Advertisement

Designing “Taipei City” as a World Design Capital

  • Jun-Liang Chen
  • Yu-Ju Lin
  • Stanley Wei
  • Yen-Yu Kang
Part of the Lecture Notes in Computer Science book series (LNCS, volume 8528)

Abstract

This paper focuses on the Taipei City as the World Design Capital Planning, through curatorial concepts into urban governance, the completion of substantial city transformation, the implementation of bid idea, especially the establishment of a “Public Policy by Design” and “Public participation in the design” two-track operation mechanisms platform. The study presents a process, based on the International Council of Societies of Industrial Design (ICSID) requirements, for developing guidelines for bid spindle philosophy: "Adaptive City", and contributes to improve Taiwan’s visibility, and the effects of while promoting related design, tourism industry development. Factors affecting content Application design are identified and discussed; these guidelines can be categorized into three principles of design. Some ideas for Tenders Book design are developed, and finally, made by Jun-Liang Chen the use craft techniques to new design based on “dragon-scale binding” is proposed. Future research could apply the design to other groups of City Curatorial Concept Design. How to design into public policy, designed to carry through the city’s social reform movement.

Keywords

World Design Capital Curatorial Design Craft Techniques 

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. 1.
    Affairs, TCDOC. Design Taipei Adaptive City. Taipei City Department of Cultural Affairs, Taipei (2013)Google Scholar
  2. 2.
    Kua, C.W.: A Study of Taiwanese Culture and Creative Design: A Case Study of Taipei City’s Cultural Elements (2011)Google Scholar
  3. 3.
    Wang, W.L.: Taipei great challenge because of their dreams. 30 Magazine (2013)Google Scholar
  4. 4.
    Lin, R.T.: A Framework for Human-Culture Interaction Design –Beyond Human-Computer Interaction. In: International Symposium for Emotion and Sensibility 2008, p. 8 (2008)Google Scholar
  5. 5.
    Lin, R.T.: Designing “Emotion” into modern Products. In: International Symposium for Emotion and Sensibility 2008, p. 11 (2008)Google Scholar
  6. 6.
    Lin, R.T.: Sensibility Field. Moving Experience. Qualia Commodity - To build the World Design Capital in Taipei. Taipei Economic Quarterly (7), 14–21 (2011)Google Scholar
  7. 7.
    Feng, Z.: The development and improvement of modern industrial system. Hainan Teachers College 10(37), 104–108 (1997)Google Scholar
  8. 8.
    Lin, R.T.: Combination of technology and human cultural and creative. Journal of Scientific Development (396), 68–75 (2005)Google Scholar
  9. 9.
    Huang, A.: Designers feel is to pass the palm of temperature. Commonwealth Magazine (2011)Google Scholar

Copyright information

© Springer International Publishing Switzerland 2014

Authors and Affiliations

  • Jun-Liang Chen
    • 1
    • 3
  • Yu-Ju Lin
    • 2
    • 3
  • Stanley Wei
    • 4
  • Yen-Yu Kang
    • 5
  1. 1.Freeimage DesignTaipeiTaiwan
  2. 2.Department of Visual Communication DesignTaipei College of Maritime TechnologyTaipeiTaiwan
  3. 3.Graduate School of Creative Industry DesignNational Taiwan University of ArtsTaipeiTaiwan
  4. 4.Oneness International Group LimitedHong Kong
  5. 5.Graduate School of Industrial DesignNational Kaohsiung Normal UniversityKaohsiungTaiwan

Personalised recommendations