Abstract
The chapter introduces cultural and creative industries (CCI) as a concept and policy domain and relates CCI as an activity to those policy domains that have the most affinity with CCI, culture, enterprise and regional development. Among other matters, the chapter discusses the significant impact that the expansion of the European Union (EU) has had on Swedish policymaking and how ambitions to change EU policy in recent decades have led to new priorities regarding the cultural and creative field. The chapter concludes that the analysis and discussion of CCI policymaking at the EU as well as at the national and subnational levels in Sweden is not possible without taking EU-level changes into consideration. At the same time, the chapter points out that politicians at different levels increasingly demand integrated policymaking; in other words, policymaking that links different policy domains to more effectively target societal challenges. The question of integration is also something that has been central in CCI policymaking.
Notes
- 1.
Many researchers refer to the DCMS (2001) Creative Industries Mapping Document (Bilton and Leary 2002; Banks and Hesmondhalgh 2009; Hennekam and Bennett 2016), but the definition cannot be found at the websites listing the various mapping documents for various sectors. Possibly the definition was included in a printed version of the report.
References
ADE, CCRI and OIR. 2022. Study on the ENRD and the NRNs’ Contribution to the Implementation of EU Rural Development Policy: Final Report. Luxembourg: Publications Office of the European Union. https://data.europa.eu/doi/10.2762/14851.
Aiginger, Karl, and Dani Rodrik. 2020. Rebirth of Industrial Policy and an Agenda for the Twenty-First Century. Journal of Industry, Competition and Trade 20 (2): 189–207. https://doi.org/10.1007/s10842-019-00322-3.
Bakhshi, Hasan, and Stuart Cunningham. 2016. Cultural Policy in the Time of the Creative Industries. London: Nesta. https://www.nesta.org.uk/report/cultural-policy-in-the-time-of-the-creative-industries/.
Banks, Mark, and David Hesmondhalgh. 2009. Looking for Work in Creative Industries Policy. International Journal of Cultural Policy 15 (4): 415–430. https://doi.org/10.1080/10286630902923323.
Banks, Mark, and Justin O’Connor. 2017. Inside the Whale (and How to Get Out of There): Moving on from Two Decades of Creative Industries Research. European Journal of Cultural Studies 20 (6): 637–654. https://doi.org/10.1177/1367549417733002.
Barca, Fabrizio. 2009. An Agenda for a Reformed Cohesion Policy: A Place-based Approach to Meeting European Union Challenges and Expectations. Independent Report prepared at the request of Danuta Hübner, Commissioner for Regional Policy. https://ec.europa.eu/regional_policy/archive/policy/future/barca_en.htm.
Barthes, Roland. 1977. Image Music Text. London: Fontana.
Bassett, K. 1993. Urban Cultural Strategies and Urban Regeneration: A Case Study and Critique. Environment and Planning A: Economy and Space 25 (12): 1773–1788. https://doi.org/10.1068/a251773.
Baudrillard, Jean. 1970. La société du consommation. Paris: Denoël.
Beacham, Richard C. 1999. Spectacle Entertainments of Early Imperial Rome. New Haven: Yale University Press.
Belfiore, Eleonora, and Oliver Bennett. 2008. The Social Impact of the Arts: An Intellectual History. London: Palgrave Macmillan. https://doi.org/10.1057/9780230227774.
Bell, David, and Kate Oakley. 2014. Cultural Policy. London: Routledge.
Bianchini, Franco. 1999. Cultural Planning for Urban Sustainability. In City and Culture: Cultural Processes and Urban Sustainability, ed. Louise Nyström, with Colin Fudge, 34–51. Karlskrona: Boverket (The Swedish Urban Environment Council).
Bianchini, Franco, and Michael Parkinson, eds. 1993. Cultural Policy and Urban Regeneration: The West European Experience. Manchester: Manchester University Press.
Bilton, Chris, and Ruth Leary. 2002. What Can Managers Do for Creativity? Brokering Creativity in the Creative Industries. International Journal of Cultural Policy 8 (1): 49–64. https://doi.org/10.1080/10286630290032431.
Bourdieu, Pierre. 1985. The Market of Symbolic Goods. Poetics 14 (1–2): 13–44. https://doi.org/10.1016/0304-422X(85)90003-8.
