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References
Vanessa Harding, ‘Burial of the Plague Dead in Early Modern London,’ Epidemic Disease in London: Working Papers series/ Centre for Metropolitan History; no. 1, J. Champion (ed.), (London: Centre for Metropolitan History, 1993),88.
Ibid.
See Michel Foucault, The History of Sexuality (London: Allen Lane, 1988).
Richard Sennet, The Conscienceof the Eye: The Design and Social Life of Cities (New York: Alfred A. Knopf, 1991).
Émile Durkheim, The Elementary Formsof the Religious Life, Carol Cosman (trans.) and Mark S. Cladis (ed.) (Oxford: Oxford University Press, 2001), 358.
Fredric Jameson, ‘Future City’ in New Left Review (May–June, 2003), 21.
... space and time must be considered relative concepts, i.e., they are determined by the nature and behaviour of the entities that ‘inhabit’ them (the concept of ‘relative space’). This is the inverse of the situation where space and time themselves form a rigid framework which has an existence independent of the entities (the concept of ‘absolute space’). Jonathan Raper and David Livingstone, ‘Development of a Geomorphological Spatial Model Using Object-oriented Design’ in International Journal of Geographical Information Systems, Vol.9 (1995): 359–83.
Lilie Chouliaraki, ‘Watching September 11th: The Politics of Pity’ in Discourse and Society, Vol. 15, No. 2–3 (2004), 185–98.
The strategy of exclusion is one of three typologies of sacred space put forward by Chidester and Linenthal; the others being inversion and hybridisation. See David Chidester and Edward T. Linenthal, American Sacred Space: Religion in North America (Bloomington: Indiana University Press, 1995).
Jon Bird, ‘The Mote in God’s Eye:9/11, Then and Now’ in The Journal of Visual Culture, Vol.2, No.1 (2003): 83–97.
James Donald, Imagining the Modern City (London: Athlone Press, 1999).
David Chidester and Edward Tabor Linenthal. American Sacred Space, Religion in North America (Bloomington: Indiana University Press, 1995).
P.D. Montebello, ‘The Iconic Power of an Artefact’ in The New York Times, 25 September 2001.
Michel Foucault, ‘Of Other Spaces’ in Diacritics, Vol.16, No.1 (1986): 22–27.
D.W. Dunlap, ‘Renovating a Sacred Place, Where the 9/11 Remains Wait’ in The New York Times, 29 August 2006.
References
P. Allen, ‘Teenagers Murdered in London in 2008’ in The Guardian, Tuesday 18 November, 2008
A. Topping, ‘I Only Get Angry When the Police are Rude’ in The Guardian, Friday 12 December 2008.
Marcus Felson, ‘Those Who Discourage Crime’ in John E. Eck and David Weisburd (eds.), Crime and Place, Vol. 4 (Monsey, NY: Criminal Justice Press, 1995): 53–66.
Luc Anselin et al., ‘Spatial Analyses of Crime’ in Criminal Justice, Vol. 4 (2000), 213–62.
Mike Presdee, Cultural Criminology and the Carnival of Crime (New York: Routledge, 2000).
David Chidester and Edward Tabor Lirenthal, American Sacred Space. Religion in North America (Bloomington: Indiana University Press 1995).
Homi Bhabha, as discussed in ibid.
Ibid.
Maurice Merleau-Ponty, The Primacy of Perception: and Other Essays Psychology on the Philosophy of Art, History and Politics, James M. Edie (ed.), (Evanston: Northwestern U P, 1964), 228.
Graham Holderness, ‘The Undiscovered Country’: Philip Pullman and the ‘Land of the Dead’ in Literature & Theology, Vol. 21, No.3 (2007): 276.
Mircea Eliade, The Sacred & The Profane: the Nature of Religion (London: Sheed and Ward Ltd, 1957).
Joanna Zylinska
References
Jacques Derrida, The Ear of the Other: Otobiography, Transference, Translation (New York: Schocken Books, 1985), 32–3. See also Nicholas Royle, The Uncanny (Manchester: Manchester University Press, 2003), 64.
Paul Virilio, Art and Fear (London and New York: Continuum, 2003), 43, 93
Arthur and Marilouise Kroker, ‘We are All Stelarcs Now’ in Marquard Smith (ed.), Stelarc: The Monograph (Cambridge, MA: London: MIT, 2005), 63–86.
References
This thinking is developed in Joanna Zylinska, Bioethics in the Age of New Media (Cambridge, MA: London, England: MIT, 2009) and was also discussed at Zylinska’s Lecture on Bioethics as part of the ‘New Nature’ lecture programme at the Royal College of Art, London, 2008.
Ibid., 102.
See for instance, All Tied-Up: The Corset in Contemporary Fashionin http://bit.ly/alltiedup
Joanna Zylinska, Op cit.
Cary Wolfe in ‘Bioethics and the Posthumanist Imperative’ in Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond (Cambridge, MA; MIT, 2007). 97
Joanna Zylinska, Op cit. See Chapter One
As outlined in her Lecture on Bioethics, Op cit.
Joanna Zylinska, Op cit.
Joanna Zylinska used the term’ skin-tight container’ in her Bioethics lecture, Op cit.
See Hugh Aldersey-Williams, Peter Hall, Ted Sargent and Paola Antonelli, Design and the Elastic Mind (New York: Museum of Modern Art, 2008).
David Crowley in his introduction to the ‘New Nature’ lecture series: Royal College of Art, London, 2008
Cynthia Freeland, Art Theory: But Is It Art? An Introduction to Art Theory (Oxford: Oxford University Press, 2001), 134.
