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Egyptian Texts relating to the Exodus: Discussions of Exodus Parallels in the Egyptology Literature

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Israel's Exodus in Transdisciplinary Perspective

Abstract

Some 30 ancient Egyptian texts with Exodus “parallels” or Exodus-like content have been identified by 56 Egyptologists, archaeologists, and Semiticists from 1844 to date in the professional literature. Additional texts are identified in the present study for a total of more than 90 Egyptian texts containing Exodus parallels. The Egyptian texts are mainly of politico-literary and religious genres, most ranging in date from the New Kingdom to the Greco-Roman era and appearing in hieroglyphic-hieratic-Demotic forms (a few in Greek and Coptic and one trilingual in hieroglyphic-Demotic-Greek, the Rosetta Stone). The Egyptological publications and Egyptian texts were recently found in the course of research on the history of the long-standing Exodus problem, in effect answering the call of Julius Wellhausen for a much-needed investigation of Egyptian traditions underlying the Exodus.

Based on the new work presented at the UCSD Exodus conference (see this volume) Jan Assmann has ventured beyond his pioneering concept of cultural “mnemohistories” to comment that consensus views of the Exodus are “now highly contested” because there has been “Perhaps too much unanimity as to the non-historicity of the Exodus”; the “old certainties” of Exodus as pure myth are “gone.” Thomas Schneider (this volume) finds a potentially significant parallel to the Exodus 12 Plague on the Firstborn in several late Egyptian texts. Gary Rendsburg (this volume) finds several Egyptian texts with parallels to the Exodus including the drowned men (soldiers) in the Amduat and Book of Gates paintings in royal tombs ca. 1500/1400 BC. The present author independently has found similarly dramatic Egyptian imagery of the Walls of Water in a Parted Sea (the Flaming Red Sea, Eg. Yam Nesret) in the same wall-painted Amduat and Gates hieroglyphic books.

Early versions of this chapter were read at the Egyptology session of American Schools of Oriental Research (ASOR) annual meeting, on November 17, 2007, and as updated for the UCSD Exodus Conference, June 1, 2013. My special thanks to Thomas Schneider, John Bloom, Scott Noegel, and David Frankfurter for helpful editorial comments, discussions, and critiques of various drafts of this chapter as well as to J. Assmann, S. Hollis, W. Dever, L. Geraty, B. Brandstater, B. Waltke, E. Merrill, R. Younker, P. Machinist, W. Hallo, W. Schniedewind, H. Goedicke, and W. Wendrich, and for very early drafts my thanks to the late David Noel Freedman, A. Maeir, the late Anson Rainey, E. Hornung, A. Loprieno, J. Hoffmeier, J. Currid, and the late David Lorton, but the present author is, of course, responsible for the contents and any errors herein.

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Notes

  1. 1.

    Hornung (1982/1997: 63 n.121), Griffiths (1988: 276).

  2. 2.

    In a 1991 addendum printed without change in the 1997 edition, Hornung defends his and Fecht’s “ich bin, der ich bin” translation but offers an intriguing but speculative redactional prehistory of the text, which however has no textual-variant support or other manuscript evidence. Hornung suggests the possibility (“möglich”) that the original text read jw.j-jm and thus could be read as “I am there (in the sky [implied]),” and later the particle .j was added, rendering the final form “I am (that) I am.” Hornung had noticed a text (Book of the Dead, Spell 1) where in manuscript variants the addition of .j converted the m of locality (“there”) into an m of identity (“I am”). But this hypothetical redaction sequence in the Destruction does not avoid the Exodus, since the proposed textual alteration resulting in the only actual known manuscript would likely have been motivated in the first place by wordplay to imitate the Hebrew meaning of “I am that I am,” thus subversively implying the divinity of Pharaoh as one and the same as the Hebrew God named the “I am that I am.” Moreover, the implication of “I am there” in the suggested ur-text as the sun god being “there in the sky” can also be interpreted as implying “I am there in the (celestial) ocean” (=primordial sea where Ra was born)—or once again, an allusion to the terminal pharaonic death scenario in the Combat at the (Red) Sea or Yam Suph, Sea of Annihilation (Batto, this volume; Batto 1984, 1992, 2013a, 2013b), and thus once again the Exodus.