Boutinot, Amélie, and Hélène Delacour. 2020. The Progressive Structuration and Boundary Setting of the Creative Industries as a Scientific Field. International Journal of Arts Management 23 (1): 4–14.
Büttner, Sebastian M. 2012. Mobilizing Regions, Mobilizing Europe: Expert Knowledge and Scientific Planning in European Regional Development. Abingdon: Routledge.
Campbell, Peter. 2018. Persistent Creativity: Making the Case for Art, Culture and the Creative Industries. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-03119-0.
Capello, Roberta, and Peter Nijkamp, eds. 2009. Handbook of Regional Growth and Development Theories. Cheltenham: Edward Elgar.
Cassagnes-Brouquet, Sophie. 2001. D’art et D’argent. Paris: Numérique Premium. https://doi.org/10.14375/NP.9782868475732.
Caves, Richard E. 2000. Creative Industries: Contracts Between Art and Commerce. Cambridge (MA): Harvard University Press.
Chapain, Caroline, and Dominique Sagot-Duvauroux. 2020. Cultural and Creative Clusters – A Systematic Literature Review and a Renewed Research Agenda. Urban Research and Practice 13 (3): 300–329.
Chapain, Caroline, and Tadeusz Stryjakiewicz, eds. 2017. Creative Industries in Europe: Drivers of New Sectoral and Spatial Dynamics. Cham: Springer.
Cicerone, Gloria, Alessandro Crociata, and Daniele Mantegazzi. 2021. Cultural and Creative Industries and Regional Diversification: Does Size Matter? Papers in Regional Science 100 (3): 671–687. https://doi.org/10.1111/pirs.12585.
Collins, Patrick, and James A. Cunningham. 2017. Creative Economies in Peripheral Regions. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-52165-7.
Compendium. 2019. Country Profile: United Kingdom, Website. Bonn: Compendium of Cultural Policies and Trends. https://www.culturalpolicies.net/database/search-by-country/country-profile/?id=42.
Cooke, Philip N., and Luciana Lazzeretti, eds. 2008. Creative Cities, Cultural Clusters and Local Economic Development. Cheltenham: Edward Elgar.
Copeland, Paul. 2012. Conclusion. In The EU’s Lisbon Strategy: Evaluating Success, Understanding Failure, ed. Paul Copeland and Dimitris Papadimitriou, 229–237. London: Palgrave Macmillan. https://doi.org/10.1057/9781137272164_13.
Couch, Chris, Charles Fraser, and Susan Percy, eds. 2003. Urban Regeneration in Europe. Oxford: Blackwell.
CSES and ERICarts. 2010. Study on the Contribution of Culture to Local and Regional Development – Evidence from the Structural Funds: Final Report. Sevenoaks: Centre for Strategy and Evaluation Services.
DCMS. 2001. Creative Industries Mapping Document, Website. London: Department of Culture, Media and Sports, UK Government. https://www.gov.uk/government/publications/creative-industries-mapping-documents-2001.
Diller, Christian, Guido Nischwitz, Sarah Karic, Jasmin Arnold, Patrick Chojnowski, and Martin Kohl. 2019. Effects of Regional Development Programmes. disP – The Planning Review 55 (1): 52–67.
Dubois, Vincent. 2015. Cultural Policy Regimes in Western Europe. In International Encyclopedia of the Social and Behavioral Sciences, ed. James D. Wright, 2nd ed., 460–465. Amsterdam: Elsevier.
Dunford, Michael, and Diane Perrons. 1994. Regional Inequality, Regimes of Accumulation and Economic Development in Contemporary Europe. Transactions of the Institute of British Geographers 19 (2): 163–182.
Durrer, Victoria, Toby Miller, and Dave O’Brien, eds. 2018. The Routledge Handbook of Global Cultural Policy. London: Routledge.
Eco, Umberto. 1976. A Theory of Semiotics. Bloomington: Indiana University Press.
EU. 2012. Policy Handbook on How to Strategically Use the EU Support Programmes, Including Structural Funds, to Foster the Potential of Culture for Local, Regional and National Development and the Spill-over Effects on the Wider Economy? Brussels: European Union. https://ec.europa.eu/assets/eac/culture/library/publications/cci-policy-handbook_en.pdf.
