Abstract
Centering upon the novel, Electrical World, this chapter makes an in-depth exploration and analysis of the imagination of the world order in late Qing science fiction. This essay argues that the “King of Electricity” in Electrical World is the most successful literary image of the scientist in late Qing fiction. This figure signifies the revival of traditional Chinese worship of sage-kings in the heyday of scientific utopianism, and has representative significance for our understanding of the modern Chinese view of science and scientists. Concerning the remaking of the world order, unlike the mirror-image-remaking that establishes China’s hegemony, both Electrical World and New Ramblings of the Rustic Elder seek to transcend nationalism through advanced science and technology, but turn out to be entangled between cosmopolitanism and nationalism, and it is such a complex that defines these texts’ emotional intensity and depth of thought.
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Notes
- 1.
Translator’s note: whenever possible, I include original English text or authoritative translations. Citations for Bacon include both the Wegemer edition, and the Chinese translation.
- 2.
City-state narratives are a longstanding part of the western utopian tradition, beginning with Plato’s Republic and continuing on into the early modern narratives including Utopia, The City of the Sun, New Atlantis, Christianopolis and others, ideal societies are often limited to city-states or alliances among city-states. On the other hand, in the classical Chinese tradition, “small states with modest populations” and similar peach-garden narratives comprise the utopian mainstream. China and the west alike have both fostered expansive political ideals like the Stoic’s notion of the cosmopolis, medieval Christianity’s dream of world unity, and the utopian pursuit of the unification of all under heaven (tianxia datong) featured in the Book of Rites (Li Ji) chapter “Ceremonial usages” (liyun). But while these ideals all offer a significant political rhetoric, they did not make a significant impact in the realm of fictional narrative. Moreover, they were of limited scope. There was no space for heterodox believers in the ideal Christian world, and in comparison to the spectacular clashes between the “middle kingdom,” and “barbarian races” recorded in China’s historical annals, the “grand unity” featured in the Book of Rites exists only on paper. Only in the nineteenth century as the development of a capitalist world system gradually incorporated humanity, dispersed across all corners of the globe into a single organic entity, did the world order truly become the object of conscious creation and manipulation. Only then was an all-encompassing cosmotopia taking the entire planet as its realm, and the entirety of humanity in all its flourishing diversity as its subject a possibility.
- 3.
Paraphrase of Mencius Tai Wen Gong 1.4.
- 4.
Translations of the passages from Wu Jianren’s New Story of the Stone are courtesy of Elizabeth Evans, whose translation of the novel is forthcoming from Columbia University Press.
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Li , G. (2024). The King of Electricity from the East: Science, Technology, and the Vision of World Order in Late Qing China. In: Song, M., Isaacson, N., Li, H. (eds) Chinese Science Fiction. Studies in Global Science Fiction. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-53541-3_4
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