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Between Memory and History: Retracing Historical Knowledge Through a Phenomenology of Afterlife

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Jan Patočka and the Phenomenology of Life After Death

Part of the book series: Contributions to Phenomenology ((CTPH,volume 128))

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Abstract

How can Jan Patočka’s phenomenology of afterlife enable us to understand the historiographical process in general and the role of testimony in the historiographical process, in particular? Patočka presents a phenomenological analysis of co-existence and afterlife where others continue to be with us, as a part of our lifeworld and our constitution of ourselves, even after they are gone. We see ourselves through others and we continue to experience our lifeworld with them, a relation that is transformed but not disrupted after their death. In historiographical discussions, historical knowledge is often defined in opposition to memories, on account of its distance to our immediate, personal relation to our past. Such discussions were famously undertaken by thinkers such as Paul Ricoeur and Pierre Nora. The aim of this paper is to place the phenomenological analysis of death and of loss within discussions surrounding the relation between memory and historical knowledge. In particular, it examines how we constitute and re-constitute collective memory and historical knowledge through testimonies and archives. It argues that we can understand testimonies and archives as different modes of being with the dead, modes that continue to constitute both our individual field of experience, and our collective historical situation.

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Notes

  1. 1.

    The relation between Ricoeur and Patočka has been discussed in recent years, in particular a special number of META from 2017 was dedicated to the relation between the two philosophers. The editors outline both their affinities in terms of influences, the similarities between their thoughts and the influence they had on one another (see Hagedorn and Marinescu 2017, 381). Even though Patočka has not written about Ricoeur’s philosophy, he had read his work, and the influence can be seen in some of Patočka’s objections to Husserl and Heidegger as well as in Patočka’s correspondences (Hagedorn and Marinescu 2017, 382). Furthermore, their affinities regarding their theories of afterlife are discussed by Christian Sternad. He stresses how a phenomenology of death and the afterlife, for both Patočka and Ricoeur must begin with an account of intersubjectivity (Sternad 2017, 537).

  2. 2.

    Merleau-Ponty cites Paul Valéry’s Tel Quel I, (see Valéry 1982, 490). The translation has been modified, the original reads as follows: “Dès que les regards se prennent, l’on n’est plus tout à fait deux et il y a de la difficulté à demeurer seul. […] Tu prends mon image, mon apparence, je prends la tienne. Tu n’es pas moi, puisque tu me vois et que je ne me vois pas. Ce qui me manque, c’est ce moi que tu vois. Et à toi, ce qui manque, c’est toi que je vois.” (Merleau-Ponty 1960, 294).

  3. 3.

    The numbers within slashes refer to the page numbers of the printed Czech text, included within slashes in the above English translation.

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Correspondence to Lovisa Andén .

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Andén, L. (2024). Between Memory and History: Retracing Historical Knowledge Through a Phenomenology of Afterlife. In: Strandberg, G., Strandberg, H. (eds) Jan Patočka and the Phenomenology of Life After Death. Contributions to Phenomenology, vol 128. Springer, Cham. https://doi.org/10.1007/978-3-031-49548-9_10

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