———. 2018. The Role of Public Policies in Developing Entrepreneurial and Innovation Potential of the Cultural and Creative Sectors. Report of the OMC (Open Method of Coordination) Working Group of Member States’ Experts. Luxembourg: Publications Office of the European Union.
Florida, Richard. 2002. The Rise of the Creative Class … and How It’s Transforming Work, Leisure, Community, and Everyday Life. New York: Basic Books.
Freire-Gibb, Lucio Carlos. 2011. The Rise and Fall of the Concept of The Experience Economy in the Local Economic Development of Denmark. European Planning Studies 19 (10): 1839–1853. https://doi.org/10.1080/09654313.2011.614391.
Galloway, Susan, and Stewart Dunlop. 2007. A Critique of Definitions of the Cultural and Creative Industries in Public Policy. International Journal of Cultural Policy 13 (1): 17–31.
Garcia, Beatriz, and Tamsin Cox. 2013. European Capitals of Culture: Success Strategies and Long-Term Effects. Brussels: Directorate General for Internal Policies, Policy Department B: Structural and Cohesion Policies: Culture and Education. https://www.europarl.europa.eu/thinktank/en/document/IPOL-CULT_ET(2013)513985.
Garnham, Nicholas. 1987. Concepts of Culture: Public Policy and the Cultural Industries. Cultural Studies 1 (1): 23–37. https://doi.org/10.1080/09502388700490021.
———. 2005. From Cultural to Creative Industries. International Journal of Cultural Policy 11 (1): 15–29. https://doi.org/10.1080/10286630500067606.
Gay, Paul du, and Michael Pryke, eds. 2002. Cultural Economy: Cultural Analysis and Commercial Life. London: SAGE.
Gerlitz, Laima, and Gunnar Klaus Prause. 2021. Cultural and Creative Industries as Innovation and Sustainable Transition Brokers in the Baltic Sea Region: A Strong Tribute to Sustainable Macro-Regional Development. Sustainability 13 (9742): 22. https://doi.org/10.3390/su13179742.
Gerosa, Alessandro. 2022. The Hidden Roots of the Creative Economy: A Critical History of the Concept Along the Twentieth Century. International Journal of Cultural Policy 28 (2): 131–144. https://doi.org/10.1080/10286632.2021.1933460.
Gibson, Chris, and Lily Kong. 2005. Cultural Economy: A Critical Review. Progress in Human Geography 29 (5): 541–561.
Gill, Rosalind, Andy C. Pratt, and Tarek E. Virani, eds. 2019. Creative Hubs in Question: Place, Space and Work in the Creative Economy. Cham: Palgrave Macmillan. https://link.springer.com/content/pdf/10.1007/978-3-030-10653-9.pdf.
Goodman, Nelson. 1976. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Hackett.
Gugu, Silvia, and Martina Dal Molin. 2016. Collaborative Local Cultural Governance: What Works? The Case of Cultural Districts in Italy. Administration and Society 48 (2): 237–262. https://doi.org/10.1177/0095399715581037.
Hadjimichalis, Costis, and Ray Hudson. 2014. Contemporary Crisis Across Europe and the Crisis of Regional Development Theories. Regional Studies 48 (1): 208–218.
Hassink, Robert, and Chun Yang. 2021. Editorial: Creative Industries at the Intersection Between Local Agglomeration, National Regulation, and Global Networks. Tijdschrift voor economische en sociale geografie 112 (3): 217–219. https://doi.org/10.1111/tesg.12474.
Hauser, Arnold. 1951. The Social History of Art. London: Routledge and Kegan Paul.
Hennekam, Sophie, and Dawn Bennett. 2016. Self-Management of Work in the Creative Industries in the Netherlands. International Journal of Arts Management 19 (1): 31–41. https://www.jstor.org/stable/44989676.
Hesmondhalgh, David. 2019. The Cultural Industries. 4th ed. London: SAGE.
Hesmondhalgh, David, and Andy C. Pratt. 2005. Cultural Industries and Cultural Policy. International Journal of Cultural Policy 11 (1): 1–13.
Heur, Bas van. 2010. Creative Networks and the City. Towards a Cultural Political Economy of Aesthetic Production. Bielefeld: Transcript. https://library.oapen.org/handle/20.500.12657/25382.
