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Kiarostami’s Ten Mobilizing the Viewer’s Look

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Part of the Edition Voldemeer book series (VOLDEMEER)

Abstract

In Kiarostami’s work, reality and fiction are always intrinsically interwoven. The Iranian director usually takes real events as a starting point, using a documentary filming style and non-professional actors who often ‘act’ as themselves. He is interested in how film changes the reality it captures, to the degree that the film itself has an impact on reality.

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© Springer 2009

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