  3. 3.

    Assmann (2002: 406).

  4. 4.

    Redford (1992: 420).

  5. 5.

    Goedicke (2004: 102).

  6. 6.

    Enmarch (2009: 28).

  7. 7.

    Hollis (2008: 12).

  8. 8.

    Allen (2010: 285).

  9. 9.

    Shupak (2006: 126, 138).

  10. 10.

    No technical definition of genre is used here in view of Di Biase-Dyson’s comments (2013: 50): “Defining genre has long been a problem in Egyptian literary studies, as in other scholarly fields.”

  11. 11.

    Following the Joseph-like events in the papyrus narrative, a number of additional episodes are mentioned that are interesting and Exodus-like (Purdy 1977: 122 notices that “two stories are involved,” only one like that of Joseph): The Egyptian-named figure Anubis is apparently the “acting king” (Schneider 2008: 321b), is armed, and chases the possibly Semitic figure Bata (or Semitic Bet representing a household servant: Schneider 2008: 321b–322a), intending to kill him. Divine intervention causes a “great body of water” to separate the two (Pap. d’Orb. 6:7–9; Lichtheim 1976/2006: 2:206). The body of water has “sides,” using the same Egyptian word ru-’i for “sides” used elsewhere in the papyrus to refer to the palace doorway or gate wall (cp. d’Orb. 6:7, 9; 16:10; cf. Hollis 2008: 50). The Semitic figure then departs to the east to dwell in the Semitic Levant (d’Orb. 7:1–8:1; cf. ‘š-trees of Retenu or Syria-Palestine: Hollis 2008: 128–129) after phallic self-mutilation (extreme “circumcision” ?: Hollis 2008: 126; d’Orb. 7:10). The pharaoh puts drops of sacrificial blood “beside the two door posts” of the great palace gate (though blood is not directly on the gate), which grow into strong, protective persea trees (d’Orb. 16:10, emphasis added).

  12. 12.

    The Destruction of Mankind is often regarded as a myth of a “golden age” ruined by human rebellion against the gods, an etiological myth explaining how the present world emerged, or as a solar cycle myth. But these ideas have been heavily criticized if not refuted and have even been declared to be modern-day “Egyptological myth” (Baines 1991: 92) and yet continue to circulate (cf. Baines ibid., 1996: 364; Zivie-Coche 2004: 38, 53; Spalinger 2000: 276; Guilhou 1989: 144 n.62; Naville 1875: 16.). It is also widely recognized that in the Destruction as in other texts generally, Ra is “identical to Pharaoh” (Spalinger 2000: 261, emphasis added, cf. 258, 269; cf. Yoyotte 1972: 163, 2013: 347). In the Destruction (verses 75 and 83), Ra is named in cartouches and titled as “King of Upper and Lower Egypt.”

  13. 13.

    Though usually regarded as a mythological text, the Destruction of Mankind is structured as a pharaoh’s historical annal (Redford 1986: 94) conforming precisely to the standard nine-element structure for military annals of the Dominion Record type with rebels resisting not attacking pharaoh (see Lundh 2002: 24–27, 238, for the standard annalistic structure, and Sparks, forthcoming, for full analysis). Spalinger has identified the Destruction as a transitional literary form derived from the stock “literary device of the speech in a war setting where king addresses his army,” the Königsnovelle, comparable to the historical war speeches of pharaohs of the New Kingdom (Spalinger 2000: 280–281). The Destruction of Mankind is a “legend … which also has political resonances” with history (Grimal 1994: 172). Richard Parkinson allows “specific historical events” in the Destruction of Mankind narrative (Parkinson 1997: 233 n.46). The most extensive commentator, French Egyptologist Nadine Guilhou suggests that the Destruction is perhaps a “mythical reflection of the historical reality” of the turbulent First Intermediate Period (Guilhou 1989: 138, transl.).

  14. 14.