Hirsch, Paul M. 2000. Cultural Industries Revisited. Organization Science 11 (3): 356–361. https://www.jstor.org/stable/2640268.
Hogwood, Brian W., and Lewis A. Gunn. 1984. Policy Analysis for the Real World. Oxford: Oxford University Press.
Horkheimer, Max, and Theodor W. Adorno. 2002. Dialectic of Enlightenment. New York: Continuum.
Howkins, John. 2002. The Creative Economy: How People Make Money from Ideas. London: Penguin.
Howlett, Michael. 2011. Designing Public Policies: Principles and Instruments. New York: Routledge.
KEA. 2012. The Use of Structural Funds for Cultural Projects. IP/B/CULT/FWC/2010-001/Lot4/C2/SC1. Brussels: Directorate General for Internal Policies, Policy Department B: Structural and Cohesion Policies: Culture and Education. https://op.europa.eu/en/publication-detail/-/publication/a4ee28f2-fb29-4474-a6c9-3069de3d510b.
Keating, Michael, and John Loughlin. 1997. Introduction. In The Political Economy of Regionalism, ed. Michael Keating and John Loughlin, 1–13. London: Frank Cass.
Kong, Lily. 2014. From Cultural Industries to Creative Industries and Back? Towards Clarifying Theory and Rethinking Policy. Inter-Asia Cultural Studies 15 (4): 593–607. https://doi.org/10.1080/14649373.2014.977555.
Kröger, Sandra. 2009. The Open Method of Coordination: Underconceptualisation, Overdetermination, Depoliticisation and Beyond. In What We Have Learnt: Advances, Pitfalls and Remaining Questions in OMC Research. Special Issue ed. Sandra Kröger, European Integration Online Papers Special Issue 1, 13, Art. 5. http://eiop.or.at/eiop/texte/2009-005a.htm.
Kunzmann, Klaus R. 2004. Culture, Creativity and Spatial Planning. Town Planning Review 75 (4): 383–404.
Lash, Scott, and John Urry. 1994. Economics of Signs and Space. London: SAGE.
Lawrence, Thomas B., and Nelson Phillips. 2002. Understanding Cultural Industries. Journal of Management Inquiry 11 (4): 430–441. https://doi.org/10.1177/1056492602238852.
Lazzeretti, Luciana, Francesco Capone, and Niccolò Innocenti. 2018. The Rise of Cultural and Creative Industries in Creative Economy Research: A Bibliometric Analysis. In Creative Industries and Entrepreneurship, ed. Luciana Lazzeretti and Marilena Vecco, 13–34. Cheltenham: Edward Elgar.
Lee, Hye-Kyung. 2020. Making Creative Industries Policy in the Real World: Differing Configurations of the Culture-market-state Nexus in the UK and South Korea. International Journal of Cultural Policy 26 (4): 544–560. https://doi.org/10.1080/10286632.2019.1577401.
Lindner, Peter. 2018. Creativity Policy: Conserving Neoliberalism’s Other in a Market Assemblage? Economic Geography 94 (2): 97–117. https://doi.org/10.1080/00130095.2017.1403850.
Loots, Ellen, Miguel Neiva, Luís Carvalho, and Mariangela Lavanga. 2021. The Entrepreneurial Ecosystem of Cultural and Creative Industries in Porto: A Sub-ecosystem Approach. Growth and Change 52 (2): 641–662. https://doi.org/10.1111/grow.12434.
Luckman, Susan. 2012. Locating Cultural Work: The Politics and Poetics of Rural, Regional and Remote Creativity. London: Palgrave Macmillan. https://doi.org/10.1057/9781137283580.
Maldonado-Erazo, Claudia Patricia, María de la Cruz del Río-Rama, Carlos Rueda-Armengot, and Amador Durán-Sánchez. 2019. Creative Arts Industries: Analysis of Scientific Production. In Cultural and Creative Industries: A Path to Entrepreneurship and Innovation, ed. Marta Peris-Ortiz, Mayer Rainiero Cabrera-Flores, and Arturo Serrano-Santoyo, 15–42. Cham: Springer. https://doi.org/10.1007/978-3-319-99590-8.
