Summary
The term cultural pathology adds a new dimension to our understanding of social pathology, focusing on cultural dynamics and symbols guiding social behavior without stigmatizing an entire group. These dynamics and symbols involve not only norms but also mimetic diffusion and consumption patterns and the assessment of their impact on the essential wellbeing of the individual or the community. The “pathology” dimension metaphorically expresses societal “diseases” in globalized networks that challenge social solidarity and cohesion. Expressions of a cultural pathology are not easily perceived as such by cultural experts, but even less so by the agents of these actions and behaviors. Although such phenomena are now quite frequent and intense, in a globalized cultural context they are often masked by a positive and celebratory media and social networks aura, namely, as the modern way of life and a desirable lifestyle “for all of us.” In many cases, there are concomitant social phenomena and multiplying factors in contemporary social problems such as the acceleration and aggravation of existing inequalities and discrimination, negative “reinterpretation” of traditions and cultural symbols, the spread of “destructive behaviors” across social and natural environments that constitute new norms, especially for young people and new professions; driving innovation and social change in directions that further erode communities’ social and political cohesion. Finally, we examine cultural pathology regarding specific events and phenomena that are part of it, starting the analysis with reference to some examples of “clinical interventions” in favor of the natural environment.
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Notes
- 1.
In the period 2015–2020, more than 50% of foreign arrivals took place in the quarter July–August—September (SETE, 2020). In the same period, foreign arrivals per quarter averaged 6.4% (Q1), 24% (Q2), 55.8% (Q3), and 13.6% (fourth quarter), which demonstrates the very high seasonality of tourism in Greece (NSSG 2021).
- 2.
Sun & Beach. Tourism product with the highest demand and high growth rate (226.0 mn. trips | 9.4% per year between 2015 and 2019) and strong seasonality in the summer months—Key destinations (2019): Spain (17.3%), Turkey (8.3%), Greece (7.4%), Mexico (6.0%), and Thailand (5.5%)—Key distribution channels: large and established mass tourism tour operators (e.g., TUI, FTI, and DER Touristik) and large & established OTAs (e.g. Booking and Expedia)—Key trends / best practices: combining Sun & Beach with alternative and thematic tourism products, adoption and promotion of sustainability practices by tourism product providers and destinations, promotion, and marketing of destinations to targeted markets/customers via modern digital media (NSSG 2021, p. 38).
- 3.
Action: ‘Interregional Digital Transformation of the Aegean Archipelago in Culture and Tourism. Action 1.8.—MIS 5047046, University Hill. Coordinator. Prof. Dimitri Papageorgiou.
- 4.
Organization: Collective Co-organization of researchers, and artists.
General coordination: Sotiris Chtouris Clinical Sociologist... Angeliki Polytaki: Social Anthropologist, MSc Sociology, Miltiadis Chtouris: University of the Aegean. Philosophy, University of Louvain. Despina Kostelidou: Theologian, MA Museology, University of the Aegean. Dr. Anna Micheli: Social Archaeologist, PhD Sociology of Art, Postdoctoral Fellow, University of the Aegean (Curator of art exhibition). Dr. Yannis Ziogas: Professor (Peripatetic art actions:), Department of Visual and Applied Arts, University of Western Macedonia.
- 5.
Chtouris, Sotiris (1995). Traditional and modern networks in the Aegean Sea (pp. 39–62). Theoretical and methodological preconditions for the anthropological and sociological networks of Mediterranean culture.
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Chtouris, S., Miller, D.S. (2024). Cultural Pathology: Clinical Diagnosis and Artistic Interventions. In: Diagnosis in Social Fields and Networks. Springer, Cham. https://doi.org/10.1007/978-3-031-52415-8_9
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