Abstract
This chapter provides an overview of the monograph, outlining key terms and references on Chinese Theatre and Cultural and Creative Industries. It articulates the theoretical framework and personal background in analysis of rationale and approach.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
There are two yueju in Chinese xiqu, one is Cantonese yueju and the other Shanghai and Zhejiang yueju. Both yue has the same pronunciation, but different Chinese characters representing respective regions.
- 2.
Exchange rate at the time of research (2017–2018) was around 1sterling pound to 10 RMB.
References
Adorno, Theodor. 1991. The culture industry. London: Routledge.
Bai Yonghua, and Li Longpao. 2010. Gaojiaxi. Hangzhou: Zhejiang People’s Publisher.
Bai Yonghua, and Hong Shijian. 2012. Southern style cloth puppet (Nanpai Budaixi). Hangzhou: Zhejiang People’s Publisher.
Banks, Mark, and Justin O’Connor. 2009. After the creative industries. International Journal of Cultural Policy 15 (4): 365–373.
Bao Weihong. 2010. The politics of remediation: Mise-en-scène and the subjunctive body in Chinese opera film. The Opera Quarterly 26 (2–3): 256–290.
Blake, Adam, Saba Arbache, Thea Sinclair, and Vladimir Teles. 2008. Tourism and poverty relief. Annals of Tourism Research 35 (1): 107–126.
Bourdieu, Pierre. 1984. Distinction: A social critique of the judgement of taste. Cambridge: Harvard University Press.
———. 1991. Language and symbolic power. Cambridge: Polity Press.
———. 1998. Practical reason: On the theory of action. California: Stanford University Press.
Chen, Fan Pen Li, and Bradford Clark. 2010. A survey of puppetry in China (summers 2008 and 2009). Asian Theatre Journal 27 (2): 333–365.
China ICH Net. 2021. The ICH List (Feiwuzhi yichan mingdan). Accessed 18 June 2022. http://www.ihchina.cn/project.html.
China Ministry of Culture and Tourism. 2020. Improve Eco-system through cultural tourism. Accessed 20 April 2021. https://zwgk.mct.gov.cn/zfxxgkml/scgl/202207/t20220718_934745.html.
Clark, Paul. 2008. The Chinese cultural revolution: A history. Cambridge: Cambridge University Press.
———. 2012. Youth culture in China: From red guards to netizens. Cambridge: Cambridge University Press.
DCMS, U.K. 1998. Creative industries mapping document. London: DCMS.
Dolby, William. 1976. A history of Chinese drama. London: P. Elek.
Du, Wenwei. 2012. Golden Dragon and Mayfly: A huaiju play by Luo Huaizhen. CHINOPERL 31 (1): 113–162.
Fairbank, John King. 1979. China’s response to the West: A documentary survey, 1839–1923. Cambridge: Harvard University Press.
Fei, Xiaotong. 1992/1947. From the soil, the foundations of Chinese society: A translation of Fei Xiaotong’s Xiangtu Zhongguo, with an introduction and epilogue. Oakland: University of California Press.
Fenby, Jonathan. 2008. The Penguin history of modern China: The fall and rise of a great power, 1850–2009. London: Penguin.
Flew, Terry. 2013. Global creative industries. Chichester: John Wiley & Sons.
Gao, Yilong. 1991. Yueju History. Shanghai: Shanghai Publisher.
Goldstein, Joshua. 2007. Drama kings: Players and publics in the re-creation of Peking opera, 1870–1937. Berkeley: University of California Press.
Hartley, John. 2009. From the consciousness industry to the creative industries: Consumer-created content, social network markets and the growth of knowledge. In Media industries: History, theory and method, ed. J. Holt and A. Perren, 231–244. United Kingdom: Blackwell.
Hesmondhalgh, David. 2002. The cultural industries. London: Sage.
Huang, Shuqin (dir.) 1994. The Karma (Nie Zhai). Accessed 18 June 2020. https://www.youtube.com/watch?v=FZJBkVkl9mo.
Jiang, Jin. 2011. Women playing men: Yue opera and social change in twentieth-century Shanghai. University of Washington Press.
Jin, Dal Yong. 2017. The emergence of Asian mobile games: Definitions, industries, and trajectories. In Mobile gaming in Asia, ed. D. Jin, 3–20. Dordrecht: Springer. https://doi.org/10.1007/978-94-024-0826-3_1.
Keane, Michael. 2007. Created in China, the great new leap forward. London: Routledge.
———. 2013. Creative industries in China: Art, design and media. Oxford: John Wiley & Sons.
Kong, Lily. 2014. From cultural industries to creative industries and back? Towards clarifying theory and rethinking policy. Inter-Asia Cultural Studies 15 (4): 593–607.
Lam, Joseph. 2022. Kunqu: A classical opera of twenty-first-century China. Hong Kong: Hong Kong University Press.
Lei, Daphne. 2016. Operatic China: Staging Chinese identity across the Pacific. New York: Springer.
Liu, Siyuan. 2006. The impact of Shinpa on early Chinese Huaju. Asian Theatre Journal 23 (2): 342–355.
———. 2009. Theatre reform as censorship: Censoring traditional theatre in China in the early 1950s. Theatre Journal 61 (3): 387–406.
———. 2022. Xin Fengxia and the transformation of China’s Ping Opera. Cambridge University Press.