McCann, Philip, Raquel Ortega-Argiles, and Dominique Foray. 2015. Smart Specialization and European Regional Development Policy. In The Oxford Handbook of Local Competitiveness, ed. David B. Audretsch, Albert N. Link, and Mary Walshok, 458–480. Oxford: Oxford University Press.
McCann, Philip, Frank van Oort, and John Goddard, eds. 2017. The Empirical and Institutional Dimensions of Smart Specialisation. Abingdon: Routledge.
McFall, Liz. 2004. The Culturalization of Work in the ‘New’ Economy: An Historical View. In Identity in the Age of the New Economy: Life in Temporary and Scattered Work Practices, ed. Torben Elgaard Jensen and Ann Westenholz, 9–33. Northampton: Edward Elgar.
McGuigan, Jim. 2005. Neo-liberalism, Culture and Policy. International Journal of Cultural Policy 11 (3): 229–241. https://doi.org/10.1080/10286630500411168.
McKelvey, Maureen, and Astrid Heidemann Lassen. 2018. Knowledge, Meaning and Identity: Key Characteristics of Entrepreneurship in Cultural and Creative Industries. Creativity and Innovation Management 27 (3): 281–283. https://doi.org/10.1111/caim.12293.
Mizzau, Lorenzo, and Fabrizio Montanari. 2008. Cultural Districts and the Challenge of Authenticity: The Case of Piedmont, Italy. Journal of Economic Geography 8 (5): 651–673. https://doi.org/10.1093/jeg/lbn027.
Mossetto, Gianfranco. 1993. Aesthetics and Economics. Dordrecht: Kluwer.
Mulcahy, Kevin V. 2006. Cultural Policy: Definitions and Theoretical Approaches. The Journal of Arts Management, Law, and Society 35 (4): 319–330. https://doi.org/10.3200/JAML.35.4.319-330.
Nijzink, Douwe, Quirijn Lennert van den Hoogen, and Pascal Gielen. 2017. The Creative Industries: Conflict or Collaboration? An Analysis of the Perspectives from Which Policymakers, Art Organizations and Creative Organizations in the Creative Industries Are Acting. International Journal of Cultural Policy 23 (5): 597–617. https://doi.org/10.1080/10286632.2015.1069824.
Objuljen Koržinek, Nina. 2015. New Trends in Policy Making. In Re Shaping Cultural Policies. A Decade Promoting the Diversity of Cultural Expressions for Development. 2005 Convention Global Report. Paris: UNESCO. https://unesdoc.unesco.org/ark:/48223/pf0000242866.
Paquette, Jonathan, and Devin Beauregard. 2017. Cultural Policy in Political Science Research. In The Routledge Handbook of Global Cultural Policy, ed. Victoria Durrer, Toby Miller, and Dave O’Brien, 19–32. London: Routledge.
Parson, Wayne. 1995. Public Policy: An Introduction to the Theory and Practice of Policy Analysis. Cheltenham: Edward Elgar Publishing.
Patel, Kiran Klaus, ed. 2013. The Cultural Politics of Europe: European Capitals of Culture and European Union Since the 1980s. Abingdon: Routledge.
Peltoniemi, Mirva. 2015. Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics. International Journal of Management Reviews 17 (1): 41–68. https://doi.org/10.1111/ijmr.12036.
Perez Monclus, Rosa. 2015. Public Banking for the Cultural Sector: Financial Instruments and the New Financial Intermediaries. International Review of Social Research 5 (2): 88–101. https://doi.org/10.1515/irsr-2015-0008.
Pike, Andy, Andrés Rodríguez-Pose, and John Tomaney. 2006. Local and Regional Development. Abingdon: Routledge.
Pine, B. Joseph, and James H. Gilmore. 1999. The Experience Economy: Work Is Theatre and Every Business a Stage. Boston: Harvard Business Press.
Pratt, Andy C. 2005. Cultural Industries and Public Policy. International Journal of Cultural Policy 11 (1): 31–44. https://doi.org/10.1080/10286630500067739.
———. 2009. Policy Transfer and the Field of the Cultural and Creative Industries: What Can Be Learned from Europe? In Creative Economies, Creative Cities: Asian-European Perspectives, ed. Lily Kong and Justin O’Connor, 9–23. GeoJournal Library 98. https://doi.org/10.1007/978-1-4020-9949-6_2.
