Ambient DVD. A Dispositive Beyond Documentation
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How do you create a DVD beyond documentation? In the following, the creators of the DVD entitled “CR9 Ambience DVD” describe why it is necessary to understand the creation of a feature from a First Life1 conference “burned” on a silver disc as an act of applied media theory. This kind of emphasis follows a trajectory and an argument derived from the practice of artists active in the field of media creation, who are equally erudite in the scholarly history of media discourse at the same time.
- 2).Brian Eno, “Ambient Music”. In: Audio Culture. Readings in Modern Music. London, 2004.Google Scholar
- 3).Marshall McLuhan, 1962, Gutenberg-Galaxy: The Making of Typographic Man. Many naive interpretations and misunderstandings of a claim for the end of printing were applied in late 20th century media theory under the overwhelming impression of emerging hypertext.Google Scholar
- 4).The German suffix-en turns an adjective into a noun. Semantically the term is equally shifted in a very subtle way, by the change of its grammatology. It takes on the meaning of a processual term, which describes a further situation, space or perception situation of the audio and visual, by becoming a noun with its own claim for a new independence; compare Siegfried Zielinsky, 2004. Kino und Fernsehen als Zwischenspiele in der Geschichte. Cologne.Google Scholar
- 5).Brian Sutton-Smith, In: the Ambiguity of Play, London 1997Google Scholar
- 6).Jacques Derrida: Die différance, in: Randgänge der Philosophie. Vienna: Passagen, 29–52 (Fr. “La différance”, in: Marges de la philosophie. Paris: Minuit 1972).Google Scholar