Ma, Haili. 2015. Urban politics and cultural capital: The case of Chinese Opera. London: Routledge.
———. 2022. The missing intangible cultural heritage in Shanghai cultural and creative industries. International Journal of Heritage Studies 28 (5): 597–608.
Mackerras, Colin, ed. 1983. Chinese theatre, from its origins to the present day. Honolulu: University of Hawaii press.
———. 2016. Traditional Chinese theatre. In Routledge Handbook of Asian Theatre. London: Routledge.
Mao, Zedong. 1965. Problems of strategy in China’s revolutionary war. Beijing: Foreign Languages Press.
Mitter, Rana. 2009. Modern China. New York: Sterling Publishing Company.
Mittler, Barbara. 2012. A continuous revolution: Making sense of Cultural Revolution. Cambridge: Harvard University Asian Centre.
Mommaas, Hans. 2009. Spaces of culture and economy: Mapping the cultural-creative cluster landscape. Creative Economies, Creative Cities: 45–59.
O’Connor, Justin. 2010. The cultural and creative industries: A literature review. Newcastle upon Tyne: Creativity, Culture and Education.
———. 2011. The cultural and creative industries: A critical history. EKNOMIAZ Revista vasca de Economia 78 (03): 24–47.
O’Connor, Justin, and Gu Xin. 2020. Red creative: Culture and modernity in China. Bristol: Intellect Books.
Oakley, Kate. 2004. Not so cool Britannia: The role of the creative industries in economic development. International Journal of Cultural Studies 7 (1): 67–77.
Qiu, Linchuan. 2009. Working-class network society: Communication technology and the information have-less in urban China. Cambridge: MIT press.
Rolston, David. 2002. Tradition and innovation in Chen Shi-Zheng’s Peony Pavilion. Asian Theatre Journal 19 (1): 134–146.
Ruizendaal, Robin. 2006. Marionette theatre in Quanzhou. Leiden: Brill.
Schumpeter, Joseph. 1994/1942. Creative destruction in capitalism, socialism and democracy. London: Routledge.
Snow, Edgar. 1937. Red star over China: The classic account of the birth of Chinese communism. New York: Random House.
Stock, Jonathan. 2003. Huju: Traditional opera in modern Shanghai. Oxford: Oxford University Press.
Su, Wendy. 2015. From culture for the people to culture for profit: The PRC’s journey toward a cultural industries approach. International Journal of Cultural Policy 21 (5): 513–528.
Tian, Min, ed. 2010. China’s greatest operatic male actor of female roles: Documenting the life and art of Mei Lanfang, 1894–1961. NY: Edwin Mellen Press.
Tschang, Ted. 2009. Creative industries across cultural borders: The case of video games in Asia. In Creative economies, creative cities: Asian-European perspectives, 25–42. Dordrecht: Springer Netherlands.
UNESCO. 2003. UNESCO intangible domains. Paris: UNESCO.
Wichmann, Elizabeth. 1983. Traditional theatre in contemporary China. In Chinese theatre, from its origins to the present day. Honolulu: University of Hawai’i Press.
———. 1991. Listening to theatre: The aural dimension of Beijing opera. Honolulu: University of Hawaii Press.
Xi, Jinping. 2014. Xi Jinping’s Talks at the Beijing Forum on Literature and Art. Accessed 18 November 2014. https://chinacopyrightandmedia.wordpress.com/2014/10/16/xi-jinpings-talks-at-the-beijing-forum-on-literature-and-art/.
Xinhua Net (Xinhuawang). 2015. Xi Jinping Watching Chinese Opera, 24 February. Accessed March 2017. http://guoqing.china.com.cn/xijinping/2017-02/24/content_40353649.htm.
———. 2020. Culture and technology as joint sword to provide new creativity for new culture and creativity (wenhua keji shuangjian hebi, xin wenchuang tigong xiaofei xin dongle). Accessed 26 March 2021. http://www.xinhuanet.com/politics/2020-06/22/c_1210671577.htm.
———. 2021. Xi declares “complete victory” in eradicating absolute poverty in China. Accessed June 2021. http://www.xinhuanet.com/english/2021-02/26/c_139767705.htm#:~:text=Xi%20declares%20%22complete%20victory%22%20in%20eradicating%20absolute%20poverty%20in%20China,-Source%3A%20Xinhua%7C%202021&text=%2D%2D%20Over%20the%20past%20eight,been%20lifted%20out%20of%20poverty
Yang, Jian. 1993. Underground literatures of the Cultural Revolution (Wenhua dageming zhong de dixia wenxue). Beijing: Zhaohua Publisher.
Yang, Xiaomei. 2008. Some issues in Chinese philosophy of religion. Philosophy Compass 3 (3): 551–569.
Ying, Zhiliang. 2002. The development history of Chinese yueju. Beijing: China Opera Publisher.
Zhou, Yude. 1990. Chinese opera and Chinese religion (zhongguo xiqu he zhongguo zongjiao). Beijing: Chinese Theatre Production (zhongguo xiju chubanshe).
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Ma, H. (2024). Understanding Cultural and Creative Industries Through Chinese Theatre. In: Understanding CCI through Chinese Theatre. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-031-45874-3_1
Download citation
DOI: https://doi.org/10.1007/978-3-031-45874-3_1
Published:
Publisher Name: Palgrave Pivot, Cham
Print ISBN: 978-3-031-45873-6
Online ISBN: 978-3-031-45874-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)