Pratt, Andy. 2013. The Cultural and Creative Industries: Organisational and Spatial Challenges to Their Governance. Die Erde – Journal of the Geographical Society of Berlin 143 (4): 317–334. https://www.die-erde.org/index.php/die-erde/article/view/19.
Reckwitz, Andreas. 2017. The Invention of Creativity: Modern Society and the Culture of the New. Cambridge: Polity Press.
Redaelli, Eleonora. 2020. Understanding American Cultural Policy: The Multi-level Governance of the Arts and Humanities. Policy Studies 41 (1): 80–97. https://doi.org/10.1080/01442872.2018.1554804.
Rius-Ulldemolins, Joaquim, Alejandro Pizzi, and Juan Arturo Rubio Arostegui. 2019. European Models of Cultural Policy: Towards European Convergence in Public Spending and Cultural Participation? Journal of European Integration 41 (8): 1045–1067.
Rushton, Michael. 2000. Public Funding of Controversial Art. Journal of Cultural Economics 24 (4): 267–282. https://doi.org/10.1023/A:1007682121108.
Schlesinger, Philip. 2017. The Creative Economy: Invention of a Global Orthodoxy. Innovation: The European Journal of Social Science Research 30 (1): 73–90. https://doi.org/10.1080/13511610.2016.1201651.
Schneider, Wolfgang, and Kristina Jacobsen, eds. 2019. Transforming Cities Paradigms and Potentials of Urban Development Within the “European Capital of Culture”. Hildesheim: Universitätsverlag Hildesheim and Georg Olms Verlag. https://doi.org/10.18442/078.
Scott, Allen J. 2000. The Cultural Economy of Cities: Essays on the Geography of Image-Producing Industries. London: SAGE.
Sternberg, Rolf. 2012. Learning from the Past? Why ‘Creative Industries’ Can Hardly Be Created by Local/Regional Government Policies. Die Erde 143: 293–317.
Strøm, Heidi Angell, Trude Høgvold Olsen, and Lene Foss. 2020. Tensions for Cultural Entrepreneurs Managing Continuous Innovation: A Systematic Literature Review. International Journal of Arts Management 23 (1): 61–78.
Sydow, Jörg, and Udo Staber. 2002. The Institutional Embeddedness of Project Networks: The Case of Content Production in German Television. Regional Studies 36 (3): 215–227. https://doi.org/10.1080/00343400220122034.
Throsby, David. 2008a. Modelling the Cultural Industries. International Journal of Cultural Policy 14 (3): 217–232. https://doi.org/10.1080/10286630802281772.
———. 2008b. The Concentric Circles Model of the Cultural Industries. Cultural Trends 17 (3): 147–164. https://doi.org/10.1080/09548960802361951.
———. 2010. The Economics of Cultural Policy. Cambridge: Cambridge University Press.
UNESCO. 2015. Cultural Times: The First Global Map of Cultural and Creative Industries. Paris: UNESCO. https://en.unesco.org/creativity/files/culturaltimesthefirstglobalmapofculturalandcreativeindustriespdf.
Veblen, Thorstein. 1992. The Theory of the Leisure Class. New York: Routledge. https://doi.org/10.4324/9781315135373.
Vecco, Marilena, and Andrej Srakar. 2020. Direct, Indirect and Cross-lagged: The Effects of Cultural Policy on Nascent Cultural Entrepreneurship. International Journal of Arts Management 22 (2): 66–82.
Weible, Christopher M. 2017. Introduction: The Scope and Focus of Policy Process Research and Theory. In Theories of the Policy Process, ed. Christopher M. Weible and Paul A. Sabatier, 4th ed., 1–13. New York: Routledge.
Weimer, David L., and Aidan R. Vining. 2017. Policy Analysis: Concepts and Practice. 6th ed. New York: Routledge.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Lindqvist, K. (2024). CCI as a Concept and Policy Domain. In: Cultural and Creative Industries Policymaking. New Directions in Cultural Policy Research. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-48094-2_2
Download citation
DOI: https://doi.org/10.1007/978-3-031-48094-2_2
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-031-48093-5
Online ISBN: 978-3-031-48094-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)