Abstract
Álvaro Siza consistently incorporates a distinctive iconography into the drawings of his architectural projects. Notably, depictions of individuals, including Siza himself or his hands, stand out among these sketches. Moreover, enigmatic and recurrent angels frequently make appearances in the preliminary drawings of his projects, seemingly hovering from above and attentively observing the inception of his architectural creations. This presentation delves into the exploration of the origin and significance of these ethereal beings. The focus has been directed towards illustrative drawings embodying this theme, particularly within two projects that the architect regards as pivotal in his career: the Church of Marco de Canaveses and the housing complex in Quinta da Malagueira, Évora. To unravel this narrative, a thorough analysis has been conducted, incorporating the architect’s testimonials, his written reflections, and interpretations from various authors. Additionally, connections to classical drawing and painting have been established. The narrative navigates through the intricate relationship between this iconography and a myriad of conscious or subconscious influences, such as childhood religious memories, ironic allegories of life, mythological imagery, and contemplations on the intersection of architecture with the surrounding landscape. Collectively, these elements converge to shape a distinct and unmistakable poetic, graphic, and personal tool within Siza’s artistic repertoire.
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Amado Lorenzo, A., Escoda Pastor, C., Arévalo Rodríguez, F., Miotto Bruscato, L. (2024). Winged Narratives: Exploring the Symbolism of Angels in Álvaro Siza’s Graphic Works. In: Hermida González, L., Xavier, J.P., Pernas Alonso, I., Losada Pérez, C. (eds) Graphic Horizons. EGA 2024. Springer Series in Design and Innovation , vol 44. Springer, Cham. https://doi.org/10.1007/978-3-031-57579-2_35
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