References
Ludwig Wittgenstein, Philosophical Investigations (Oxford: Blackwell, 2001), 327 (First published, 1953)
William S. Burroughs, The Ticket That Exploded (London: Flamingo, 2001), 144 (First published 1962)
Marshall McLuhan and Quentin Fiore, The Medium is the Massage: An Inventory of Effects (New York: Hardwired, 1996), 142 (First published, 1967)
Joachim-Ernst Berendt, The World Is Sound: Nada Brahma: Music and the Landscape of Consciousness (Rochester VT: Inner Traditions, 1987)
References
Interview with Scanner in CMJ New Music Monthly October 1999
Edgar Allan Poe, The Fall of the House of Usher (New York: American Book Company, 1907)
Ibid.
Fran Tonkiss in Michael Bull and Les Back, The Auditory Culture Reader, Sensory Formations series (Oxford: Berg, 2003), 510.
Yi-Fu Tuan, Topophilia (Columbia University Press, 1990)
Mark F. Zander, ‘Musical lnf’uences in Advertising: How Music Modifies First Impressions of Product Endorsers and Brands’ in Psychology of Music, Vol, 34,No. 4 (2006): 465–80
References
Philip Larkin and Andy Thwaite (ed.), Philip Larkin: Collected Poems (London: Marvell Press; Faber and Faber, 1998), 67.
Sound Proof (2008), http://bit.ly/soundproof2008
Rowland Atkinson, ‘Ecology of Sound: The Sonic Order of Urban Space’ in Urban Studies, Vol. 44,No. 10 (2007), 1905–6.
Ibid.
Tony Fry, A New Design Philosophy: An Introduction to Defuturing (Sydney: University of New South Wales Press, 1999).
Victor Papanek, Design for the Real World: Human Ecologyand Social Change (New York: Van Nostrand Reinhold Co., 1984), ix–x.
Philip Larkin, Op cit.
References
Susan Sontag, Regarding the Pain of Others (London: Hamish Hamilton, 2003)
‘In the Fog of Urban War Crimes and Ethics Blur’ in The New York Times, reprinted in The Observer, 25 January 2009, 2. Photograph by Hatem Moussa/ Associated Press
Susan Sontag, Op cit., 6
Ibid., 113.
Lilie Chouliaraki, ‘The Symbolic Power of Transnational Media: Managing the Visibility of Suffering’ in Global Media and Communication, Vol. 4,No.3 (2008), 337
‘The Struggle for Gaza: Where Will it End’ in The Economist, 10 January 2009, 23.
Image captioned ‘Too hard a lesson’ in ‘The Struggle for Gaza’, The Economist, 10 January 2009, 25.
Peter Campbell, ‘The: Lens of War’ in New Left Review 55, January–February 2009, 2.
Lilie Chouliaraki, Op cit., 337.
References
Susan Sontag, Regarding the Pain of Others (London: Hamish Hamilton, 2003). This was a revisiting of some of the ideas she had originally developed in On Photography (New York: Farrar, Straus, Giroux, 1977).
Susan Sontag, Op cit., 53–4.
This work is more particularly part of post-structuralist thinking. Two of its main protagonists were Jean Baudrillard and Jacques Derrida. Baudrillard proposed the’ simulacrum’, where human experience is of a simulation of reality, mediated by signs, rather than reality itself. Roland Barthes’ later work was also poststructuralist in thinking and, in Camera Lucida: Reflections on Photography (1982), he suggested that the relative innocence which prompted his earlier structuralist essays, such as Mythologies (1957, English translation 1970), had passed. Here, he could make fairly stable associations between’ steak and chips’ and ‘Frenchness’ for instance. Later, meanings and signs were seen to be much more unstable.
Susan Sontag, Op cit., 98.
Bruce Grierson, ‘Shock’s Next Wave: Advertisers Scramble for New Ways to Shock an Unshockable Generation’, in Adbusters magazine (Winter 1998).The adverts were designed by Swedish design agency Traktor.
Ian MacKinnon, ‘10 die as Israeli tank shells crowd’ in The Times, 20 May 2004, 34. Photograph by Kahil Hamra/Associated Press.
See Philip Griffiths, Vietnam Inc. (London: Phaidon, 2001). Also, The British newspaper, The Guardian, offered Iraq photos for sale on its website even as they still appeared in the guise of reportage in the newspaper. One could ‘click and own’ the photographs. www.guard ian.co.uk/iraq
Sufian Abd al-Ghani photographed by Michael Walter on the cover of The Guardian G2 cover, 15 August 2003.
Anne Higonnet, Pictures of Innocence: The History and Crisis of Ideal Childhood (London: Thames and Hudson, 1998).
Joe Klein, ‘The PG-rated War’ in Time, 7 April 2003, 67.
New Arrivals: The US Army’s 3rd Infantry Division looking for resistance from Iraqi fighters under airport signs pointing to passport control and baggage claim from ‘Destination Baghdad’, Time, 14 April 2003.
Baghdad Ministry of Defence by Simon Norfolk. Printed in ‘Afterburn’, The Guardian Weekend, 24 May 2003, 21. Norfolk also showed work in ‘The Sublime Image of Destruction’ for 2008 Brighton Photo Biennial curated by Julian Stallabrass.
‘A Latté — And a Rifle To Go’, The Observer Review cover, 8 June 2003. Photograph by Alexander Zemilianichenko.
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Zylinska, J., Biagioli, M., Carlyle, A. (2010). Sensibilities. In: Limited Language: Rewriting Design. Birkhäuser Basel. https://doi.org/10.1007/978-3-0346-0460-4_5
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