    Related Egyptian hieroglyphic “books” or documents in this genre of royal underworld books, though having structure and order that may differ, have “similar” content (Hornung 1999: 27). These books, which include the Amduat and Book of Gates, contain color pictures of what appear to be dramatic scenes of an Exodus-like event at a body of water (see Rendsburg, this volume, Chap. 18; Sparks, Nov 17, 2007, ASOR paper; see Figs. 19.4 and 19.5, below). This large body of potentially Exodus-related material (e.g., El Arish text cited by Hornung) provides new details not previously known, particularly as to apparent episodes in Egypt after the Israelites left, which though unreported in the Biblical narrative make natural logical sense within the narrative (e.g., the queen leading the search for the missing pharaoh at Pi-Khiroth, the Egyptians dividing up the land left behind by the departed slaves, an attempted palace coup, and the subsequent foreign invasion of a militarily defenseless and plague-devastated Egypt).

  15. 15.

    Naville’s title “Destruction of Mankind” may have been inspired by another paper before the same London society on a seemingly analogous text (a similarity not borne out by later study) that had recently described it as reciting a “destruction … of the race of man in the city of Heliopolis” and likened to the Greek Deucalion legend of the destruction of mankind (Goodwin 1873: 104, 107).

  16. 16.

    Egyptologists have long recognized the Egyptian verb particle jw to be phonetically and semantically identical to the Hebrew verb forming the Divine Name Yahweh, the only argument being at a step further to decide whether they are also etymologically derived one from the other (Depuydt 1998: 29; Gardiner Egyptian Grammar 1957: 384, 551b; Erman-Grapow Wörterbuch 1926: 1:42; Lacau Recueil Philologie Égyptiennes et Assyriennes 1913: 35:63; Hornung/Fecht 1997: 125 n.aa, 130–131, in the context of the Destruction of Mankind text).

  17. 17.

    Semantics of the phrase in Hebrew go back through centuries of disputes over whether it should be rendered “I am that I am,” “I am the existing one,” “I will be who I will be,” “I-will-be,” “The Existent One,” etc., arguments over etymology, phonology, relationship between ehyeh and yahweh, etc. There is a vast literature on the subject which cannot be cited here (briefly, see Houtman 1993: 1:92–100, 368; Propp 1999: 1:203–226; Schniedewind 2009; Childs 1974: 60–89).

  18. 18.

    Gilula (1977) claimed that the Death of the Firstborn derived from an early Egyptian tradition, but this seems untenable as the tradition is the well-known “Cannibal Hymn” in the Pyramid and Coffin Texts, which concerns slaughtering of elder or (ambiguously) firstborn gods and humans for cooking in a cannibal pot (Pyr.Text §405b) with the eaten body parts enumerated in detail—heart, lungs, legs, bones, etc. (Eyre 2002: 8–10, passim). This is very unlike the Plague on the Firstborn which involves no cannibalism or cooking in pots. The “night” of the slaughter is linked to the “day” as well, forming a complete 24-hour period, not the Biblical “midnight” firstborn death (Exod 11:4, 12:29). “Eldest” (smsw) here merely means the older half of the family of 9 gods, the eldest 4 or 5, since the cannibal slaughter is of “gods” (plural nṯrw) of a single divine family not just the one firstborn (Pyr.Texts §§400a, 409c, 413b). Also excluded is treatment of the Egyptian Leper Expulsion tradition whose Exodus connection hinges on the isolated assertion of the Osarsiph = Moses equation in a single passage at the end of long narrative, appearing to be a scribal gloss, with otherwise very little narrative or thematic resemblance to the Exodus (literature too extensive to cite, but see Gruen 1998: 57–72). Even Wellhausen rejected the Leper Expulsion = Exodus as a “malicious invention” (1885: 440).

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Sparks, B.C. (2015). Egyptian Texts relating to the Exodus: Discussions of Exodus Parallels in the Egyptology Literature. In: Levy, T., Schneider, T., Propp, W. (eds) Israel's Exodus in Transdisciplinary Perspective. Quantitative Methods in the Humanities and Social Sciences. Springer, Cham. https://doi.org/10.1007/978-3-319-04768-3_19

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