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Intersections Between Four Phenomenological Approaches to the Work of Art

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Book cover Phenomenology in a New Key: Between Analysis and History

Part of the book series: Contributions To Phenomenology ((CTPH,volume 72))

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Abstract

This paper discusses four different phenomenological approaches to artwords in Heidegger, Levinas, Arendt, and Husserl. Broad similarities between these approaches are investigated as well as the differences in accent and significance accorded to the philosophical analysis of works of art in relation to perception, truth, and knowledge.

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References

  • Arendt, H. 1998. The human condition. Chicago: The University of Chicago Press.

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  • Levinas, E. 1987. Reality and its shadow. In Collected philosophical papers, 1–14. Dordrecht: Nijhoff.

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Author information

Authors and Affiliations

  1. Emeritus, Philosophy Department, Boston College, Chestnut Hill, MA, USA

    Jacques Taminiaux

  2. Emeritus, Université Catholique de Louvain-la-Neuve, Louvain-la-Neuve, Belgium

    Jacques Taminiaux

Authors
  1. Jacques Taminiaux
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Correspondence to Jacques Taminiaux .

Editor information

Editors and Affiliations

  1. Dept of Philosophy, Boston College, Chestnut Hill, Massachusetts, USA

    Jeffrey Bloechl

  2. Higher Institute of Philosophy, Leuven, Belgium

    Nicolas de Warren

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Taminiaux, J. (2015). Intersections Between Four Phenomenological Approaches to the Work of Art. In: Bloechl, J., de Warren, N. (eds) Phenomenology in a New Key: Between Analysis and History. Contributions To Phenomenology, vol 72. Springer, Cham. https://doi.org/10.1007/978-3-319-02018-1_2

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