquitetura Rural na Serra da Mantiqueira, São Paulo: Instituto Lina Bo e Pietro Maria Bardi.
Ferraz MC (1999) Lina Bo Bardi, Casa de Vidro 1950– 1951, Blau, Lisbon, São Paulo: Instituto Lina Bo e Pietro Maria Bardi.
Ferraz MC (ed) (2008 edition) Lina Bo Bardi (monograph in the series Brazilian Architects), São Paulo: Instituto Lina Bo e Pietro Maria Bardi.
Graham D (2014) “Two Brazilian Architects: Bo Bardi and Artigas,” in Beyond the Supersquare: Art and Architecture in Latin America After Modernism, A. Bessa (ed.), Fordham University Press, The Bronx Museum of the Arts, New York.
Greco C (2010) “The Cinema– Teatro Augusteo,” in Pier Luigi Nervi: Architecture as Challenge, Carlo Olmo and Cristiana Chiorino, eds., Silvana Editoriale Spa, Milano.
Guaneri AB (2003) Bernard Rudofsky: A Humane Designer, Springer–Verlag/Wien, New York.
Leenhardt J (2011) “From Modernism to Ecology,” in Calvacanti, Lauro, El– Dahdah, Rambert, Francis. Eds. Roberto Burle Marx: The Modernity of Landscape, Cite de l’architecture & du paetrimoine, ACTAR, Barcelona.
Lehmann S (2014) “Truth in the Vernacular – Contextualizing the Late Work of Lina Bo Bardi”, in Lina Bo Bardi 100. Brazil’s alternative path to Modernism, A. Lepik (Ed.), Hatje Cantz, Stuttgart (English edition), Architekturmuseum–Pinakothek der Moderne, Munich.
Lejeune J-F (ed) (2003) Cruelty and Utopia: Cities and Landscapes of Latin America, New York, Princeton Architectural Press.
Lejeune J-F, Sabatino M (ed) (2010) Modern Architecture and the Mediterranean: Vernacular Dialogues and Contested Identities, Routledge, London and New York.
Lepik A, Bader VS (ed) Lina Bo Bardi 100: Brazil’s Alternative Path to Modernism. Berlin: Hatje Cantz.
Lima ZRMA (2013) Lina Bo Bardi, New Haven: Yale University Press.
Lima ZRMA (2015) “Beyond Roberto Burle Marx: Another Genealogy of Modern Landscape Architecture,” in Women, Modernity and Landscape Architecture, Sonja Dumpelmann and John Beardsley, Routledge, Oxon and New York.
Lira J (2011) Warchavchik: Fraturas da Vanguarda, São Paulo: Cosac Naify.
Lira J (2012) “Un Teatro nella Giungla,” in Domus, No. 958 Maggio, pp. 54–55.
Maak N (2011) Le Corbusier: The Architect on the Beach, Hirmer, Verlag GmbH, Munich.
Mack D (2008) The Hammock, Stewart, Tabori and Chang, New York.
Martinis R (2013) “Una forta amicizia, una casa esile: Pier Luigi Nervi, Lina Bo Bardi,” in Desideri, P. and De Magistris, A. et al., (eds.), Arte e scienza del construire: Forma e struttura nella ricerca archiettonica Italiana del secondo dopoguerra, Allemandi, Torino.
Mindlin HE (1956) Modern Architecture in Brazil, New York/London: Reinhold/Architectural Press.
Moore R (2012) Why We Build, Picador, London.
O Globo Newspaper (1986) “Morro da Urca esta se renovando para turistas,” 23 Setembro, p. 16.
Panorama: A Record of Inter– American Cultural Events (1948), Issue 31, p. 21.
Perea S (2015) “Beyond the Modern House,” in Australian Design Review, February issue.
Piccarolo G (2013) “Lucio Costa’s Luso–Brazilian Routes. Recalibrating Centre and Periphery,” in Latin American Modern Architectures: Ambiguous Territories, edited by Patricio del Real and Helen Gyger, London: Routledge.
Porter N (2016) Landscape and Branding: the Promotion and Production of Place, Routledge, Oxon and New York.
Rinehart G (2013) Nude Sleeping in a Hammock: A Novel, privately published, San Bernardino, CA, USA.
Rubino S (2009) Lina por escrito: Textos escolhidos de Lina Bo Bardi 1943–1991, São Paulo: Cosac Naify.
Rudofsky B (1969) Streets for People: A Primer for Americans, Doubleday & Co., Garden City, New York.
Segawa H (2013) Architecture of Brazil 1900–1990, Springer–Verlag, New York.
Sledge M (2010) The More I Owe You, Counterpoint, Berkeley, CA.
Smith J (2006) Saul Steinberg: Illuminations, Yale University Press.
Subirats E (2003) “Writings and Cities,” in J.F, Lejeune, ed., Cruelty and Utopia: Cities and Landscapes of Latin America, New York, Princeton Architectural Press.
Suzuki M (1994) Bardi, L. B. “Tempos de Grossura: o Design no Impasse”, São Paulo: Instituto Lina Bo e P. M. Bardi.
Suzuki M (2012) “Times of Roughness (II),” part of: Lina Bo Bardi Together. Exhibition catalogue and web site. http://linabobarditogether.com/pt/2012/09/01/times-of-roughness-ii/. Accessed 28 March 2016.
Tentori F (1990) P.M. Bardi, São Paulo: Instituto Lina Bo e Pietro Maria Bardi.
The Argus Newspaper (1951) “Brazilians honour one of our architects,” Thursday 2 August, p. 5.
The Canberra Times Newspaper (1968) “Thousands welcome Queen,” Saturday 9 November, p. 6.
Veikos C (2014) Lina Bo Bardi: The Theory of Architectural Practice, Routledge, London and New York.
Venezia F (2002) Verso Pompei: Preliminari del progetto di un Centro delle esposizioni, Edizione Gruppo Abate, Avellino, Naples.
Wisnik G (2001) Lucio Costa, São Paulo: Cosac Naify.
Wisnik G (2014) “A History of Lina Bo Bardi’s Critical Reception,” in Lina Bo Bardi 100. Brazil’s alternative path to Modernism, A. Lepik (Ed.), Hatje Cantz, Stuttgart (English edition), Architekturmuseum–Pinakothek der Moderne, Munich.
Wright FL (1954, 1971 edition) The Natural House, Pitman Publishing, London.
Zollinger C (2012) “Lina Bo Bardi and the Bahian Modern Art Museum: museum– school in progress,” part of: Lina Bo Bardi Together. Exhibition catalogue and web site. http://linabobarditogether.com/2012/09/02/lina-bo-bardi-and-the-bahian-modern-art-museum-school-in-progress/. Accessed 28 March 2016.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2016 Springer International Publishing Switzerland
About this chapter
Cite this chapter
Condello, A. (2016). Salvaging the Site’s Luxuriance: Lina Bo Bardi—Landscape Architect. In: Condello, A., Lehmann, S. (eds) Sustainable Lina. Springer, Cham. https://doi.org/10.1007/978-3-319-32984-0_3
Download citation
DOI: https://doi.org/10.1007/978-3-319-32984-0_3
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-32983-3
Online ISBN: 978-3-319-32984-0
eBook Packages: Earth and Environmental ScienceEarth and Environmental Science (R0)